Posts Tagged ‘angela demanti’
In the latest installment of The Director’s Series, Christina Gausas takes the reins on The Subject. The Subject is a form that ”follows the central character of the evening (the subject), never leaving the stage while the others enter and exit as various friends, relatives, demons and fantasy figures”.
The Subject, created by Alex Fendrich, was originally performed at the iO theater in Chicago and was “Highly Recommended” by The Chicago Sun-Times. Gausas was a member of the original cast and now she leads an all-star cast made up of Louis Kornfeld, Megan Gray, Alex Marino, Angela Demanti, Sebastian Connelli, Ruby Marez, Binu Paulose, Tom Levin, and Liz McDonnell.
The Subject opens Thursday May 3rd at 10pm, and is followed by an Opening Night Party at Mustang Sally’s (28th & 7th). Come to the show and celebrate afterwards with great food and drink specials!
The Subject, opening May 3rd at 10pm at The Magnet Theater!
Musical improv lovers, where were you January 7th? If you were anywhere but the Magnet then kick yourself in the ears and jump into an elevator shaft. If you were at the Magnet seeing the opening night of Choral Rage’s new weekend run, then massage your ears lovingly and take a leisurely elevator ride wherever you please.
Choral Rage, one of the Magnet’s veteran musical improv teams, returned to the main stage to perform a musical mono scene (sort of. Does it count if they go to an alternate version of the same location?). In their opening number we were introduced one by one to the characters, then launched into a set that included a disintegrating, loveless 30-year marriage; a four-person affair; a father/son rivalry with opposing kitchens in the same diner; a cross-country-traveling pair of lovers; and a cigarette machine that opened a portal to parallel reality diner. more
Tara Copeland originally formed Choral Rage back in July ’09, one of the first musical house teams at the Magnet along with Miracle Baby. After a brief hibernation, they perfected the art of the fully improvised rock opera, and more recently began honing the nuances of the musical monoscene.
Choral Rage’s personnel is comprised of a stellar cast of musical improv veterans: Angela DeManti (Weird Sisters/Phooka), Henry Kaiser (Face), Justin Moran (Featherweight/Nightfall on Miranga Island), Ryan Nelson (Nightfall on Miranga Island), Robin Rothman (Rosencrantz/Nightfall on Miranga Island), Jon Roufaeal (Nightfall on Miranga Island) & Jen Sanders (Mint Condition/Made Up Musical).
What form will they unveil this weekend, when they return to the Magnet stage for the beginning of their second weekend run? What mellifluous harmonies will grace our ears, what hip thrusts and possible stage-humps? Be there at 9pm on Friday to find out.
It’s here! It’s here! It’s finally here! Giddy all day and full of glee like a kid who has spotted an array of presents under the tree left by Santa – this was the excitement I felt last Saturday for the first ever Ladies’ Night at The Magnet Theater! An evening dedicated to showcasing the improv and sketch comedy talents of women from around the city.
The energy from the performers and audience was palpable, the seats were sold out, and as one of the many performers who watched shows from the side, I was craning my neck to see everything I possibly could onstage.
Those who couldn’t get a seat or view from the side, had their own jolly good time in the lobby drinking homemade wine spritzer and vegan cupcakes – baked by Megan Gray and sold to raise money for Gilda’s Club, a cancer support community created after Gilda Radner, who is many women’s comedic hero.
That night I watched female improvisers take the stage who normally don’t have an opportunity to perform together. Out of these unlikely groupings, some of my favorite improv scenes happened. Seriously, if a version of AFI’s Top 100 Improv Scenes existed, several of them would have to be knocked off the list to make room for the performances from last Saturday night! These ladies urged me to stand up, cheer, and clap thunderously alongside Maggie Morris and others. (Her clap rivals Binu Paulose’s laughter on the decibel scale.) There was a perfect balance to the evening with some new lady improv groups, some lady groups that have been around the block, mix em ups with female improvisers who have never played together, sketch, a tease of burlesque and a lady mixer at the end allowing women who hadn’t played at all that evening to play with people from the prior shows.
One of the greatest feelings in the world is laughter. Even better is when it’s your friends making you laugh. Even better than that is when your onstage performing with friends and fellow improvisers and laughing so hard you forget that you’re onstage and supposed to be performing!
The best thing about Ladies’ Night was not only seeing all the female talent out there, but also that it was filled with bold, hilarious, kickass improv…all of which happened to be from females. It wasn’t just funny female comedy; it was a night of badass improv highlighted by the fact that it surged from a spring of female talent!
I’m just grateful I was one of the many who was asked to grace the stage that night, and honored to share the lineup with the likes of Megan Gray, Kelly Buttermore, Christina Gauses, and Shannon O’ Neil (four women I have adored and watched for years as they continuously blow my mind with their no holds barred improv). I, and all the other women that evening, were truly delighted to play with such funny people…all who happened to be women. Yes, Chrismukahkwanza came early this year and hopefully it comes again more frequently in 2012! A sentiment felt by not just the ladies, but also by the fellas. Hubba, hubba.
a published book of essays featuring a story of mine that I wrote is available for purchase here! http://www.amazon.com/What-Brought-Back-Birthright-Taglit-Birthright/dp/1592642896/ref=ntt_at_ep_dpt_1