Posts Tagged ‘Improv’
We are excited to announce the next round of auditions for Musical Megawatt!
This season, auditions will take place on Saturday, September 23rd, 6:30pm to 10:30pm, with callbacks on Sunday, October 1st at the same time. Both rounds of auditions will be at the Magnet Training Center, located at 22 West 32nd Street on the 10th Floor.
To submit for an audition time, please fill out THIS FORM! Please note only people who have completed Musical Level 3 at the Magnet are eligible to audition.
Submissions must be received by Wednesday, September 13th, and emails with assigned audition times will be sent out on Friday the 15th.
If you have any questions or concerns, feel free to email Michael Lutton at firstname.lastname@example.org.
We look forward to seeing you at auditions!
Legendary improv instructor and our good buddy from Chicago, Joe Bill, is stopping by Magnet to teach a one day workshop on Sunday, September 3rd, from 1-4 pm. Joe will be teaching a new version of his newest workshop “The First 30 Seconds” which focuses on the verbal, emotional, physical, and psychological content of the first 30 seconds of scenes to help you get optimally grounded and connected to what’s happening REGARDLESS of the approach/style in which you’re playing.
In Improvisation, so often, the ending is in the beginning. Let Joe help you begin your scenes in service to yourself, your scene partners, and the show you’re doing. He’ll show you how to attack the first 0-15 & 15-30 seconds (The Golden Time) of a scene. This includes the mindset of readiness, playing with energy variety for initiations, strategic & emotional listening, awareness of interpersonal vs. circumstantial dialogue, and tracking the context through patterns that you establish right from the start. Everyone will walk out of this workshop with at least a couple of new tools that they can begin to employ immediately.
Interested? Come play! Cost is $50. Just email Joe to reserve your spot! Email jbillscp [at] yahoo [dot] com
Alexis Lambright is a writer, storyteller, and cast member of Magnet ensembles The Wrath and The Cast. Alexis also hosts The Griot Show, in which she brings together a range of black performers and storytellers together around a specific theme! In anticipation of this Friday’s edition of The Griot Show, we spoke with Alexis about storytelling, “edutaining,” and pooped pants.
What makes a compelling story?
For me, the thing that makes a story compelling are the details. This is in no way profound, but I’m drawn to stories with a lot of details. Someone could be telling me about the time they pooped their pants in public, and I wanna know which city they were in, the surroundings, the time of day, the temperature, what they wore, what they ate earlier that day, and of course why they pooped their pants in the first place. All of those details allow me to see it happening (that’s not to say that I am obsessed with envisioning someone pooping their pants, I was just using that as an example). Anyway, I’ve heard some very detailed stories that made me feel like I was actually there.
How does your background as an improviser inform your style as a storyteller?
I think my improv background has allowed me to be able to recall stories pretty quickly. I’ve done shows were I had to come up with a story from an audience suggestion, which means going through my mental Rolodex of related stories. In the case of The Griot Show, I might have a story prepared, but maybe something from one of the performer’s stories sparks an idea that leads to a better story!
Your show features a variety of performers from different experiences and performance styles. Aside from improvisers and comedians, what other people have performed at the Griot Show?
Over the past three years, while I started out trying to keep the format to a traditional storytelling show, I’ve found that the show is really great when the performers tell a story through other mediums. I’ve had a video artist on who showed a piece that he directed, in which Harriet Tubman and other slaves were doing interpretive dance to Britney Spears’ “I’m A Slave 4 U”. There have been poets who have shared stories through their work, a few performers have incorporated music into their pieces, and I’ve even projected illustrations from a book I wrote at the tender age of six about slavery. Yes, 6 year-old me wrote a book about slavery. One of my absolute favorite guests on the show was Mr. Dabney Montgomery, who served the U.S. Army Air Corps as one of the Tuskegee Airmen. When I tell you it was an honor, privilege, and just an absolute DREAM COME TRUE having him bless my little ol’ show, I am dead serious! He was phenomenal!
What inspired you to produce this show?
I was approached by Beth Newell (former Magnet Sketch Program head) about creating a show that would bring some diversity to the Magnet stage. I brainstormed some ideas and finally decided on a storytelling show for Black History Month. The first two times went so well, that people came up to me and said “have you ever thought about having the show more than just once a year?” The next show was on Juneteenth for its historical significance to African Americans, and eventually I did the show every other month. I’d like to make it a monthly show, but I need help either producing or hosting it.
You’ve been hosting the Griot Show for a while now. How has the show changed over time since you first started hosting it?
As I mentioned before, it’s been a little over three years since the show debuted. In the beginning, it didn’t have a specific theme- I just wanted to get more black people performing at the Magnet. Now, I will try to come up with a theme for the show, like “Juneteenth Edition”, “Pride Month+Loving Day Edition”, etc. Also, because I love it when a show is “edutaining” (educational and entertaining), I try to do black history or theme-related trivia questions with the audience. There are prizes, too!
Check out The Griot Show this Friday, August 18th at 7pm!
For the entire month of September, all room rentals at the Magnet Training Center are only $10 an hour! That’s right – between the hours of 11AM and 11PM, seven days a week, every single one of our lovely rehearsal spaces is available for the low price of $10/hr. Rehearse at Magnet Training Center and save your hard-earned cash for that bus ticket home! Or a flight to Miami. Player’s choice. 😉
Actor and comedian, KEISHA ZOLLAR, joins host Louis Kornfeld to discuss the role of comedians in society, why she hates revenge stories, and the issue with overly dramatic art. Not only that, but they get to talking about how we give too much energy to our lizard brains and urge everyone out there to show your weird! This is our final episode of the season, but we’ll see you again in September. From all of us to all of you, thanks so much for listening and huzzah!
Our fabulous guest and intrepid host begin this episode laying out the three or four types of bad, real-world comedy and note that the bully flavor of “funny” still persists, despite how god-awful it is. Keisha posits that perhaps we, as comedians, need to rally a bit more against bullies and the behavior they propagate. She also says that Louis has “an intense face” and Louis seems to agree. They talk about being “on” all the time and how common folks expect comedians to behave day-to-day. They get into the role of comedians in society and the responsibilities that comedians and other creators take on by assuming the mantel. Such a conversation would be incomplete without mentioning identity politics and how the comedian’s ultimate job is to disrupt norms.
Pivoting like a member of Trump’s cabinet, Louis attempts to take a positive lesson away from the current hot mess that is the world around us. Keisha wisely points out that, growing up, no one ever told us why democracy could be bad, reminding us that every tool is also a weapon. She relates that she often feels we give too much energy to our lizard brain and not enough to our frontal lobe, which allows us to reason.
Speaking of lizard brains, Keisha tells us why revenge stories don’t entertain her and why one of her favorites movies is Requiem For A Dream. She and Louis show appreciation for feeling your feelings in-the-moment, including the negative feelings like anger and sadness. Speaking further on this, Keisha shares a bit about her lifelong experience of recurring illness and living with an invisible disability, something she brings up to highlight the fact that it’s not all negative – there are positives of that life experience and the perspective it gives her is invaluable. This sparks their both Louis and Keisha’s qualms with art that is overly dramatic, art that lacks the light we know to be present. As our episode comes to an end, we are reminded that the beauty of improv is that we are encouraged to show our weird, to show our uniqueness. Everyone has something. Accept your weird.
And finally, our host and guest share this special message with us, as we say goodbye to Season 3 of the Magnet Theater Podcast:
Go stare at a tree!
Junior Varsity’s Jarret Berenstein is releasing his first book, The Kellyanne Conway Technique: Perfecting the Ancient Art of Delivering Half-Truths, Fake News, and Obfuscation– With A Smile, this August from Racehorse Publishing. He’s celebrating its launch with a show at Magnet and some of his favorite stand-up comedians. We sat down with Jarret to talk about his Kellyanne, his book, and the upcoming release show August 7th.
JB: Before writing this book I assumed that people needed at least some integrity to survive. I thought it was like food or oxygen, and that a person with zero integrity would shrivel up and dry out like a desert grape. Kellyanne appears to be living sans integrity though, and that’s pretty interesting. And worrisome!
M: Which part of the process in making this book was the most fun?
JB: Definitely writing the “everyday life” examples. In the book, I talk about how we can use Kellyanne’s brand of spin get out of tight spots in our everyday life, so coming up with those types of problems (speeding ticket, late for work, double murder, etc) and then translating a Kellyanne move to fit that situation was really fun.
M: Why do you think a book, in particular, is a great medium for this kind of humor?
JB: I’ve seen a lot of articles and videos online about what Kellyanne does and why it’s effective, but they mostly just scratch the surface. You need to have the full length of a book to go through all the different types of Conway nonsense and also have the space to thoroughly make fun of each of them.
M: If you had to boil down the essence of Kellyanne and her technique down to 3 words, what would they be?
JB: Overflowing with bullshit.
M: Who is this book perfect for? Who is this book totally NOT for?
JB: I think the book is perfect for everyone! Even if you’re more conservative, I think anyone can appreciate what’s silly about Kellyanne.
M: Tell us a little about your book release show!
JB: The show is on Monday, August 7th at 7:30 pm at the Magnet. It’s gonna feature some great standups like Seaton Smith (from Fox’s Mulaney) and Liza Treyger (incredible comic with one of the best Comedy Central Half Hour specials I’ve ever seen), and possibly a short reading from the book! There’s talk of the publisher bringing free beer and a copy of the book for people in the audience (while supplies last) but don’t hold me to that.
Sign up for Level One and get $50 off!
It’s the classic 12th Anniversary gift – $50 bucks off.
This sale is for all Level One classes. That includes Improv, Musical Improv, and Sketch Writing. Sign up for all three and save $150. Or sign up for 10 of them and save $500. Unreasonable? Hell yes. But signing up for one is not only not unreasonable – it’s smart! Save money while falling in love with the most inspiring creative pursuit you can imagine. And while gaining skills that just might change your life.
When we began our theater in 2005, we never knew we’d grow into an organization with 250 performers, 22 teachers, and 80 million students annually. We tried not to, but it happened anyway. We started with Armando Diaz teaching one improv workshop and now we offer comprehensive training in improv, musical improv, sketch writing, storytelling and more. We think that studying with Magnet instructors is simply one of the best ways to improve your comedy, your art, your relationships, and your life.
That’s why we’re offering $50 off any Level One class (improv, musical improv, sketch comedy) when you register now. Our normally priced $399 classes are now $349. We’ve the same sale all summer and so many people took advantage of it, that we wanted to keep the good times rolling. We know that our entire community benefits from more people improvising and we want to make it as easy as possible to get started.
To view classes currently enrolling, click on the appropriate link below:
Our Level One Improv and Musical Improv classes are eight sessions with an additional graduation show at the end (no grad show for the sketch class, but it’s still amazing). And as always, free Intro to Improv classes are also available on a regular basis. Click here for details.
Our old pal George Basil (HBO’s Crashing, TBS’ Wrecked, Netflix’s Flaked) returns to New York this week to take on two of Magnet’s greatest improv duos: Kornfeld & Andrews and Trike! We sat down with George to talk about his work in television, his passion for improv, and his favorite spots to return to in NYC.
MAGNET: What are some current and upcoming projects you’re pumped about?
GB: I’m excited for a couple things coming up. One is an animated show that some friends are making, and I’ll be the voice of a centaur (dream come true), and the other is a series I’m developing about a single dad and his cool kid titled “Rad Dad.”
M: You’ve got some improv shows coming up at Magnet with Kornfeld & Andrews and Trike – what excites you about doing improv? What keeps you coming back?
GB: The same thing that excites me about playing blackjack or craps is the thing that excites me about improv: the total unknown. No matter how good you think you are, sometimes the earth’s rotation has got it out for you. What keeps me coming back? The Magnet will always feel like my home.
M: Between your characters on Crashing, Flaked, and Wrecked – which is most similar to you?
GB: Probably Lief from Crashing. He’s impulsive but finds different philosophies he can use as a way to justify his sometimes irresponsible actions. I do that shit.
M: Who’s your favorite improviser and why?
GB: Dan Bakkhedal, for sure. I used to watch him whiz mentally around a stage and it didn’t matter who his scene partner was, he totally listened to them and supported every move they made. I could watch that man do anything.
M: What are you most excited about doing during your time back in NY?
GB: Aside from the rad shows at Magnet, I’m always stoked to revisit my old neighborhood in Brooklyn and reminisce through places I used to eat. Even just walking the same streets that took me to the train gets me all excited. Mostly excited for the shows though. It’s been too long.
George Basil joins Trike this Saturday, August 5th at 9 pm! You can also see him with Kornfeld & Andrews this Sunday, August 6th at 7:30 pm!
Say hello to all of our new Summer 2017 Circuit teams! Come see one of their shows, Fridays at 10 pm, July 21st through September 29th! YES!
Coach: Abby Russell
Coach: Michael Kroll
Coach: Rob Penty
David M. Freshwater
Team Boomhauer (musical)
Coach: Jacob Horn
Magnet performer, stand-up comedian, and author Jarret Berenstein joins host Louis Kornfeld in the most recent edition of the Magnet Theater Podcast. The conversation hits a lot on politics and how Jarret feels he sounds like a “tin hat conspiracy theorist” when discussing them. Check out this podcast to learn about Jarret’s upcoming book about Kellyanne Conway, his early days as a stand up comic, and how he still plans on living in a mansion with Gwyneth Paltrow.
Jarret and Louis start out the podcast with a discussion on acting in sketches and the pros and cons of memorizing lines. Louis admits that memorizing lines in a whisper never works for when he actually needs to perform them out loud. Jarrett describes the mastery of learning all of your lines as “its own kind of fun.”
After the brief pre-podcast conversation, we learn that Jarret has a book coming out, “The Kellyanne Conway Technique: Perfecting the Ancient Art of Delivering Half-Truths, Fake News, and Obfuscation―With a Smile.” He was hired by the publishing company to make fun of Kellyanne Conway because knew someone at the publishing company who figured he’d have time to do write the book. (Also, because he’s funny. Duh.) He discusses his frustration with watching her lies and getting even more frustrated with the fact that her candidate won.
They start to talk about revenge against comedians – how unfunny people like Mike Huckabee and Kellyanne Conway are now trying to be comedic themselves. Jarret explains that he was unable to watch Kellyanne Conway’s stand-up comedy tape because he knew it would anger him too much. They discuss how the people who are considered funniest tend to be more liberal and how when conservatives make jokes they gain support not because people think they are funny but because people agree with them.
Louis thinks that Jarrett is very well-tempered when it comes to politics. We learn that Jarret spent all of November on Reddit and spent much of that time fighting with other users who he figures were Russians acting like Americans who support Trump, and how he realized it was such a waste of time. Though he was extremely angry, he realized “that rage is not going to change anyone’s mind.”
Jarret talks about his stand-up comedy and how he wants to start putting political humor into his act but he knows that when he starts talking about politics he sounds like a “tin hat” conspiracy theorist. He describes his faces in improv vs his faces in stand up. While he improvises, Jarret notices that he will break often and have a hard time not smiling because he’s having fun. While in stand-up, he explains, his face is more “I’m looking at you in a serious way even though what I said was ridiculous.”
Louis asks Jarret if he feels confident as a performer with ten years of stand-up comedy experience. Jarret thinks that he is and tells Louis about how comedians can grow as performers. Jarret reflects on starting out as a stand-up comedian at “bringer” shows and how embarrassing they are as a comic.
Despite his current focus on stand-up, Jarret’s first love was improv. He talks about SNL, Comedy Central, listening to comedy albums – about not even knowing what the jokes were about but liking the rhythm of stand-up. He remembers playing MASH with his friends where he ended up living in a mansion with Gwyneth Paltrow as a paid improviser. That would be the life.
To close out the podcast, Louis discusses Kliph Nesteroff’s book “The Comedians” and how it does a great job going through the history of comedy. Jarret and Louis agree that relevance is an interesting aspect of comedy – Jarret thinks that “it’s weird that generations can grow up not seeing the best version of somebody.”
Pick up Jarret’s book, “The Kellyanne Conway Technique” when it’s released in August and come to his book launch show at Magnet on Monday, 8/7, at 7:30 pm!
- Bill O'Reilly
- Block Party
- bringer shows
- Famous Dead People
- jarret berenstein
- junior varsity
- Kellyanne Conway
- Louis Kornfeld
- magnet theater
- magnet training center
- Mike Huckabee
- new york
- new york city
- political humor
- Radio Free Brooklyn
- stand up comedy
- The Kellyanne Conway Technique
- thursday night out
- Upright Citizens Brigade