Posts Tagged ‘armando diaz’
To celebrate our 11th Anniversary, guest-host Rebecca Robles interviews Magnet founder Armando Diaz about his first dance, marching band, and the power of “no.” Some of you might remember from Rebecca’s first appearance on the podcast, Episode#40, that she’s Armando’s #1 fan, so we thought it would be just so fun to have her interview Armando herself! Here’s to another year of the Magnet Theater and t0 wonderful people engaging in delightful conversation!
Rebecca begins the episode with a special gift for Armando that she found on the train platform. This of course leads Rebecca to ask Armando if he sides with God or the Devil. It’s so profound, you might think that Branson Reese is conducting the interview. Will Rebecca and Armando provide any answers as to whom we should follow?
Truth be told, we don’t really want to provide any answers to any questions – you’ll just have to listen. But let us assure you that the following things happen in this episode:
- Armando talks about his birthday being Halloween
- Rebecca asks about first dances and first kisses
- We find out which instrument Armando played in marching band!
- Rebecca makes a very special phone call on air!
- A super important lesson is learned
Truly, this is an episode 11 years in the making. Please listen and please enjoy!
The Magnet is thrilled to announce a new show coming on April, 18th – Ringers! Ringers is a sketch show for aspiring, eager, and ambitious writers, actors, and directors of the Magnet community – and we want you to be a part of it!
Below please see the details to apply:
Ringers is seeking sketches for the stage to showcase in its upcoming shows. To have your sketch considered, prior or current participation in Magnet’s Sketch Writing program, Lady Sketch Lab, or Magnet Video Lab is required.
To apply, please e-mail your name, your writing experience, and a finished, polished sketch to firstname.lastname@example.org. The sketches you submit should require little to no tech.
Ringers is seeking actors to star in its sketches. To be considered as an actor, you must have completed at least Level 4 of Magnet’s Improv Curriculum or Level 2 of the Musical Program.
To apply to be an actor for an upcoming show, please fill out the following form:
Ringers is seeking directors to direct sketches. To be considered as a director, you must have Big Sib’ed a Sketch Level 2 class or have been on a Magnet Sketch Team.
To apply to be a director for a sketch in an upcoming show, please fill out the following form:
**The deadline to be considered for the April show is Wednesday, March 16th.**
To participate in the April show, you must be able to commit to:
– Attending the table read on Friday, April 1st from 6:30 – 8:30pm.
– Attending the rehearsal(s) (1 to 2 max) for the sketch you’re involved with. Rehearsals will be at the Magnet Training Center and will take place during off hours – 6:00 – 7:00pm/10:00 – 11:00pm on a weekday.
– The show on Monday, April 18th at 9:00pm.
This is an ongoing application so please continue to submit your interest and your sketches to be considered for future shows.
For all questions please e-mail Armando Diaz and Amanda Xeller at email@example.com. We look forward to working with you!
Magnet Theater co-founder and all around improv know-it-all, ARMANDO DIAZ, sits down with us to talk about film, improvisation, and what he thinks of the “guru” label. It’s not everyday we get to hear so intimately from one of the greats of improvisation, but Armando stopped by to chat with host Louis Kornfeld and we couldn’t be more thrilled. Who knows – maybe this will be one of many? What we do know for sure is that this episode is not one to be missed.
Our conversation with Armando Diaz begins with the moment he gave up on the film industry. Both he and Louis had forays into the film industry and neither of them particularly liked it. However, it was this rejection of film that steered Armando toward improv. These two encyclopedias of improv and film discuss how improv keeps people more honest than film, how it strips away pretentious defense of art, and how Louis learned more about scene structure and motivation through improvising than attending film school. You need the laboratory of improvisation to learn and grow, says Armando.
Louis notes that, when teaching, Armando talks a lot about culture and art, so he asks Armando where he finds inspiration these days. In giving his answer, Armando opines on the need for art and culture to become local again. They talk about the dual importance of experiencing something together with a group of people, as well as the value of truly having time alone with your own thoughts – time devoid of entertainment and third party interference. In this part of the interview, we find out how many children Armando has! You’ll be surprised.
Tying in Armando’s notion of communal art with David Shepard’s goal of The Compass to be a popular theater, Louis asks how those ideas can be transposed into the improv of today. Armando tries to recall the first improv he saw that set the bar or made a big impression on him. For him, it’s always been about exploring the unknown. If for a period of time you can transcend yourself, those are the best moments. Where does such deep water lie for improv these days? Louis and Armando talk about challenging audiences in a helpful way and how we need imperfections and flaws.
If you came for the good stuff, look no further than Louis asking Armando about the status of his name. He talks about what it means to him to be “Armando.” People will think whatever they want, so he keeps himself grounded in real interactions with other people. He also tells use why he doesn’t love the idea of gurus and relates how the burden of experience can get in the way of trying to learn something new. Not wanting to watch people who have a list of rules in their head, Armando has developed his teaching methods to focus on inspiring students rather than correcting them.
Among a bevy of talk on improvisation, Louis asks Armando why he’s such a reluctant improviser and Armando talks about what it’s like to play with his frequent duo partner, Christina Gausas. Finally, Louis reminds us of this wonderful quote from Elaine May: “The only safe bet is to take a risk.” Amen.
Now this is exciting — Magnet founder and improv mastermind, Armando Diaz, is set to begin teaching four classes in the month of November! If you’ve never had the chance to study with Armando, look no further.
Brand new to Magnet? Take Level 1 For Experienced Improvisers! Looking to sharpen your skills? Instant Brilliance is gonna be perfect for you! Finally fulfilling that “We should do two-prov” comment you made at the bar months ago?? Whoa baby – Dynamic Duos is here for ya!! Don’t even want to do improv??? Then take that Sketch Writing Level One!!! There’s truly something for everyone, all taught by the one (and only) Armando Diaz. Sign up now now now!
Instant Brilliance starting November 14th
Level 1 For Experienced Improvisors starting November 15th
Sketch Writing Level One starting November 16th
Dynamic Duos starting November 21st
Our very own Lauren Ashley Smith stops in to talk about Speech & Debate, loving television, and engaging with her dog brain. A writer for Bravo’s “Fashion Queens” and VH1’s “Best Week Ever,” Lauren also performs at Magnet with Megawatt team TITAN and The Friday Night Sh*w. Host Louis Kornfeld kicks off their interview by discussing how she came to be involved in comedy.
Originally from St. Louis, Lauren first became interested in comedy during her days doing Speech & Debate in high school. She once found herself thrown into a “humorous interpretation” tournament and did quite well, which gave her the idea that maybe she wanted to pursue more laughs. Louis, too, did Speech & Debate in high school, which is where he finally talked to girls, so it sounds like both of them have lots of warm feelings regarding their time in S&D. Lauren’s story is particularly heartwarming because her father was her coach and director, which gave them a lot of one-on-one time together. Louis wonders what traits Lauren garnered from each of her parents, and while her dad taught her how to talk forever about a subject, she says that her mom gave her a sense of humor.
After high school, Lauren did short-form improv at Dickinson College and then moved to NYC, where she became involved with Story Pirates. Though she was very shy when she got into SP, Lauren figured out that a lot of other Pirates were Magnet improvisers, which is what led her to study there and eventually, become a Magnet performer herself. Lauren describes that time in her life as a transition from that of a wallflower to the confident, outspoken person she is today.
Switching gears, Louis wants to talk about pop culture, since that is at the foundation of Lauren’s livelihood. In addition to her work with Fashion Queens and Best Week Ever, Lauren also writes for humor site Reductress and other talking head and reality recap shows. She got her start producing for VH1’s “Best Week Ever” and talks about the production process for that show and how she got that job in the first place. From the production side, she began pitching a lot and eventually got to submit as a writer, for which she was then hired. Writing actually became harder once she had the title, she says. When asked if she prefers working alone, or having other people to bounce ideas off of, Lauren says that she likes working in a group and using improv concepts in the writers room to collaborate on ideas. Louis shares his last writers room experience and both profess that it’s very important to have a producer that trusts the writers’ ideas.
So, how did Lauren become an authority on pop culture and reality TV? Her secret is out: Watch a ton of TV and be on Twitter all the time! She proves her prowess by quickly naming all of the Real Housewives locations. Though she always has favorite shows, Lauren says that she often becomes a fan of new shows by doing research for work. Lauren talks about her parents battling over whether or not she and her sisters could watch The Real World and Louis admits his TV addiction to world. Even though a lot of TV is crap, Louis thinks that you can still grow up okay despite watching it all. How does Lauren feel being a part of the negative stereotype that reality TV is rotting people’s minds? She says despite the fact that many reality TV stars may serve as poor examples to younger people, there are still enough incredible moments to help her keep the faith and that there are many other factors at play for how an audience might internalize what they see on TV.
In a moment of great humility, Louis asks Lauren to explain Twitter to him. She does so very gently, and also tells us that she finds out about all major news events on Twitter and loves to play #hashtaggames. They talk about what constitutes something as newsworthy and how there’s a difference between dumbing things down and making sure that shows are accessible and relatable. To that end, she wishes she were a sillier person. Louis relates, saying that he wants to start closing the gap between his “show brain” and his”shower brain,” which Lauren says is the same as her “dog brain.” There are a lot of brains at play in this episode!
Finally, learn about who Lauren idolizes, the price we pay for being so angry all the time, and how Lauren’s family feels about her comedy.
Tune in to hear all of that, plus Lauren and Louis say “magnet” twice without intending to reference the Theater!
- All That
- armando diaz
- Best Week Ever
- Black Twitter
- Buffy The Vampire Slayer
- Dickinson College
- Fashion Queens
- Friday Night Sh*w
- Friday Night Show
- hashtag games
- James Eason
- Lauren Ashley Smith
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- new york
- new york city
- reality TV
- Speech & Debate
- speech and debate
- St Louis
- story pirates
- The Real World
Our guest on this week’s episode of the Magnet Theater Podcast, Christina Gausas, is well known for her work with a variety of amazing improv duos. As a follow up to her interview, she’s returned to give a shout out to all of her duo collaborators over the years and we’ve given her the keys to the Magnet Blog to do just that. Take it away, Christina!
Ellie Kemper – GENIUS
Ellie is the brightest, most radiant light in life, on and off-stage, and she’s a genius. She has infinite talent and wild, limitless lovability. Ellie is the smartest person I know and she’s a creative genius. Her insights, her sensibilities, her clarity, the characters she creates are so captivating. The gifts that Ellie gives to you in scenes are so specific and brilliant. She’s the most engaging, playful scene partner, and, of course, she’s beautiful and warm and generous, it’s exactly who she is and always has been. (We met in 2000.) I could go on for hours & pages about the talent and joy of Ellie, and the one word to encompass Ellie as an improviser and performer is – genius.
Michael Bertrando – SEXY BEAST
Bertrando is an intense talent with gravity and fun, he’s fucking brilliant, too. Being able to do Come Together with Michael has really been a gift. Michael can get onstage and truly create a one-act play. He creates characters who are complex, complicated MEN, and at the same time, he’s hilarious because he digs into the honesty and the emotion and he is fearless. Capital “F” Fearless. He’s wickedly smart, open-minded, he is pure fire onstage.
Susan Messing – The QUEEN
Kevin Dorff is the King, Susan Messing is the Queen, and I would live in that Kingdom forever. Susan is what we all aspire to be. But I don’t know that anyone can come close. I think, just bow down. Susan is the Goddess. It’s Susan’s world and we’re just living in it.
Becky Drysdale – CREATOR
Becky is the most creative, creating, creator I know. She improvises, writes, sings, dances, animates, makes art, builds things, and she makes spaces for other improvisers. The Clubhouse in LA is amazing and she made that for other people. She did that with her school in New York, too. I was watching a documentary about Orson Welles and someone said, “there was never an Orson before him and there will never be a second,” which made me think of Matt Besser, who I admire very much, and wonder if there will ever be someone like Besser again because Improv is now so big. I don’t know Matt well, but he always seems brave to me, anarchistic, confident (all the UCB 4 do) — what Matt and the UCB created was non-status quo. Becky has a similar spirit. She gives it to the Indie teams.
Scott Adsit – CHARMING
I think Scott is one of the most charming improvisers in the country. I loved all of our shows.
Kay Cannon – DEEEELIGHT
I add the “e”s for how exciting Kay is onstage. Kay has the most “come run away and play with me” look in her eyes when you are onstage with her. We were only able to do one show as Cannon & Gausas and it was at a DCM and it was a delight. Kay keeps the energy, and the positivity, and the play, and the smart silliness going. You just feel so happy when you see her big eyes and her big smile. And she’s that way as a friend, too. She always lifts you up.
Armando Diaz – EMPEROR
If you’re reading this right now, please ask Armando to improvise more. No one else can as quickly and completely become a character the way Armando Diaz can. And I feel like he understands Comedy better than all of us. And, by “all of us”, I mean, the whole, entire world. We have this treasure, this wealth of insight and improv and comedy intelligence right here in New York City and I feel like we should be seeing and using him all the time. For the sake of the future! (Sorry, Armando, no sleep for you.)
Megan Gray – The GIFT
Megan has that natural grace and comfort onstage that comes from a place of love. Much like Ellie, that light and radiance. She’s a very strong and also giving improviser. I love being onstage with Megan but I also love watching her because I always feel secure. She’s funny and talented and also commanding onstage. My eyes go right to her. I always want to know what her characters are going to say. Also, when you watch her in a group, she’s the first one to “throw herself on the grenade.” She gives unbridled support without worrying about herself. Plus, as an AD, she gives so much to the community, she really diversifies and shares, and opens doors to performers and provides opportunities to shows.
Louis Kornfeld – the ORIGINAL
I think Louis has one of the most original stage personas and it comes completely from being who he is. I think a lot of people want to play to be perceived as “smart” or “intelligent” or “understanding something you don’t” but it’s always bullshit. Louis is the most NO BULLSHIT player there is. And because of that, we get to see this smart, intelligent improviser, who’s comfortable JUST FUCKING BEING. (As far as we can see.) And he’ll create a scene that might have a central, long discussion and it’s interesting as hell because it’s authentic and it isn’t full of self-aware bullshit, it’s just honest. I hear him refer to himself as a “straight man.” I have to say, I’ve never thought that. He’s always anchoring to me. Playing with MegaLou was great.
Michael Delaney – GOLOVKIN
Boxing fans will understand. Gennady Golovkin is a boxer with every weapon in a full arsenal and he has precision. He doesn’t remind you of anyone else because there’s never been anyone else like him. That’s Michael Delaney to me. He has every talent an improviser could hope for and he has precision. When you’re watching Michael Delaney or you’re onstage with Michael Delaney, you’re experiencing the best of what the work can be, at all times. He’s a true Master of Improvisation. We are lucky to have him. It’s another “bow down” situation.
Billy Merritt – JOY
Billy and I did one show in Dave Furfero’s Ampersand at the Magnet. When I think of Billy, I just think Joy. He welcomes you onstage and it’s fun and easy and unquestioned for the whole show. We did Kevin Mullaney’s Mullaney Chain at DCM 17. It was Kevin, Ellie, Sean Conroy, Billy, and me. I was in a scene with Billy where we were husband & wife talking to Sean’s character (who was off-stage) over the phone. I said, “check the caller ID” and Billy said, out loud, to the phone, “Check Caller ID”, while we were in the middle of the conversation. It was hilarious and a moment where we could get into a fun “not that way, look at the phone,” “what? why?” and those ideas and that kind of play can only come from the joyous, incredibly fun, smart mind of Billy Merritt.
Kevin Dorff – KING
Kevn Dorff is the King and that’s really all I have to say. He’s so incredibly talented, strong, intelligent, striking, commanding, and fun. He can say more with one look or one word than anyone else onstage. Which is why I should simply say – KING.
All words not in italics written by the wonderful Christina Gausas.
On this week’s episode, we’ve got actor, writer, and 14x UCB All-Star, Will Hines. We caught up with Will while he was in town for the 17th Annual Del Close Marathon and what ensued was a beautifully nerdy conversation about improv theory, improv practice, teaching methods, and some of Will’s early days at UCB.
The interview begins with Will and host Louis Kornfeld talking about how to navigate fighting in improv scenes. They insist that the characters must be able to have philosophical debates, not mere wizard battles. They sympathize with students learning improv though, since a bad fight and good fight feel very similar in the moment. Plus, arguments have a lot of good elements that improvisers should practice — commitment, point-of-view, feeling — but if they only serve to defend the character, they won’t be very helpful. Will goes into detail about his philosophy that scene partners must “shake hands” at the top of a scene.
If you’re wondering whether these two veteran company men discuss the philosophies of UCB and the Magnet, wonder no longer! Will and Louis get to the meaty stuff and talk about the differences between Harolds at Magnet and UCB. From there, they discuss a variety of improv “rules” and postulate that most rules are in need of a specific scope to make them useful. Will talks about the rigidity of his 10th grade english teacher and they debate the benefits and limitations of strict versus nurturing improv teachers. Though Will always loved Matt Besser’s no-bullshit approach to teaching, he says that Armando Diaz was his breakthrough teacher. He describes the two of them as the ying and yang of UCB teachers during his time coming up through classes.
We get to hear a bit of Will’s improv origin story, he and Louis discuss improv’s “huggy” vibe, plus, these two “kings of calm-edy” explore their thoughts on being funny while acting as the straight man and/or lower energy player. Louis shares with us that he’d just had his most embarrassing audition ever and Will admits that he has a lack of confidence when it comes to being funny. The two of them snap out of their temporary self-loathing to talk about Will’s days playing with Monkeydick, which was Louis’ favorite Harold Night team when he was a student there.
There’s so much great stuff in this episode for Magnet and UCB fans alike, not to mention every improv nerd out there, we’re not even sure where to start. Just trust us and give it a listen.
Packed with these extras:
The Brothers Hines have only one rule for their shows — what is it?
Louis admits his biggest weakness as a teacher and performer.
What do these guys think of the Star Wars Prequel trilogy???
- armando diaz
- del close marathon
- improv nerds
- improv nonsense
- improv philosophy
- improv theory
- Los Angeles
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- Matt Besser
- Michael Delaney
- new york
- new york city
- The Brothers Hines
- UCB Theatre
- Upright Citizens Brigade
- Will Hines
We’re looking for eager improvisers (prerequisite: completion of Level 1) to participate in warm-ups and exercises run by the students in Armando’s coaching class. All the details are below—but keep in mind that space is limited. Hope to see you there!
When to be available: Tuesdays, July 7th-Aug. 4th from 7-10pm
How to sign up: Simply send an email to firstname.lastname@example.org with the subject line: “COACHING CLASS VOLUNTEER.” Please include your full name and phone number.
If you have any questions, feel free to contact us at (212) 244-2400.
The new Magnet Training Center at 22 W. 32nd Street marks a huge development in the history of the Magnet and the New York comedy community. For the first time since most anyone at Magnet can remember, we’ve got all of our classes running under the same roof, bringing our community of students, teachers, and performers together on a nightly basis. It also means that more classes are being offered in improv, musical improv, sketch comedy, and storytelling than ever before and that’s great news for all of New York, whether you’re a comedian, actor, singer, storyteller, or audience member.
Our new home has 10 classrooms, a studio theater, two dedicated writers’ rooms and two multi-stall bathrooms (so luxurious!). There are vending machines, a water fountain, and places to hang out before and after class. Simply put, it’s a bigger, better space to keep up with our growing needs as a training ground for the best comedic minds in the world. Plus, it’s got a view of the Empire State Building. Pretty swanky, right?
And did we mention that our new training center is right in the heart of New York City’s Korea Town? We are now smack in the middle of a block packed full of great restaurants, cool cafes, and killer karaoke bars. Whether it’s a team dinner before The Circuit, or a night of singing after your musical improv class, K-Town has you covered.
This is a new, exciting chapter for us and it wouldn’t be possible without the enthusiasm, hard work, and continued brilliance of our students and staff.
Thanks for being the best community around. If you haven’t seen the new digs yet, please stop by when you can, or sign up for a class! For a sneak peak, check out the fun infomercial below.
Magnet Training Center
Hours: 11am to 11pm
22 West 32nd St, 10th Floor
Episode #40 of the show has Rebecca Robles in the studio and with her she brings immediate laughter. Host and teammate from The Boss, Louis Kornfeld, speaks with Rebecca about the romantic nature of engaging with things that you weren’t around for, like antiques and old music, and they chat about how jumping into an external character can remind you of who you are internally. Always a hustler with the best of intentions, Rebecca tells us about her variety talk show, The Rebecca Robles Show and assures us that we are not alone in this world. PLUS! Playing with The Boss, David Letterman’s influence, secrets about Armando Diaz, a shoutout to Matt Antonucci (<3), and Rebecca reveals her unused bit for The Maggies. Tune in to hear it all!