Archive for the ‘Improv’ Category
We’re very excited to announce the next round of The Circuit, which will begin Friday, October 4th, 2013!
Applications for Circuit teams will open the first week of September and applicants will be chosen by lottery. If chosen, you will be placed on a team of 8 improvisers and assigned a coach. You will rehearse with your coach and team once a week, with rotating performances on Friday nights at 10PM at the Magnet Studio Theater.
If you have completed Level 3 of Magnet’s Training Program and are not part of a Magnet house improv team, you are eligible to apply.
The Circuit is a great way to gain experience in being in an improv ensemble. We highly encourage you to apply.
Stay tuned for more information and announcements regarding applications in the next few weeks. Thank you and we are looking forward to an exciting new season of The Circuit!
If you have any questions, please email us at circuit [at] magnettheater [dot] com.
“The Blackout” is the newest installment of The Director Series, a 5-week series of performances wherein a Director selects a cast and presents a different form. This month Louis Kornfeld is directing The Blackout, featuring Phoebe Tyers, Alexis Lambright, Ely Aina Rapoza, Rebecca Robles, Charlie Whitcroft, Rob Penty, Eli Itzkowitz, and Desiree Nash.
This past Thursday saw the premier of “The Blackout”, a unique and refreshing improv show relying solely on scenework. The cast, proficient in subtlety and poise, performed the series of scenes in two and three person combinations that came together naturally and comfortably to fill the hour with standalone vignettes and thematic revisitations under the direction and technical expertise of Director Louis Kornfeld.
The audience watched childhood friends discussing the ups and downs of having two mothers, a needy secretary fail to grasp the humor of a screen-saver, a married couple deal with three years of built up frustration and resentment, teens peeping on their “girlfriend” undressing in her bedroom, and a man out himself to passengers on his plane during a recreational flight, among many other episodes. Never a dull moment, while all of the energy of this show flowed steadily and with intention.
There are four more opportunities to catch “The Blackout” – August 8th, 15, 22 and 29th at 9:00pm at The Magnet Theater!
This was a re-blogged review from Charlie Whitcroft.
Magnet Theater will be holding auditions for the fall season of Megawatt. Auditions will be held Friday, August 23rd with callbacks on Sunday, August 25th. To be eligible, performers need to have completed Magnet Level 6 Team Performance Workshop. Please note that due to the limited number of slots auditions are not guaranteed.
To apply, please follow THIS LINK and fill out the availability form no later than August 15h. Confirmations will be sent out on August 16th.
In July, The Director’s Series presented Medusa, directed by Nick Kanellis (Trike). I talked with Nick about the form, the future of improv and his views on physical improv.
What is the form behind Medusa?
The main idea behind the form of Medusa is that all of the improvisers are onstage the entire time, so even if you aren’t a speaking character in a scene, you are responsible for playing a part of the environment. Other than that it’s similar to a montage or loose harold, with 3-4 first beat scenes and a group game followed by expansions on those scenes and a run. Because everyone has to be on stage the whole time, it lends itself to some really cool transformations and characters inspired by physicality.
Is comedy from physicality/movement essential in improv?
I don’t think it’s ESSENTIAL in improv, as some forms (like the bat or an improvised radio piece) don’t have any physicality/movement at all, but I do LOVE physical comedy and think it’s a fantastic way to make a piece resonate more!
What is the future of the Medusa form/physical improv? How could it possibly change/evolve?
A lot of inspiration can come from physicality and it’s always fun to see new ways that improvisers figure out how to SHOW the stories they are telling. A lot of my favorite moments from Medusa shows have been watching the improvisers discover unique ways to utilize stage picture and one another’s bodies to show things that normally aren’t shown in improv. I look forward to exploring more ways that a group of people can work together to make anything they can imagine appear on an empty stage!
Congrats to Alexis Lambright (Bloomer) and Mallory Schlossberg (The Jezebelles) on having their one woman shows accepted into the 2013 NYC Fringe Festival! We’re very proud of both shows, which have been performed and developed on The Magnet stage! Mallory’s, “Molly Marjorie Rosenblatt Needs A Man (and other stuff)” and Alexis’s, “The Alexis Lambright Tell-A-Thon: Combating Adult Virginity”, will be playing in August in theaters around NYC. Be sure to check both of these shows out! Show Info Here!
The Magnet Theater is proud to announce the newest members of Magnet Sketch Teams! Thank you to everyone who applied! Sketch teams perform every Sunday at 9 pm.
Billy Bob Thompson
Every Thursday in June, we’ve got a brand new Magnet Video! These are videos shot from live shows at The Magnet Theater. Enjoy this weeks scene from Chet Siegel(The Boss) and Megan Gray(Junior Varsity), about siblings having a fight over “magazines”. Watch The Video HERE! Stay Tuned for more!
Due to the Memorial Day Holiday, there will be limited classes on Saturday, May 25th and NO classes on Sunday, May 26th and Monday, May 27th, the Training Center will be closed. There will also be NO SHOWS on Sunday, May 26th. Please check with your teacher or the school director (firstname.lastname@example.org) if you have any questions.
The Circuit is made up of improv ensembles consisting of veteran Magnet performers and students. Performances are every Friday night at 10pm at The Magnet Studio Theater. Congratulations to the following teams!
Emily Schorr Lesnick
COACH – Teddy Shivers
COACH – Michael McLarnon
COACH – Kim Ferguson
COACH – Laura Dlug
Jaime Hazan has been performing at The Magnet Theater for over 4 years. He works with Frank Spitznagel (Frankie Keys) and accompanies most of the Musical Mixers you attend. Jaime performs weekly at The Musical Mixer and Musical Megawatt. Jaime recently wrote a song for the victims of The Boston Marathon Bombings that can he downloaded here, BOSTON STRONG. We talked with Jaime about his music, The Magnet and what his number one wish is.
Question: How did you get started as a musician?
I started playing the piano between 4 and 5 years old. I had always
played by ear and was able to improvise just about any song I heard.
Someone would play a song on a vinyl record, and I’d be able to play
it back. I still don’t really understand how that works!
Question: When did you start accompanying musical improv?
I hate the word “Accompanist” when it comes to musical improv, since
it implies a lateral involvement to the on-stage actors. I prefer to
use the word collaborator since musicians and actors must work in
concert to find their grail and perform excellent improv.
I started studying musical improv Jan 2009 and accompanying later that
year after recognizing that my place was behind the keys. Traditional
musicians who take the time to study many years of theory, harmony and
the so-called “proper methods” of learning don’t typically have the
grasp of “making it up on-the-spot”. Those that do are simply amazing
humans (Frankie Keys). However making up songs was the one thing I
was best at – so I consider myself lucky to have found a theatrical
environment that rewards individuality and the ability to improvise
songs. A traditional theater would not take to this style kindly!
In particular, I enjoy teaching and rehearsing song structure to
performers since it is this type of songwriting that in my opinion
makes musical improv so fantastic. There is no bigger thrill than
nailing both a scene and structure combined – it makes for amazing
entertainment and tons of fun. Especially fun, watching students go
through the process of learning, say a tag-line song and finally
feeling comfortable performing within that structure – not to exclude
the many other structures – they all have their place in the game.
Questions: Can you talk about your song Boston Strong?
I am very proud of Boston Strong and feel somewhat badly about a
terrorist attack being the impetus of a song. My co-writer David
Fagin approached me about writing a song about the attacks, and
being a former 9-11 first responder, I fully understand what it’s like
to experience this frightening environment and was thrilled to
collaborate. So going into the studio and laying down the tracks and
finding the right combination of music to fit words was a cathartic
experience since the emotions surrounding 9-11 surface just about any
time there is terrorist activity. When we heard from police officers
from Watertown and Governor Patrick Duval, we knew many of the victims
were moved by the music – and that was simply our goal. But we soon
realized that selling downloads could raise significant money, so a
deal was set-up for distribution by Ingrooves/Fontana and can be heard
in Nordstroms as well as over 6000 Starbucks in the USA and Canada as
well as downloaded as a single on itunes, spotify, or your favorite
digital music aggregator. The song has gotten lots’ of press and was
featured at a NY Mets game – which was very exciting. All of the
digital downloads go to the onefundboston.org. Here’s the itunes link
to check out: https://itunes.apple.com/us/album/boston-strong-single/id642637688
As you will be able to see, it has gained acclaim on itunes. It is
expected to be played at the LiveNation.com benefit concert on May 30
over the system – a concert that will be featuring some of America’s
most successful musicians including Aerosmith, Jimmy Buffet, Carole
King & New Kids on the Block. It would be a thrill if we were invited
to perform live, but that is still to be determined.
Question: If you had one wish Jaime, what would it be?
The other night, I was listening to a lecture about happiness. What
makes someone happy? And the lecturer explained how it is not money –
two people can be going to work, one taking a bus to serve at a blue
collar job, and another in a limo, as a CEO. The key to happiness is
living and playing a role within a close knit community. This,
describes Magnet Theater – an organization I’m very proud to serve.
Despite extreme poverty sucking, I wish for a lifetime of health and
Jaime Hazan can be seen performing weekly at The Musical Mixer and Musical Megawatt. If you could find it in your heart to spare $1.29, you’ll be helping people who are in serious need. Download BOSTON STRONG!