GAY BOMB: THE MUSICAL is landing on the Magnet Theater, with only a few seats left for this highly anticipated opening night tonight! Directed by Michael Martin, with music by Frank Spitznagel, and book and lyrics by Chris Friden and Steve Whyte, this musical comedy is inspired by an actual proposal by the U.S. military (in 1994!) to build a bomb that would make America’s enemies gay.
Starring Andrew Fafoutakis, Dreagn Foltz, Ben Jones, Michael Lutton, Jen Sanders, T.J. Mannix, Oscar Montoya, Dave Tomczak and Woody Fu, the show premieres tonight, and will run on select Mondays and Fridays in May and June at 8:30pm. Tickets can be purchased here.
Fridays: 5/4, 5/11, 5/18, 5/25, 6/15, 6/22, 6/29
Mondays: 5/21, 6/11, 6/18
Here is Part 1 of my interview with GAY BOMB: THE MUSICAL co-writer, Steve Whyte.
Magnet Blog: What motivated you and your co-writer, Chris Friden, to create GAY BOMB?
Steve Whyte: We often hear of absurd policies from our government, but this one really seemed special. It’s simultaneously hilarious and sad. Sad that a room full of educated, grown men (no one knows who was in the room, but I would wager that, yes, they were probably all men) would have a set of values and beliefs that could allow the serious consideration of a “Gay Bomb.” This didn’t happen in the 1950s; this was 1994. Hilarious, I suppose, for the same reasons. It’s low hanging fruit – easy to make fun of. At the same time, it’s an opportunity for some commentary about stereotyping, prejudice, politics, and power.
MB: Have you and Chris ever written a musical before?
SW: Neither of us have ever written a musical. We actually wrote a screenplay of GAY BOMB about a year ago, and then figured it would make a fun musical. I learned a lot about musicals and what makes them tick from the musical improv classes at the Magnet. Then, when we decided to do this, I read a shitload of books on the subject, took a “musical writers bootcamp” workshop at Davenport Theatrical, and bent the ear of fellow Magnet improviser and librettist Justin Moran (POPE!, Nightfall on Miranga Island).
MB: Any advice for folks who might want to write their own musical, but don’t know how to start?
SW: My number one suggestion would be: Get help. Surround yourself with talented people. Be willing to give up control and have others help.
There are several books on the subject, a couple of which lay out the fundamentals pretty well. I found The Musical Theatre Writer’s Survival Guide by David Spencer and Writing the Broadway Musical by Aaron Frankel to be particularly helpful. Watching and re-watching a lot of musicals helps, especially ones that resonate with you. For me, that’s anything by Parker and Stone—Team America, Book of Mormon, the South Park movie (there are also several South Park episodes that are mini-musicals). And again, the musical improv classes also provide a great foundation in what moves a musical forward.
MB: Any last words to end Part 1 of this interview, Steve?
SW: We’re honored that the Magnet has included us in their effort to showcase more scripted material at the theater. This production draws very heavily on the Magnet community. Everyone in the cast and crew has taken many classes here, and has been in many shows. Our director, Michael Martin, is the director of the musical improv program here along with Frank Spitznagel, who is our musical director and composer.
Please stay tuned to the Magnet blog for future installments of my interview with Steve. See you at Opening Night of GAY BOMB! Stay for the after-party at Smithfield, the new bar at 215 West 28th Street!
This Saturday at 11am at The Magnet Theater, Megan Gray will be moderating a Q & A with improv legends Susan Messing and Christina Gausas!
Messing is a director and actress living in Chicago. Best known for her work with Second City, iO and The Annoyance Theatre, she is well revered in the NYC, Chicago and L.A. improv and acting communities.
Christina Gausas is an actress, writer and director living in NYC. She has appeared on 30 Rock, Delocated, Important Things w/ Dimitri Martin, and Late Night w/ Conan O’Brien. Christina was named one of “The 10 Funniest New Yorker’s You’ve Never Heard Of” by New York Magazine. She is also directing “The Subject” at The Magnet Theater, opening Thursday May 3rd at 10pm and running until May 31st!
The Q & A is completely free, RSVP at firstname.lastname@example.org to reserve a spot!
In the latest installment of The Director’s Series, Christina Gausas takes the reins on The Subject. The Subject is a form that “follows the central character of the evening (the subject), never leaving the stage while the others enter and exit as various friends, relatives, demons and fantasy figures”.
The Subject, created by Alex Fendrich, was originally performed at the iO theater in Chicago and was “Highly Recommended” by The Chicago Sun-Times. Gausas was a member of the original cast and now she leads an all-star cast made up of Louis Kornfeld, Megan Gray, Alex Marino, Angela Demanti, Sebastian Connelli, Ruby Marez, Binu Paulose, Tom Levin, and Liz McDonnell.
The Subject opens Thursday May 3rd at 10pm, and is followed by an Opening Night Party at Mustang Sally’s (28th & 7th). Come to the show and celebrate afterwards with great food and drink specials!
The Subject, opening May 3rd at 10pm at The Magnet Theater!
Dave Razowsky and Ed Herbstman answered questions from Alex Marino and the audience on January 29th at Magnet Theater, and somebody recorded it. Wanna listen to it? Well here it is. Enjoy.
Oh, and if you’d like to see them perform together in the very clearly titled, ‘Razowsky and Herbstman’, you can do so on Saturday night, April 28th at 9pm, on the Magnet Mainstage.
Make a reservation here.
And if you’d like to train with these guys (along with Rachel Hamilton and Armando Diaz and others) while enjoying swimming, kayaking, and campfires, you can sign up for Camp Magnet 2012!
We are very happy to share the following announcement with the Magnet community. Break a leg.
JUST ANNOUNCED FROM THE SECOND CITY CHICAGO
General auditions for The Second City
The Second City primarily seeks actors to become Understudies to The Second City Touring Company (based in Chicago) – other projects actors are considered for – once they make the call back process: Second City Theatricals, Ship ensemble members, SCC actors (corporate division)
In celebration of its 7th Anniversary, Magnet held its first completely ridiculous and ironically meaningful award ceremony. It was the 1st Annual Maggie Awards and everyone played fell into their appropriate roles immediately; the winners were falsely modest and the nominees who lost pretended it was an honor just to be nominated. The presenters were sharp and read the prompter with varying degrees of skill and self conscious sexiness.
Here are some moments from the ceremony for those of you in the community who couldn’t be there, and those of you who were there and aren’t sure this actually happened. Enjoy
Click after the jump for the complete list of nominees and winners.
- Al Smith
- Alex Marino's Beard
- Best Laugh
- Best LINprovisor
- Best Person
- Best Property Damage
- Binu Paulose
- Carl Olsen
- Chatherine Wiing
- Chris Simpson
- christian paluck
- Golden PBR
- Jamaal Sedayao
- Jen Sanders
- Joel Esher
- karsten cross
- kelly buttermore
- Kevin Cobbs
- Lauren Olsen
- Louis Kornfeld
- Maggie Awards
- Matt B Wier
- Matt J Wier
- Michael Lutton
- Mike Berry
- Nick Feitel
- nick kanellis
- Opening Number
- peter mcnerney
- rick andrews
- Robin Rothman
- steve whyte
- The Maggies
- The Magnet Toilet
- the native american community
- TJ Mannix
- Tony Mui
- willy appelman
- woody fu
- Worst Improvisor
Magnet’s next big musical event is almost here…GAY BOMB: THE MUSICAL! GAY BOMB is a comedy inspired by the real life plans of the U.S. military to build a bomb that would make their enemies gay. The show is a cautionary tale set in a not-to-distant America that is a “xenophobic, homophobic wet dream”. This timely political piece is not only topical but extremely on point, leaving no stereotype unscathed. GAY BOMB: THE MUSICAL premiers at The Magnet Theater on Friday May 4th at 8:30, and plays on select Fridays and Mondays through June.
Much like previous Magnet Musical Event NIGHTFALL ON MIRANGA ISLAND, tickets are limited and will go fast!!! Tickets go on sale right….NOW. Get yours NOW here. Make sure you’re there for an opening night extravaganza you won’t want to miss.
Directed by Michael Martin, with music by Frank Spitznagel and book and lyrics by Chris Friden and Steve Whyte.
Starring: Andrew Fafoutakis, Dreagn Foltz, Ben Jones, Michael Lutton, Jen Sanders, TJ Mannix, Oscar Montoya, Dave Tomczak and Woody Fu!
In a city of over 8 million strangers, it’s incredible to find a place that feels like home. Yet, in it’s 7th year, the Magnet Theater continues to do that for many improvisers, actors and comedy addicts. The Magnet’s supportive atmosphere focuses on following your gut and “yes and”-ing in a grounded and personal way. There is no fast track, improv is like anything else, it takes time to master. At the Magnet, there is no pressure to be anybody other than yourself. Much of that comes from co-founder Armando Diaz, who dreamed that the Magnet would “facilitate people making comedy and meeting each other.” I sat down with Armando Diaz and inquired about this very important milestone:
Willy Appelman: What was the first show in the Magnet Theater space?
Armando Diaz: I was teaching an Evente class and we had our first show in the theater. The stage wasn’t finished. It was an experiment for all of us. We (Ed Herbstman and Alex CLICK TO READ MORE…
Oh man… you should have seen it!
Just kidding. You couldn’t have.
The Bat premiered at The Magnet Theater last evening, directed by Mark Grenier, featuring Paul Barker, Bianca Casusol, Christina Dabney, Corey Grimes, Jeff Koleba, Kai Martin, Chris Simpson, Lauren Smith, and special guests.
Unlike your average, well-lit improv show that bombards your physical senses with gestures, facial expressions, and movement of all varieties, The Bat is performed in the dark – playing more like an old-time radio show, or like the voices in your head when you’re desperately trying to fall asleep.
The cast of The Bat performed two pieces – a Monoscene, and a Harold – relying only on listening, and auditory support work. Despite the darkness, the audience clearly saw the cemetery at which the Detective Club and the Murder Club vied for membership numbers, a pair of girl scouts peeing on each other in the wilderness, a bratty nine-year-old leveraging for control of a community pool, and the arduous journey of a ski-ball pledge.
I left the theater grateful for the reminder that I have an imagination. Check out the highlight pics below, and check out The Bat every Thursday in April at 10:00pm at The Magnet Theater.