Posts Tagged ‘community’
Well folks, Remix is back for Vol. 2!
What is Remix?
Remix is the Magnet Theater’s diversity sketch lab. For seven weeks participants will meet with Magnet Alumni and learn about sketch writing! We start with the basics of what makes a good sketch and take you through the process of writing, getting notes, editing, and performing! All participants will be eligible to have their sketch considered for the show at the end of the the lab, and all participants will have a chance to perform in the show!
Want to see some sketches that made it into last year’s show? Look here: Remix on YouTube
Who is this for?
Remix’s aim is to lift voices of people from marginalized groups, and celebrate diversity of all types – including (but not limited to): race, age, gender identity, orientation, ability, and more!
But I Didn’t Do Remix Vol. 1…
Perfect! There’s no prior experience needed. People who participated last year are welcome to participate again, but we’ll be covering a lot of the same ground.
But I’ve Never Done Sketch Before…
It’s never too late to start! Remix is for people of all experience levels in sketch and comedy writing. Even if you’ve never done sketch comedy or if you’re on a team at another theater, Remix is for you! All experience levels welcome.
OK… But What’s the Catch?
There’s a tiny (less than $10) fee to pay for the show recording and our amazing tech.
To qualify for show participation, we require that you miss no more than 2 meetings and miss no more than 1 show.
But that’s it! Any sketches written in the lab are yours to do with what you please and the seven weeks of classes are absolutely free!
Whoa, that’s pretty sweet. How can I stay up to date on the info?
When does this party start!?
Remix Vol. 2 will be kicking off Saturday, September 23rd @ 12pm.
We’ll be meeting Saturdays from 12 – 3pm in the Magnet Theater Training Center, located at 22 West 32nd St.
And the shows?
Shows will be November 6th, 13th, and 20th at the Magnet Theater (main stage)!
We look forward to seeing all of you at the kickoff meeting 9/23!
The Remix Team
Improviser, cook, runner, and yoga instructor, LIZ MIGLIACCIO, joins host Louis Kornfeld as they take a look inside themselves as well as inside the worlds of improv and yoga. The two discuss the importance of teachers along with providing different options of learning. We learn an assortment of fun facts about Liz including the age at which she learned how to spell her last name, how she almost drowned, and much more!
At the beginning of the podcast, Liz talks about her incredible sense of direction that she learned from her father while he taught her how to sail. Louis, a native New Yorker, is jealous that she has a much easier time finding where north is – revealing that getting lost is his biggest fear. They talk about a children’s survival camp where the kids are taught to think like animals – in order to teach them survival, and how to keep themselves from getting lost.
Liz tells Louis about her last name, Migliaccio, and how she learned to spell her it using the tune of the Mickey Mouse theme – admitting that it was not until the age of 12 that she got it down. She explains the importance of her last name and how if she got married she would want to keep hers.
Along with having trouble spelling, Liz had a tough time learning in school. She mentions that she was originally placed in special education. We learn about her love for the outdoors and her appreciation for different learning styles. Liz knows she would have learned much more as a kid if subjects like math and science were combined with things she enjoyed like cooking.
They expand on the topic, explaining that learning and teaching have many elements at play (timing, luck, who the teacher is to you, who you are at the time, etc.) Liz tells Louis that she studied at ImprovBoston while she was at school at Emerson and improv did not click for her at the time – so she never counts those four years. She was constantly looking to be funny until she found Magnet – that’s when it all clicked. She went to see a Level 1 show and realized that it looked like everyone was having fun.
Louis compares this revelation to Liz’s idea of “chemistry with cooking” – how it is sometimes easier to learn when you have fun and have a community. Both of them agree that they constantly feel stimulated by others when they are surrounded by improvisers. They laugh about how accustomed you become [as an improviser] to sharp brilliance so it is hard to be surrounded by people outside of improv, who Louis refers to as “muggles.”
At some point, Liz discovered that she would have much deeper connections with people with whom she shared a community. She didn’t fully get into “Liz Migliaccio” until about three years ago when she got out of television. At the time she delved completely into the magic of improv. Liz also talks here about getting into yoga and self-discovery.
They describe the twin-like relationship between grandiose ego and what Liz calls “healthy ego.” The topic switches to our current president, his ego, and how we all have tiny presidents inside of us. The two hit on the topic of nature and how it is necessary to experience it and be humbled by it. Liz dives into her respect for the ocean and nature in general, capping it with a story about the first time she almost drowned.
As a fan of exercise, and movement in general, Liz speaks more about her experience with yoga and becoming a certified yoga instructor. She discusses originally being very stoic but now being someone who enjoys being vulnerable and crying (which she learned through yoga and improv). Liz and Louis compare yoga teachers with improv teachers and the similarities between them. They discuss the simplistic ways that the directors in both worlds can be much better teachers than others.
They tie together the conversation by bringing up the topic of twins again, this time Liz talks about being a twin sister. She describes it as coming into the world with her best friend and getting to share it with her. That’s pretty darn nice, ain’t it?
Queen of stage and backstage alike, The Cast’s ALI FISHER, stops by to talk about who we are as humans, why books are so damn cool, and the wonders of genre! Ali and Louis explore how cooperation helps humanity succeed, what Ali absolutely loves about her role as editor at a sci-fi, fantasy, and horror publisher, and why The Cast is so damn incredible. It’s a beautiful episode with beautiful people so just listen to it already!
Our heroes begin this fantastic episode by acknowledging confusion in the world and that we do not know the future. Ali talks about a Wait But Why post that she never finished and it gets them talking about humanity. Louis believes our sense of cooperation lifts us much higher than each of us would be capable of alone and Ali seems to agree. To make things even better, Louis offers up an X-Men analogy that fanboys should do their best not to examine too closely. They discuss the matters of self-awareness and asking, “Who am I?” to which we can only answer, “Evan, Producer.” The rabbit hole is so deep and glorious, we find Louis offering up a comparison between improv comedy and reincarnation.
Running in parallel to Ali’s life as an improviser on stage is her work as a fiction editor off stage. Louis inquires about Ali’s position as an editor within the young adult branch of a fantasy, sci-fi, and horror publishing house. She names some of the books from her past she’s found most formative and tells us what she looks for when reading new works. Similar to fiction, improv helps you examine unthinkable actions and experience unlikely thoughts.
Continuing their quest, Louis and Ali delve into the the topics of external expectations and destiny. Ali articulates the beauty of eating together while Louis pontificates on the nature of company. Isn’t it a little crazy how we all show up to improv shows just for the sake of being with people?
To round out this episode, Ali and Louis talk about the power of various genres, including comedy, and compare the entirety of Horror to the common feeling of stage fright. This leads them to discuss the genre-conquering show The Cast, with whom Ali plays every Saturday night, and to the establishment of Ali’s own personal genre.
Plus, Louis offers this challenge: “Identify with that, listeners!” Find out what it is!
Magnet Theater co-founder and all around improv know-it-all, ARMANDO DIAZ, sits down with us to talk about film, improvisation, and what he thinks of the “guru” label. It’s not everyday we get to hear so intimately from one of the greats of improvisation, but Armando stopped by to chat with host Louis Kornfeld and we couldn’t be more thrilled. Who knows – maybe this will be one of many? What we do know for sure is that this episode is not one to be missed.
Our conversation with Armando Diaz begins with the moment he gave up on the film industry. Both he and Louis had forays into the film industry and neither of them particularly liked it. However, it was this rejection of film that steered Armando toward improv. These two encyclopedias of improv and film discuss how improv keeps people more honest than film, how it strips away pretentious defense of art, and how Louis learned more about scene structure and motivation through improvising than attending film school. You need the laboratory of improvisation to learn and grow, says Armando.
Louis notes that, when teaching, Armando talks a lot about culture and art, so he asks Armando where he finds inspiration these days. In giving his answer, Armando opines on the need for art and culture to become local again. They talk about the dual importance of experiencing something together with a group of people, as well as the value of truly having time alone with your own thoughts – time devoid of entertainment and third party interference. In this part of the interview, we find out how many children Armando has! You’ll be surprised.
Tying in Armando’s notion of communal art with David Shepard’s goal of The Compass to be a popular theater, Louis asks how those ideas can be transposed into the improv of today. Armando tries to recall the first improv he saw that set the bar or made a big impression on him. For him, it’s always been about exploring the unknown. If for a period of time you can transcend yourself, those are the best moments. Where does such deep water lie for improv these days? Louis and Armando talk about challenging audiences in a helpful way and how we need imperfections and flaws.
If you came for the good stuff, look no further than Louis asking Armando about the status of his name. He talks about what it means to him to be “Armando.” People will think whatever they want, so he keeps himself grounded in real interactions with other people. He also tells use why he doesn’t love the idea of gurus and relates how the burden of experience can get in the way of trying to learn something new. Not wanting to watch people who have a list of rules in their head, Armando has developed his teaching methods to focus on inspiring students rather than correcting them.
Among a bevy of talk on improvisation, Louis asks Armando why he’s such a reluctant improviser and Armando talks about what it’s like to play with his frequent duo partner, Christina Gausas. Finally, Louis reminds us of this wonderful quote from Elaine May: “The only safe bet is to take a risk.” Amen.
Hey Magnet Community!
In case you didn’t know, our beloved Magnet Theater turns 10 years old next month and we’re hoping to celebrate in a big way. We are hoping to put together a collection of as many photos and videos as possible so that we can scrapbook a decade of memories. And we need your help! Do you have photos of Magnet shows, rehearsals, or classes? We want them! And the older, the better! If you can help us, please email email@example.com with files, links to Dropbox/Drive, or physical drop off requests. However you want to get us your memories, we want your help!
Chrissie & Evan
Magnet Promo Team
In a city of over 8 million strangers, it’s incredible to find a place that feels like home. Yet, in it’s 7th year, the Magnet Theater continues to do that for many improvisers, actors and comedy addicts. The Magnet’s supportive atmosphere focuses on following your gut and “yes and”-ing in a grounded and personal way. There is no fast track, improv is like anything else, it takes time to master. At the Magnet, there is no pressure to be anybody other than yourself. Much of that comes from co-founder Armando Diaz, who dreamed that the Magnet would “facilitate people making comedy and meeting each other.” I sat down with Armando Diaz and inquired about this very important milestone:
Willy Appelman: What was the first show in the Magnet Theater space?
Armando Diaz: I was teaching an Evente class and we had our first show in the theater. The stage wasn’t finished. It was an experiment for all of us. We (Ed Herbstman and Alex more