Magnet performer Amanda Xeller (The Flood) reached out to one of our performers currently abroad, Ross Taylor (The Wrath, Aquarius). Ross is performing full time on a Second City Cruise Ship. Amanda sent Ross our address and he sent us a lovely update from afar…
Oh how I miss you—your faces and your energy and yes, even you bathroom!
Life at sea is fantastic! Being paid to perform comedy is a gift from Del, and there are so many
ancillary benefits as well.
It all starts with a week of training in Chicago, where the people at Second City treat you like a
real professional and make you feel like a part of the family. All your heroes are on the wall and
you play on the same stage they played upon and the feeling is probably akin to taking batting
practice in Yankee Stadium.
Life on the ship is like living in a luxury bubble, especially compared to the grit and struggle
that NYC requires—food is taken care of, alcohol is ridiculously cheap for crew, and everyone
knows who you are. The sketch shows are usually a packed house of a thousand and the material
works flawlessly. The improv is very different from what we’re used to, of course, but a quick
reminder that it’s providing my livelihood is all I need to sleep well at night. After the first crazy
week on board, rehearsals are few and all in all it’s a pretty light workweek. The passengers are
mainstream America, likely trending a little older, so they aren’t impressed by “improv moves”
but they are pretty good audiences if you give them jokes, which they consume like so much
Aside from work, I get a ton of downtime that I use at the gym, in the sun, reading, writing,
playing music, and hanging out with the rest of the cast and crew. The other performers are great
fun and the crew is pretty friendly. We port every few days and in the first four weeks I’ve gotten
to visit Bermuda, St. Thomas, St. John, Barbados, Caracao, Aruba and Mexico. I’ve zip-lined,
gambled, had beers in the ocean and gotten several layers of sunburn. I’ve chased an iguana and
grabbed a fish and got wifi in the middle of a pack of roosters.
Rooming with Bander is great—I’m somewhat shy at heart, so having a comrade throughout this
experience has made me feel comfortable very quickly. I couldn’t ask for a better cast in that we
all like each other and work well together on and off stage. I’m only a month in, so it’s possible
the turn into cynicism is just around the corner, but thus far I would call it a life-changing
experience and couldn’t be happier to be here.
That said, I miss NYC and the Magnet terribly. The work we do is incomparable and I miss my
teams enormously. The world has a habit of spinning on without you, so I hope that everyone
still remembers me when I return and I look forward to coming home and resuming God’s work
on that stage of ours. All my love to you Magnet—I’ll see you in February!
The Wrath & Aquarius
On Tuesday, November 19th Magnet will host the first ever Musical Mustachewatt. The night will be the typical Musical Megawatt affair (with Jezebells, Aquarius, Wonderland, and Mint Condition) however throughout the night we’ll be taking donations to go towards the Movember.
Movember is more than just a bad pun putting together November and Mustache. It is a month long movement where men grow mustaches to show support of men’s health. Unfortunately, science has not found a way to turn mustaches into the cure for cancer. In the mean time we are raising money to go towards the Movember Foundation, the Live Strong foundation, and the Prostate Cancer Foundation. For more information on what organizations are benefiting from Movember and how you can help out even more, check out the US Movember website.
Movember has grown into a friendly competition between men to see who can grow the best mustache and who can raise the most money. Everyone starts clean shaven on November 1st and does their best to grow a full “Burt Reynolds” and raise a ton of money.
We know it’s hard to just throw your money at something. So in exchange for your donation towards men’s health you can grab some delicious home made treats made by the Musical Megawatt performers! In the lobby there will be a bake sale! From tradtional sweets to mustache inspired munchies, you’re donation will get you some serious goodies.
Come out and support musical improv comedy, men’s health, and those poor souls who can barely grow even a “John Waters” above their lip. Shows at 7, 8 and 9pm. Bake sale all night long.
During November, Alex Marino directs the latest installment of The Director’s Series, The Wake. Every Thursday night at 9pm, The Wake takes you on an adventure inspired by an obituary. I interviewed Alex via email to discuss The Wake and his inspiration behind the form.
What is The Wake and why did you choose this form?
The wake is a form I started thinking about when i was taking classes in LA. I was feeling kinda frustrated because we had been working on the invocation, which I found really interesting, but a lot of my classmates were really dismissive–they’d roll their eyes if they didn’t think the suggestion was cool, they seemed a little bit mocking of improv itself. It was LA and they were just too cool for it. So I started trying to think of a way to approach the invocation that would force performers to at least have a little bit of respect for the suggestion… and I figured “what if you had to do an invocation of a person who had just died… in a room full of people who loved them.” So it kinda stayed in my head gestating for a while. Then when Magnet first opened I was approached by a practice group, it was one of the first groups I’d coached in New York, and that was Louis Kornfeld, Megan Gray, Charlie Whitcroft, Jon Bander, Corey Grimes, and Kelly Buttermore. And after working with them for a little bit I asked if they’d like to experiment with this form I’d been thinking about and they were totally game. What we arrived at was a modified invocation of someone in that day’s obituaries, inviting them to come into the theater and share their story before they go. I heard, and this may be apocryphal, that the practice of holding wakes came from a period in Ireland where they disinterred a lot of old graves and found scratch marks on the inside of the coffins. They realized that something like 1 in 10 people were being buried alive. So they decided to leave the dead out in for a period of time after they passed to give them one last chance to wake up. So the Wake seemed fitting as a name for the form. I kinda liked the notion that this show is one last chance for the dead to come back.
I chose it for this Director’s Series because it had been a while since I’d seen it done and I wanted to work with the original cast again. A couple years ago I taught a class in The Wake, and those bozos have been asking me when they were gonna get to do it again, so I thought I’d invite them along too.
What do you find funny?
All kinds of stuff. Smart stuff, dumb stuff. Deep stuff, light stuff. Lots of things are funny. To me, the funniest thing to think about is that we’re all just a huge biological accident that learned how to wear clothes and comb its hair. That shit is hilarious to me. We’re a mostly bald, mostly flimsy, slow moving animal, with small, dull teeth and worthless claws. We can barely climb, we can’t fly, or hold our breath very long. We have bad backs and lethal allergies to peanuts and shellfish–but not all of us, so you don’t even know if someone is allergic until they just almost die. We eat and drink through the same hole we use to breathe and speak, and somehow we’ve survived long enough to figure out space travel, novelty t-shirts, iPhones and art that goes on your fingernails. It’s incredibly funny to me just how we spend our time.
Do you find death funny?
Death is not funny, no, but everything around death is funnier because of it. Death is the ultimate straight man. I think to have laughter there needs to be a break in tension, which means there needs to be tension to begin with. The more the tension and the bigger the break, the more satisfying the laugh. The uneasiness people feel when they’re faced with death is a great primer for laughter, and that kind of laughter makes it easier to live with death.
What is the future of improv?
I dunno. At some point enough people are going to complain loudly and correctly enough about not getting properly recognized and compensated for content they improvise for commercials and movies… so probably a union will come out of that. And you’ll see “additional content improvised by” in the credits of films which will be good, but things will be weird… or maybe they wont. Maybe the improviser union will be chill. Eventually there will be an improvised show that is so undeniably good that it will get a run on Broadway. Eventually there will be an improvised show that wins a Tony. Some people will be upset by that… or maybe they wont. Maybe Broadway will have relaxed a bit by then. Someone is going to bring a true and honest, disinterested study of improvisation with all its techniques, history, and various applications to the university level, build a curriculum around it, and just like performance studies and jazz you’ll be able to get a college degree in improvisation. I would like to think that degree in improv would be worth more than getting a degree in performance studies or jazz, but it probably won’t be… and after four years, it definitely won’t make anyone a better improviser than performing in every black box and bar that will let you… but, no matter how much actual experience you may have in the field, you’ll need to have a degree in improv to be able to teach improv at the university level… So that will be a nice little scam.
The Wake plays every Thursday in November at 9pm. Make Reservations Here!
Time Out NY chatted with Magnet Theater’s Trike (Peter McNerney & Nick Kanellis) for their 2013 Comedy Glossary. The list includes stand-up and improv words you probably didn’t know existed. Trike described the ins and outs of improv and explained some of the forms most confusing terms. Check the Article out HERE!
If you’re interested in catching Trike at Magnet, catch them every Saturday at 10:30pm. Reserve Tickets HERE!
1. The Director’s Series Presents The Wake (improv)- Thursdays at 9pm: Alex Marino directs “The Wake”, an improv show inspired by the name of a recently deceased person.
2. Croft & Pearce (sketch)- Monday, Nov. 11th at 7pm: For one night only, top-rated British sketch comedians Croft & Pearce will be exploring some of life’s enduring mysteries, such as: is it ever too late? (yes), am I worth more than this? (no), should I tweet about this experience? (obviously).
3. Weekend of Regret & Pepita (improv & solo improv)- Monday, Nov. 11th at 8:30pm: 5 of New York’s top improvisers are paired with Pepita, the fictional alter-ego of Magnet Theater performer and instructor, Elana Fishbein.
4. Magnet Sketch Teams (sketch)- Sundays at 7:30pm: Homegrown sketch groups craft some of the most intelligent and hilarious sketch comedy New York, nay The World, has ever seen.
5. Jamaal Sedayao: Born To Karaoke (solo sketch)- Sunday, Nov. 17th at 9pm: In Japanese, “karaoke” means “empty orchestra.” And in Swahili “karaoke” means “having a good time”. Jamaal hopes you have the latter at this show.
6. Legend (musical improv)- Tuesday, Nov. 26th at 9pm: Seasoned Magnet Musical Improv Team, Legend, will blow you away with a completely improvised musical.
7. Kornfeld & Andrews (improv)- Saturday, Nov. 30th at 10:30pm: Magnet Instructors and performers and super cool dudes Louis Kornfeld and Rick Andrews pair together for one night of magical improvisation.
October was a wonderful month at Magnet! From a surprise Mike Myers show, to new ensembles, to Magnet performers in The NYTVF, a lot happened. To begin, Mike Myers dropped by for a special duo show with Magnet co-founder Ed Herbstman. After Jason Mantzoukas was unable to make the widely coveted Mantzoukas Brothers Show, the 3rd Mantzoukas Brother (Mike Myers) showed up to save the day. Herbstman and Myers had incredible chemistry, flawlessly weaving in and out of characters and scenes. Their show, just over an hour, was full of high energy sharp characters.
We had lots of new teams! Musical Megawatt (College, Wonderland), Megawatt (The Flood) and Magnet Sketch (Party., American Wormholes, Baby Shoes, Cash, The Misses) all had debuts this month! Congrats to the new players and be sure to check out these teams in November.
The 5th Annual NYMIF came and went with over 100 performers from as far as Toronoto and as close as Broadway! We had an incredible 5th Anniversary Festival which featured Baby Wants Candy, The Improvised Sondheim Project, and a closing night benefit for Gilda’s Club NYC. Thank you to performers, audience members and our wonderful volunteers, we’ll see you next year!
Happy Birthday to Armando Diaz! Our fearless leader in improv and sketch turned a whole year older this month. His birthday was kicked off with a little Halloween celebration with spooky juice, haunted candy and scary birthday candles. Cheers Armando- thanks for making us all better at what we love to do!