Posts Tagged ‘funny’
Sketch writer, actor, and improviser Jesse Acini sits down with host Louis Kornfeld to talk about getting his start in comedy, the growth of the Magnet community, and having more fun along the way. An active participant in the NYC improv and sketch scene since the early 2000s, Jesse talks about The Second City in NYC, discusses studying with Gary Austin, and otherwise litters this episode with tidbits about the olden days. Not to mention, he provides some solid advice for aspiring sketch writers! Jesse and Louis have known each other for eight years and this is the longest conversation they’ve ever had — you don’t want to miss it!
Enjoy Episode #25 on iTunes or below via SoundCloud.
Host Alex Marino sits down with stand-up, improviser, writer, and podcaster Brian Frange to talk about all things comedy. Brian brags about being the best actor in his high school but admits that becoming a stand-up ruined his chops. He discusses his feat of doing 70 open mics in 30 days and his appearance at this year’s Montreal’s Just For Laughs Festival. Plus, Brian talks about founding Awkward Silence Comedy at Indiana University, how to find your comedic voice, getting started in stand-up and The Unbelievable Podcast, which he hosts. Frazzled Frange might even make an appearance!
Enjoy Episode #24 on iTunes or below via SoundCloud.
For over four years, Brick has entertained Megawatt audiences each week with their hilarious, multifaceted attack and undeniable originality and last night, the Magnet community gave them the send-off they deserved.
With a full hour at their disposal, Brick began their set with a slideshow capturing the chemistry of a team that has spent over four years together and retained six of their eight original members with two delightful additions along the way. (They even had former member Tim Eberle cheering them on from the audience, showing the support that helped define such a team.) After the slideshow, the lights dimmed, Helter Skelter dropped in, rising in volume as the cast banged against the backstage wall, and Brick finally entered to do what they do best — give one hell of an improv show.
The ensuing set from Brick’s Rick Andrews, Julia Hynes, Joe Miles, Branson Reese, Amie Roe, Jamaal Sedayao, Caitlin Steitzer, and Jed Teres was filled with hilarity and indicative of a team that not only knows how to have fun with each other, but are also experts of the form. As the show reached its anticipated climax, the lights came down and the audience burst into a display of appreciation. The praise continued for the rest of the night and we’re sure the conversations about them will continue for years.
From their beginnings as “New Team Brick” to their Oh Shit! INSPIRADO throwdown to their string of “new form” shows, Brick has been a darling of Megawatt and improv at Magnet, and they will surely be missed.
Check out the videos and photos below from last night!
On this episode of the Magnet Podcast, host Alex Marino chats it up with improviser and yogi Emily Shapiro about teaching yoga and doing improv in Costa Rica, Emily’s affection for Lord of the Rings, and people who look like Smeagol.
Enjoy Episode #21 on iTunes or below via SoundCloud.
Louis Kornfeld chats it up with improv wunderkind Sebastian Conelli. They talk about growing up on Staten Island, using humor as a way to get through childhood, learning to love and show what you love on stage, and being a bad student.
Enjoy Episode #19 on iTunes or below via SoundCloud.
Ever thought about taking the show on the road? So have these guys! Monday, September 8th at 8:30pm, three Toronto performers, James Hartnett, Tim Gilbert, and Marty Topps, are taking the Magnet stage to bring you their best work as a part of their New York and Philadelphia tour. I (Amanda Ariel Peggy Xeller!) got the awesome opportunity to not only see Marty Topps (Isaac Winter!) perform in Montreal, but got to conduct an e-mail interview with him for the Magnet’s blog.
Marty Topps is an award winning musical comedian from Toronto who burst onto the scene with his debut album, “A Loving Tribute to TapouT.” The album was ranked the #2 Comedy Music album of 2013 by BiteTV. Marty followed this up with a musical short film, “Beep Beep” which won First Place in the Laugh Sabbath Film Fest at NXNE 2014. Marty’s live performances have led to accolades like Best Newcomer at the 2014 Montreal Sketchfest and Audience Award (Best Musical Sketch) at the 2013 Toronto Sketch Comedy Festival.
Where are you from originally?…and what’s that place like?!
I’m originally from Stratford, Ontario. Stratford is a nice town. It was pretty wild growing up in the shadow of the undisputed King of Pop, Justin Beaver but I also found it really inspiring because it made me #believe I could grow up to be a song-and-dance-man just like him.
What’s your training background?
I have no formal training. I went to University for Film but I dropped out cuz that was the cool thing to do at the time. And then I taught myself to play keytar cuz that was also the cool thing to do at the time… And it still is, right? Right?!
Ally Kornfeld, (Baby Shoes), one of the Magnet’s sketch writers, got a chance to take her idea for a TV Show, Cracking Royalty, to Austin Texas. She was one of the ten finalists in the ATX Television Festival’s Pitch Competition this past weekend. What is the Pitch Competition? It’s a chance to pitch an idea for a TV show to not only a live audience but to a panel of industry judges including Paul Scheer, Bryan Seabury, Julie Plec, Kyle Killen, Katie Krentz, and David Semel. Oh and get this: SHE WON.
“This winner will receive a meeting with one of our judges (based on the show’s genre/judges’ availability) to explore the idea of his/her series and gain notes to better develop the series. After the pitch is honed, the winner will then get a pitch meeting in front of one of our studio/network partners (again, dependent on the show’s genre and style) to try and sell his or her pilot for production.”
Second City Theatricals is seeking actors for ensembles on Norwegian Cruise Line ships.
The South By Southwest Film Festival (SXSW) is an annual film festival that not only premiers feature films, like Bridesmaids back in 2011, but presents new work by indie directors. Each film entered is up to be considered for the Grand Jury Prize, which is a special award given in two categories: Best Narrative and Best Documentary. Think of it as the equivalent to Best Picture for the Oscars. This year, the Magnet’s own Charles Rogers (The Music Industry, Prank Phone Calls with Charles Rogers) won the coveted award for Best Narrative Feature for his film Fort Tilden. (Past winners in this category include Lena Dunham for her film Tiny Furniture back in 2010). I (Amanda Ariel Peggy Xeller!) got the awesome opportunity to sit down with the esteemed director, and fellow performer, to talk about the movie and also about him!
Where are you from originally?
Well I grew up in a lot of places, but I grew up mostly on the border of Texas and Mexico at the very bottom. It’s called Brownsville, which is a weird, dysfunctional place. And also in Acapulco, Mexico. But I say I’m from Austin, Texas because I went to college there and my family moved there recently.
Where did you go to college?
I went to college at St. Edwards University in Austin. It’s a liberal arts school that’s fun to be young at.
The Magnet Theater boasts an incredible roster of talent, some of which have been around since the theater’s inception. On March 19th, I (Amanda Ariel Peggy Xeller!) met up with veteran Magnet improviser Charlie Whitcroft (The Boss) to get a glimpse into his world of improv.
Where are you from originally?
I am from Staten Island, NY. I moved to Queens 7 years ago and I love Queens. I mean, Staten Island was nice, but I’m glad I moved off of it.
When did you realize you wanted to get involved in comedy?
I don’t know if I ever did realize that I wanted to get into comedy. I kind of grew up with Louis Kornfeld and Megan Gray and Corey Grimes. We all went to school together. They were all doing improv I’d say a year before I was. They would always encourage me to take classes. I guess it wore me down and I finally did and I never looked back. Somewhere in there, I guess maybe like 8 or 9 years ago, I decided that I wanted to do comedy. But I had been going to see them do improv more