Posts Tagged ‘comedy’
International man of mystery, ROMAN PIETRS, sits down with host Louis Kornfeld to discuss his improv life, his various profession(s), and being a dad who does improv. The Warm Blooded team member explains his proclivity toward using emotion during improv and Louis unearths out some of the reasons why Roman is a person of great intrigue. The topics in this episode range from European walking tours to male-perm quiche parties, so you know it’ll be great.
We begin this episode with a sneaky little cold open in which Roman and Louis delve into their family histories including a generation that seemed to largely reject their given names.
We begin this episode with a sneaky little cold open in which Roman and Louis delve into their family histories including a generation that seemed to largely reject their given names.
Diving into the episode proper, Roman divulges that he planned ahead by checking emails in order to refresh his Magnet Theater memory. When discussing musical improv, Roman explains that he has “more of a musical mind than a lyrical mind” and gives an example of a song about a box. It’s the kind of improv that Roman refers to as, “speaking in tongues.” Louis also shares his perspective of letting yourself go onstage and opening your mouth without an idea.
The two chat about their experiences with emotion on stage and we find out that Roman’s safe place is going to a highly-inflated emotional state. Louis was uncomfortable with the idea of playing with emotion at first, but now he believes that emotion is everything. Roman discusses his recent struggle with breaking on stage – due to the hilarity of his teammates – and describes his team, Warm Blooded, as an ensemble that creates “passionate musicals that borderline on the obscure.”
Louis begins to figure out some of the reasons why Roman has the reputation of being a “man of mystery.” In addition to working in improv and graphic design, Roman also helps run a European walking tour industry (taking place in Budapest, Prague, etc.). After helping his wife out with a craft idea, they eventually got to be on Shark Tank. “Male-perm quiche party” is a term that Louis had never heard of, however Roman used it as a way to raise money for a good cause and in turn share a cover story with Slash from Guns ‘N’ Roses. Lastly, we hear about an interesting taxi driver whom Roman learned a lot about. And that’s just the stuff we had time for in this podcast recording!
- Edinburgh Fringe
- European tours
- fringe festival
- graphic design
- Louis Kornfeld
- magnet theater
- magnet training center
- male perm quiche party
- musical improv
- musical megawatt
- musical theater
- musical theatre
- new york
- new york city
- Roman Pietrs
- Shark Tank
- The Donkey Show
- walking tours
- Warm Blooded
- White Umbrella Tours
ADX performer and veteran of Megawatt, FRANK BONOMO, joins host Louis Kornfeld to talk about his discovery of improv, Magnet’s early days, and how he approaches the artform now. They also reflect on the importance of the SoHo Apple store to the New York improv scene and how cool it was to see Mike Myers perform at Magnet. There are loads of other great tidbits in this episode and we’re happy to return from our spring break with one of the greats. Huzzah!
Frank jumps into our interview not knowing what to expect and Louis quickly tries to determine how long they’ve known each other. Beginning in 2006, Frank was in the second wave of Magnet students, so he’s known Louis for quite some time and has been around the theater for years. Back then, he was working at the Apple store in SoHo when his now brother-in-law, Joey Dembner, suggested taking a class at Magnet. By the time Frank started classes, he and Joey weren’t the only improvisers working there and he tells us a bit about the connection between the improv crowd and that particular Apple store, which also employed notable Magnet alum George Basil (HBO’s “Crashing,” TBS’s “Wrecked”).
Louis asks Frank about his first impression of improv, which he says was, “What a weird, fun thing to stumble upon.” Talking about the early days of Magnet, both Frank and Louis recall seeing the Mike Myer’s stage show that eventually became his movie, “The Love Guru.” (Fun fact: the Deepak Chopra signature on the back wall at the theater is real!) Frank also reminisces about what it was like to learn the history of Harold-based improv at a time when it was only about ten years old. They discuss the long-running, now long-defunct, show “The Tiny Spectacular” and some of the incredible performers who were a part of it. As one for the earlier people at Magnet who had not studied anywhere else, Frank has a unique perspective on the theater’s beginnings.
Our duo debates whether or not improv is accessible to a person off the street and Louis asks Frank which performers he watched closely when he was a student. They also discuss Frank’s style of play, which Louis describes as both very physical and highly adept at calling back subtle patterns. They wrap up the episode discussing the difference between using your strengths to your greatest advantage and simply relying on them like a crutch.
Sign up in May and get $50 off your Level One!
It’s the classic 12th Anniversary gift – $50 bucks off.
This sale is for all Level One classes throughout the month of May. That includes Improv, Musical Improv, and Sketch Writing. Sign up for all three and save $150. Or sign up for 10 of them and save $500. Unreasonable? Hell yes. But signing up for one is not only not unreasonable – it’s smart! Save money while falling in love with the most inspiring creative pursuit you can imagine. And while gaining skills that just might change your life.
When we began our theater in 2005, we never knew we’d grow into an organization with 250 performers, 22 teachers, and 80 million students annually. We tried not to, but it happened anyway. We started with Armando Diaz teaching one improv workshop and now we offer comprehensive training in improv, musical improv, sketch writing, storytelling and more. We think that studying with Magnet instructors is simply one of the best ways to improve your comedy, your art, your relationships, and your life.
That’s why we’re offering $50 off any Level One class (improv, musical improv, sketch comedy) when you register between now and May 31st, 2017. Our normally priced $399 classes are now $349 for the month of May.
To view classes currently enrolling, click on the appropriate link below:
Our Level One Improv and Musical Improv classes are eight sessions with an additional graduation show at the end (no grad show for the sketch class, but it’s still amazing). And as always, free Intro to Improv classes are also available on a regular basis. Click here for details.
Queen of dinosaurs, BECCA SCHALL, joins host Louis Kornfeld to discuss her 10-minute play “Goofus & Gallant,” how she has grown alongside the Magnet’s sketch program, and duh, makeover shows! We find out from where Becca draws inspiration and what her sketch writing process looks like. Her team, Dinosaur Jones, moves to Friday nights starting April 21st but you can find out all about her right now!
Our episode begins with Louis asking Becca about her contribution to Magnet Theater’s 10-Minute Play Festival, “Goofus & Gallant.” They get into the differences between writing sketch and writing something a bit longer and Becca shares her fascination with the “Highlights” characters the play is based upon. Listen also to find out who Becca Schall was before she came to Magnet Sketch Teams and what the struggling life of an actor can be like!
Since finding sketch comedy at Magnet, Becca has grown a great deal and we find out how exactly she has changed since she’s been in the program. She and Louis talk about honing your voice and learning what your sensibilities are, Louis asks about the kinds of things she finds herself writing these days, and they both discuss the legendarily bad movie “The Room.” Becca tells of being inspired by everyday daydreams, growing a sketch from a small nugget, and how she works from an analytical process. Our two heroes both agree that makeover shows are sad and weird and Louis shares with us an excellent episode of Hoarders. Outside of comedy, Becca can often be found nannying and, as such, Louis asks her to dish on what kids are into these days. Finally, Becca shares with us where her comedy compass is pointing and where she hopes to go.
Don’t forget to check out Becca’s team, Dinosaur Jones, performing each Friday at 7pm from now until the end of June with a new show each month!!
Chicago defector, ASHLEY GLICKEN, joins host Louis Kornfeld us to discuss improv, how attempts at “diversity” often exclude disabled people, and why accessibility and representation matter so very much. Ashley has been improvising since she was sixteen years old and has a wealth of insight to share from her own life experience, so get on board as she drops some serious knowledge. Huzzah!
Louis begins this episode with one of the hardest-hitting questions of all time: Chicago or New York City? A native of the Chicago suburbs now living in NYC, Ashley must make a choice! Wisely, she walks us through the pros and cons of the two great cities before telling us why she eventually escaped from Chicago. Ashley has been improvising since she was sixteen and returned to the Windy City after college to go through Second City’s Conservatory Program. Upon graduation from the Conservatory, Ashley felt that she was limited by the lack of accessibility found amongst Chicago’s various improv stages and soon stopped improvising. Ashley was drawn to NYC by its visual art scene and, lucky for us, she eventually found herself at Magnet. Though she was nervous to begin her first class after some time away from improv, she had the good fortune to study with instructor Nick Kanellis, big sib Hannah Chase, and a class full of wonderful fellow students.
Ashley talks about the fact that attempts at “diversity” often do not include disabled people and what the root causes of that problem might be. She also dives into the pressure she feels to educate the greater public and how the world needs adapt so that it can better serve not only disabled people but, indeed, everyone. She and Louis also talk about why representation matters so very much and how every time Ashley is on stage, she feels that she’s there, in part, for the disabled community.
There’s a bunch of other great stuff in this episode as well. Louis and Ashley discuss how great it feels to be “in on the joke,” allowing people to laugh with you rather than laugh at you, as well as the pain that comes with being laughed at. They talk about the limitless realm of possibility that improv allows us to command and they discuss how we adapt and get stronger by forcing ourselves to look at all parts of life, not merely the familiar bits, but those which make us uncomfortable as well. Finally, a Very Serious Scene Opposite A Jar Of Pickles.
Perennial Magnet all-star, CHRISTIAN PALUCK, stops by to talk about his journey in comedy, being a more open person, and why he recently started drawing. From Emerson, to LA, to NYC, Christian brings a crapload of experience to the stage and insight to this episode. He and Louis dig into some great topics and, honestly, you’re gonna friggin’ love it. Huzzah!
After butchering the pronunciation of Christian’s last name, Louis wonders why we often freeze up when on the mic we are able to perform live in front of hundreds of people effortlessly. They explore this common occurrence and Christian explains why he doesn’t like anything that focuses on expectations. Louis asks Christian what he was doing before he got into improv and Christian tells of going to Emerson College for television production and then ending up in LA. He was introduced to formal improv by his college friend Anthony Atamanuik and eventually moved to NYC to take classes at Gotham City Improv and UCB. He tells of being challenged by a particular UCB class and then pausing from improv to go into stand-up. Eventually, he came back to improv after finding Armando Diaz’s “Instant Brilliance” class and he’s been at Magnet ever since.
Going from one journey to another, Louis asks Christian about being a father. How has having a kid changed how Christian manages embarrassment? He talks about quitting his day job to pursue acting full-time when he had a kid so that he could show his son that you have to follow your gut and fight for what you love. I mean, holy shit, right? This is great podcasting. Louis and Christian explore the overwhelming feeling that bubbles up when you can’t solve a major life problem and Christian talks about being a more open person and how improv can help you tap into that.
When coaching improv, Christian likes to focus on the balance between an improviser’s desire to act on instinct versus being polite, all while not being a jerk to your teammates. Our two heroes talk about how improv attracts a lot of smart people who maybe procrastinate too much and Christian wonders, “Why do billionaires worry about traffic?” They also discuss how Christian is perceived as a quiet, perhaps intimidating guy, though we all know he’s a big softy. Speaking of! Louis asks Christian about the drawings that he’s been working on! To round out the episode they ask the hard-hitting questions: What’s actually important to me? What do I really think is fucked up? And, am I brave enough to be judged for it? Good stuff, gents.
The messed-up, sick, twisted teens of My Dark Little Corner take over the Magnet Theater Podcast to answer questions from their fans and tell the world to go screw. Listen to this episode if you hate the establishment and want to discover band secrets like who’s the oldest member or why Kyle got in trouble at school. Go see them live in concert this Friday (3/31) at 11:30 pm in The My Dark Little Corner Show: Episode 1 – Dr. Stredain Chaperones!
Comedian and rapper, KATY BERRY, talks with host Louis Kornfeld about performing with a chip on her shoulder, why Sexy Baby is so damn hot, and her hip-hop improv team, North Coast. They also discuss how their personal lives show up on stage, how Katy found herself doing comedy in NYC, and the importance of being a motherfucking role model. For anyone who hesitates to be themselves and tell the haters to go screw, this episode was made just for you, with love, from KBizzle herself. Do. Your. Thang.
When we asked Katy what she might want to discuss on the show, she said, “Saying ‘fuck the haters’ and slaying all day, every day” which proved to be a wonderful jumping-off point for the episode. We find out what exactly that means to Katy as she and Louis talk about putting the personal and private lives on stage for all to see. Katy feels as though she has something to prove as a performer and that it comes from her childhood, both parts of which we get into. A shock to no one who has seen both of them perform, Louis theorizes that he and Katy may deal with private matters in opposite ways! For Katy, it all ties into her resolve to never back down from being herself.
Katy considers herself very lucky to have been on three incredibly supportive, incredible teams who have all celebrated her approach to improv and allowed her voice to be heard, loudly. She shouts out Cool Blanche before getting into her current teams, Sexy Baby and North Coast. Louis asks Katy about Sexy Baby’s modus operandi and she boldly claims that fart jokes are the birth mother of all comedy. Katy tells us what Sexy Baby tends to focus on in practice and she provides us with a little bit of her own NYC-comedy origin story.
Of course, we can’t hear from Katy Berry and not discuss North Coast, her hip-hop improv team that is about to celebrate their eighth anniversary (this coming Friday)! Katy got onto the team after going to an open audition and tells us why it was not only a match made in Heaven, but maybe even fate. She talks about what goes through her head when doing scenes with North Coast and how the confidence gained doing hip-hop improv slips into her daily life. Katy and Louis both think that people who have never struggled have very little to offer us on stage and Louis has an epiphany on the mic! As a performer, Katy urges everyone to play fearlessly, to lead, and to be a role model when on stage. By simply being yourself, you allow others to be themselves too. Finally, Louis brings to light a very interesting point that we should all be keyed into and we end this episode with some excellent plugs. Want more on Katy? www.katyberrycomedy.com
Founding member of The Music Industry, DENNIS PACHECO, talks with host Louis Kornfeld about imposter syndrome, why TMI is so great, and how to turn judgment into love. As a performer on many different shows at the theater, both improv and sketch, but only one, long-lasting, and hilarious Megawatt team, Dennis brings a wealth of experience and knowledge to the show. He and Louis dig into some great philosophical topics and tackle practical questions as well. CHECK. IT. OUT.
Our episode begins with Dennis disclosing that his imposter syndrome has him feeling nervous to be on the show. They discuss that feeling of, “Oh, that person probably hates me” and how we most likely overthink how others see us. Louis wonders if he’s being an asshole by not hanging out after shows but both he and Dennis agree that he’s probably not a jerk. Louis thinks of Dennis as a very precise improviser and Dennis shares that others have told him that he appears to improvise as someone who is both calm and nervous at the same time. Louis can relate to feeling that way and, in fact, Dennis admits that he sought to emulate Louis’ playing style when he was starting out. Fun fact: Louis does not recommend Charlie Chaplin’s autobiography!
Dennis and Louis discuss conscious versus unconscious reactions while improvising and Dennis offers some interesting insight from the book “Understanding Comics” by Scott McCloud. They also talk about stepping in at the right moment to say the perfect thing to bring the house down and, for sketch actors, helpful tips for remembering lines. Finally, they get to talking about Dennis’ long-running Megawatt team, The Music Industry. Dennis tells us why it’s such a killer team to play on and shares his excitement for their upcoming move to Thursday Night Out. He also discusses how they’ve moved from a team dynamic where they had what some might call “frontmen” to a setup now where everyone’s parts on the team feel balanced. He also talks about doing the Spokane and why the form works so well for them. To wrap up the episode, Dennis shares a great way to approach moves you don’t love. Hint: It involves letting go of judgment and transforming it into love. What a beautiful lesson to end on!
Announcing Musical Megawatt Auditions
We are excited to announce that Musical Megawatt auditions are coming up! To submit for an audition slot, please fill out THIS FORM! Please note that only people who have completed Musical Improv Level 3 at the Magnet Theater are eligible to submit.
This season, auditions will take place on Saturday, April 1st, from 6:30 to 10:30, with callbacks on Sunday the 2nd at the same time. Both rounds of auditions will be at the Magnet Training Center, located at 22 West 32nd Street on the 10th Floor. We will do our best to accommodate everyone’s schedules, but please understand that we can’t guarantee anyone a particular audition time.
Submissions must be received by Wednesday, March 22nd, and emails with assigned audition times will be sent out on Friday the 24th.