Daughter of the wind, KEILANA DECKER, joins our host Louis Kornfeld in episode #125 of the Magnet Theater Podcast. The two dig deep into the topic of “having fun” and the trouble they both have with it. Both of them share their appreciation for fellow Magnet personality Charlie Nicholson – including a hilarious story involving Charlie’s toothbrush – and as always, we learn about different improv tricks and strategies from Louis and Keilana alike.
At the beginning of the episode, Keilana reveals that she has prepared for this recording by listening to other episodes of the podcast and fears that she will simply regurgitate dialogue she’s already heard. Keilana tells us about going home to Chico, CA recently and she and Louis chat about going home to see their parents and how belittling it can feel.
Speaking of home, Keilana talks about leaving hers and coming to NYC to do improv. At first, she was so intrigued and confused by how these experienced improvisers were able to have fun while performing and Louis connects with Keilana over the idea of having a hard time “having fun” on stage. Louis draws a line in the sand and says that he doesn’t like fun because “fun is cheap.” Our host and guest digress a bit, admitting that there is a benefit in allowing yourself to being exposed in front of people who are in a position of accepting and supporting you. Keilana talks about the different levels of exposure, giving the example of how she felt like she wasn’t able to tell improv teammates if and when she didn’t feel good about her performance. Tangents aside, Keilana and Louis circle back around to the topic of having fun and Louis provides the following analogy: “I love dancing – except when there are other people around doing it.”
Louis talks about a book he is reading that explores how different people deal with their wounds: people who use their wounds to better themselves and people who give into their wounds – the “born losers.” Our two heroes realize that they are both people who don’t like the excessive amount of attention improv necessitates, but who love the art form nonetheless. Louis describes improv as airing out your wounds publicly (for about 20 minutes) and they both relate to how scary and empowering that can be.
We hear about Keilana’s newest love: spontaneous one-person applause. She tells us about her appreciation for the recognition in the one person who is willing to clap by themselves, which means more than simply laughing along with everyone else, of which she says, “You can laugh because you don’t understand something.” Of this kind of bold self-expression, Keilana is reminded of her appreciation for Charlie Nicholson (her Bodywork team member). She talks about a fun game he plays by hiding his toothbrush around her apartment when he stays over. Louis describes Charlie as a person who is willing to try out something new, that hasn’t been done, just to see what happens with it.
To round out the episode, Keilana and Louis discuss how a really good scene just requires one “yes, and,” how improv helps us harness the childlike wonder we’ve forgotten about, and why cleverness has a habit of ruining improv scenes. Plus, Louis describes a dream he thinks everyone has had (no one has) and Keilana builds a beautiful metaphorical firework.
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