We couldn’t get enough of CHRISSIE GRUEBEL on stage, so we had her on the podcast to talk about improv, acting, & everything else. A darling of Megawatt’s Metal Boy, Friday Night Sh*w, and Magnet Sketch Teams, Chrissie sits down with Louis and regales him with tales from Philadelphia, New York, and the theater capitol of North America, Scranton. Chrissie is one of our favs and we just know you’re gonna love this episode. May she live forever online!
To begin this episode, Louis claims he knows nothing about Chrissie and Chrissie claims she doesn’t have a Long Island accent. You’ll have to tune in to find out that both of these are lies! CLICK TO READ MORE…
Congratulations to the newest Magnet Sketch Teams and the newest additions to The Executives, Dinosaur Jones, Student Council and Stockton! Thanks to everyone who submitted and auditioned this round.
Here are your new teams:
NEW TEAM APPLES directed by Matt Alspaugh
Chris Hastings – Writer/Performer
Rob Webber – Writer/Performer
Joe Lepore – Writer/Performer
Anna Neu – Performer
Chrissie Gruebel – Performer
Noel Salter – Performer
Brandon Lisy – Writer
Hayley Karl – Writer
Jesse Mudrick – Writer
NEW TEAM ORANGES directed by Ari Miller
Dennis Pacheco – Writer/Performer
Alex Stark – Writer/Performer
Angela Demanti – Writer/Performer
Kyle Levenick – Writer/Performer
Devlyn Corrigan – Performer
Dan Dobransky – Performer
Rebecca Acevado – Performer
Jordan Randolph – Writer
Michael McLarnon – Writer
Boy howdy are you in for a delicious episode with the one and only RUSS ARMSTRONG. A writer for Uncommon Sense (MTV), performer galore (Master of None, Montreal Just for Laughs, 30 Rock), and improviser who has played on many a Magnet ensemble, Russ has plenty to discuss with host Louis Kornfeld regarding television, union workers, life balance, and confidence. Find out how Louis is feeling (creatively) and if Evan is real or just a made up character. All of this and more in Episode #70!
This episode begins with Russ and Louis talking about the podcast itself and how Louis must strive to stay ahead of his students that listen to it. Once past all of that nonsense, Louis asks Russ about his current gig writiing for the MTV show Uncommon Sense hosted by Charlamagne Tha God. What is the schedule like for such a show and how has Russ’s life changed since he began writing for television on the regular? Discussing work/life balance is something any corporate drone is probably familiar with, but getting to hear a comedian’s take on the matter provides a perspective most might not hear.
Further exploring what it feels like to write for a TV show, Louis wonders if the vibe of a writers room can ever mimic that of an improv team or even, improv theater. Somewhere along the line, Louis insults all union workers, as he is wont to do. Russ counters, asking, “Is there any place that’s really like an improv theater?” We’re paraphrasing with those quotation marks.
Russ answers questions about being funny on days when you’re not feeling funny and how you push yourself through those times. He also provides insight on writing for other voices, hosts, shows, and audiences. Plus, he discovers that Louis’ life is very much like a Dove soap ad. What does that mean? You’ll have to listen. Later, Louis launches insightful inquiries regarding Russ’ comedic sensibilities and sense of a linear life. Though he may not have known where he was going as a kid, Russ finds more use for goals and planning theseadays.
Then the improv chatter heats up! Russ shares a lesson he’s learned and proclaims that while improv starts with a mentality of “Your ideas are great!” it can often translate to something too cozy and too safe for growth. Ultimately, Russ says, you have to like your own ideas. Louis wants to know, when the pressure is on, how does Russ avoid letting fear and insecurity block him from that goal? Russ asks, “Is fake confidence different from real confidence?” Plus, Russ invents a character named Evan who doesn’t exist, asks Louis how he’s feeling creatively, and tells us what he says to people who tell him to cheer up! You can’t stop this episode and it doesn’t matter!!!
A MESSAGE FROM THE MAGNET TRAINING CENTER
Looking for a place to practice during the holidays? The Magnet Training Center will be having limited operating hours between December 23rd and January 2nd!
The December Sale (Any room $10/hr before 7pm) WILL STILL apply!
Hours are as follows:
HOLIDAY OPERATING HOURS*
Wednesday December 23rd 11a-10pm
CLOSED = December 24th, December 25th, December 26th, December 27th
Monday December 28th 12pm-4pm
Tuesday December 29th 12pm-10pm
Wednesday December 30th 12pm-10pm
CLOSED = December 31st, January 1st,
Saturday Jan. 2nd 11:30am-6:30pm
Normal operating hours will resume on January 3rd.
*Regular rates apply.
To book, Check out the website where you can find information about the rooms and rates as well! http://www.magnettheater.com/rentals/
The Magnet Training Center is thrilled to announce the 2016 Winter Edition of THE CIRCUIT!
The Circuit is a chance for Magnet students who have completed Level 3 or higher to play on Harold teams of their very own for a limited run of shows. This round will feature a musical team! If you have completed Musical Level 3 and would like to put your name in the hat, please reach out to Michael Lutton at email@example.com.
To apply for the non-musical teams for this Winter 2016 run of The Circuit, please fill out the form and you will be entered into the lottery . The deadline to apply will be noon, January 2, 2016. Teams will be announced January 5. First rehearsals will be the weekend of the 9th.
Circuit shows will begin Friday, January 15 and run for 10 weeks, through March 25. Shows will be 10PM in the Magnet Studio Theater at the Training Center.
If you have any questions, please email Circuit@MagnetTheater.com.
***Please read the following:***
– To apply, you must have completed up to Level 3 at the Magnet.
– Do not call or email registrar beforehand regarding application status.
– Circuit performers may miss no more than two shows or practices.
– Performers are expected to rehearse with their assigned team and coach on a weekly basis at assigned times.
– Performers are responsible for the cost of coach and space rentals.
The Magnet Theater is hosting a video game drive to help young leaders in Sunset Park, Brooklyn!
Hey you – gamer nerd! Now that you have that fancy XBox One, is your old console taking up too much space? Are you tired of tripping over that Wii U version of Smash Bros. you never play? Or do you just want to feel the joy that comes from knowing that you are helping your fellow human? Then the Sunset Park High School Video Game club needs your help! This student-led club is a program of the Center for Family Life, a nationally recognized social work agency dedicated to improving lives in this underserved neighborhood in South Brooklyn. The group meets every Friday to provide a free and safe space for high school kids to come together and play video games. Members come from all over New York in order to feel accepted and welcome in this community atmosphere. We need your help so we can grow our collection of appropriate games!
We are accepting donations of the following:
- Games rated T or E for the Xbox 360; the Nintendo Wii or Wii U; or the Playstation 3
- Extra controllers for the Xbox 360
- Any video game system/console other than those mentioned above
You can drop off donations at the Magnet Theater or the Magnet Training center in the marked donations box. For more information on the Center for Family Life, please visit our website: www.cflsp.org
Everyone’s favorite vegan, CHRISTINA DABNEY, stops by the podcast to talk about telling the truth, homeschool education, her sketch team Stockton, and of course, yoga. Plus, Louis spends some time criticizing modern learning and, wouldn’t you know it, Christina gives a shout out to her mom and dad. It’s a thought-provoking episode that you’re just going to love.
Christina and Louis begin this episode talking about people opening up to one another in both the context of improv and in everyday life. Both have found, in different ways, that it’s easier for them to be truthful when they feel it will help others – Louis perhaps to illustrate a point to a class; Christina to make people feel more comfortable in social settings. Outside of those helpful moments though, they acknowledge being oddly closed off at times, which gets them talking about anxiety as a human condition.
They get more into improv as Christina posits that the particular things a character cares about will allow it to relate to other characters. Louis asks Christina if she thinks relationships change over time and then probes into her homeschool education (which somehow includes traveling clowns) and the virtues of such a learning experience. Louis guesses that today’s education system, at best, prepares one to tolerate boredom at one’s future boring job.
Though she feared she’d be terrible at improv, because it was all about being funny, Christina shares that her supportive teachers convinced her to continue and she eventually fell in love with it. Hear the story of how her first taste of improv coincided with her first yoga experience and what she loves about them both. Louis asks her, “Why are so many people turned on by doing something that has no future whatsoever?” Christina claims we enjoy pushing ourselves just to know we can do it. Louis also asks, “Is yoga just stretching?”
Finally, they touch on the practice of taking a step back from something you love so that you can return to it refreshed and we hear about Christina’s sketch team, Stockton.
All of that, and! We find out the answer to the age old question, “Who does Louis hate in his yoga class?”
A mainstay of Magnet Sketch Teams and long-time NYC improviser, ROB WEBBER, joins us to discuss his life of comedy, dish on how he wanted to teach music once upon a time, and provide advice that can aid any team. In addition to being a writer/actor for Wendigo and the director of Adults, Rob has been doing comedy in NYC for 20 years now and he has a lot of insight on what makes great teams, how to find success on your own terms, and his favorite kind of improv. Dig in, children.
Since Rob has been in the comedy game for two decades, Louis begins this interview by asking him how he has he integrated comedy with the rest of the life. Whether it’s been comedy or his first passion of wanting to be a music teacher, Rob talks about how he’s spent most of his life following his interests very closely. He first came to New York to study musical theater, where he learned Viola Spolin exercises, and then picked up Second City in the late 90’s when it opened here. Rob tells us about those few years during which Second City had a New York branch and describes legendary teacher Martin de Maat.
Born out of those SC days was Rob’s long-running indie team Johnny Lunchpail, which was a team that Louis fondly recalls looking up to when he began improvising. Rob talks about that team, as well as the team he most looked up to when he started out: Burn Manhattan. Louis and Rob discuss the Johnny’s style of physical, viewpoints-influenced play and Rob tells us what he found most useful about Spolin’s exercises. He gets frustrated these days with people “burning their steps” and encourages players to take their time.
In addition to his work at Magnet, Rob has also studied at UCB and was on Harold Night for about 5 years. He talks about he evolution of My Kickass Van becoming Gigawatt and eventually, Arsenal, and notes that Giuliani made a lot of performance venues for comedy by closing down strip clubs. Louis and Rob get into game, plot, narrative, and story, which can be a confusing goulash of terms and definitions, even for the most seasoned improviser.
To wrap up the show, Louis asks Rob some big questions about writing, performing, and directing sketch comedy. Rob provides guidance and insight on what makes great sketch writers and performers. Most of it boils down to this: Look out for people and take care of the unsexy stuff. Louis asks a super obnoxious question, but gets writing advice out of it. And finally, we hear the compare and contrast benefits of the Second City approach to creating sketch versus the more UCB/Magnet approach.
Extra finally, Rob talks briefly about teaching improv in Brazil. What?! So cool!
A massive sketch show is going up at the Magnet Theater on Monday, December 14th. What show is that? Oh, it’s none other than DEATH LIPS 2: KISS OF DEATH. Following the smashing box office success of DEATH LIPS, Dreamsburg Pictures has given the go ahead to follow this great movie up with a sequel. Quite a few sequels actually. Because it was that good. This wild, incredibly fun and very silly show was written in full and directed by our own Amanda Xeller and stars a tour de force cast of dynamite performers: Sarah Marie Degni, Chano Garcia, Eli Itzkowitz, Ally Kornfeld, Kyle Levenick, Pat May, Catherine Montesi, Lex Morales, and Jessica Taylor.
If you like to laugh, if you like things loose and free, and if you like a few dick jokes, this show is for you.
Tickets are $7.00 and reservations can be made here: http://www.magnettheater.com/shows/46181-DEATH-LIPS-2-KISS-OF-DEATH
Longtime performer and jack-of-all-trades, QUINTON LODER, joins his good friend Louis Kornfeld to talk about Topeka, The Boss, and being an improv hand-grenade. Not only does Quinton perform weekly with The Boss, but we is quite literally in charge of many of the Magnet’s day-to-day operations. Pretty cool, right? From Kansas to Chelsea, Quinton tells us about his improv life.