Posts Tagged ‘Improv’
International man of mystery, ROMAN PIETRS, sits down with host Louis Kornfeld to discuss his improv life, his various profession(s), and being a dad who does improv. The Warm Blooded team member explains his proclivity toward using emotion during improv and Louis unearths out some of the reasons why Roman is a person of great intrigue. The topics in this episode range from European walking tours to male-perm quiche parties, so you know it’ll be great.
We begin this episode with a sneaky little cold open in which Roman and Louis delve into their family histories including a generation that seemed to largely reject their given names.
Diving into the episode proper, Roman divulges that he planned ahead by checking emails in order to refresh his Magnet Theater memory. When discussing musical improv, Roman explains that he has “more of a musical mind than a lyrical mind” and gives an example of a song about a box. It’s the kind of improv that Roman refers to as, “speaking in tongues.” Louis also shares his perspective of letting yourself go onstage and opening your mouth without an idea.
The two chat about their experiences with emotion on stage and we find out that Roman’s safe place is going to a highly-inflated emotional state. Louis was uncomfortable with the idea of playing with emotion at first, but now he believes that emotion is everything. Roman discusses his recent struggle with breaking on stage – due to the hilarity of his teammates – and describes his team, Warm Blooded, as an ensemble that creates “passionate musicals that borderline on the obscure.”
Louis begins to figure out some of the reasons why Roman has the reputation of being a “man of mystery.” In addition to working in improv and graphic design, Roman also helps run a European walking tour industry (taking place in Budapest, Prague, etc.). After helping his wife out with a craft idea, they eventually got to be on Shark Tank. “Male-perm quiche party” is a term that Louis had never heard of, however Roman used it as a way to raise money for a good cause and in turn share a cover story with Slash from Guns ‘N’ Roses. Lastly, we hear about an interesting taxi driver whom Roman learned a lot about. And that’s just the stuff we had time for in this podcast recording!
- Edinburgh Fringe
- European tours
- fringe festival
- graphic design
- Louis Kornfeld
- magnet theater
- magnet training center
- male perm quiche party
- musical improv
- musical megawatt
- musical theater
- musical theatre
- new york
- new york city
- Roman Pietrs
- Shark Tank
- The Donkey Show
- walking tours
- Warm Blooded
- White Umbrella Tours
ADX performer and veteran of Megawatt, FRANK BONOMO, joins host Louis Kornfeld to talk about his discovery of improv, Magnet’s early days, and how he approaches the artform now. They also reflect on the importance of the SoHo Apple store to the New York improv scene and how cool it was to see Mike Myers perform at Magnet. There are loads of other great tidbits in this episode and we’re happy to return from our spring break with one of the greats. Huzzah!
Frank jumps into our interview not knowing what to expect and Louis quickly tries to determine how long they’ve known each other. Beginning in 2006, Frank was in the second wave of Magnet students, so he’s known Louis for quite some time and has been around the theater for years. Back then, he was working at the Apple store in SoHo when his now brother-in-law, Joey Dembner, suggested taking a class at Magnet. By the time Frank started classes, he and Joey weren’t the only improvisers working there and he tells us a bit about the connection between the improv crowd and that particular Apple store, which also employed notable Magnet alum George Basil (HBO’s “Crashing,” TBS’s “Wrecked”).
Louis asks Frank about his first impression of improv, which he says was, “What a weird, fun thing to stumble upon.” Talking about the early days of Magnet, both Frank and Louis recall seeing the Mike Myer’s stage show that eventually became his movie, “The Love Guru.” (Fun fact: the Deepak Chopra signature on the back wall at the theater is real!) Frank also reminisces about what it was like to learn the history of Harold-based improv at a time when it was only about ten years old. They discuss the long-running, now long-defunct, show “The Tiny Spectacular” and some of the incredible performers who were a part of it. As one for the earlier people at Magnet who had not studied anywhere else, Frank has a unique perspective on the theater’s beginnings.
Our duo debates whether or not improv is accessible to a person off the street and Louis asks Frank which performers he watched closely when he was a student. They also discuss Frank’s style of play, which Louis describes as both very physical and highly adept at calling back subtle patterns. They wrap up the episode discussing the difference between using your strengths to your greatest advantage and simply relying on them like a crutch.
Say hello to all of our new Spring 2017 Conservatory Circuit teams! Come see one of their shows, Fridays at 10pm, May 5 through June 16! YES!
Coach: Benjamin Koch
Coach: Anna Neu
Coach: Charles Nicholson
Evander Duck III
Mike E Delta
Coach: Fred Urfer
Magnet is very excited to announce that the next season of Conservatory Circuit is now open for applications! What is Conservatory Circuit, you ask? Why, it’s just like the regular Circuit, except it’s open only to students who have been accepted into Magnet’s Conservatory program (Level 5 and above). It’s an awesome way to work weekly with an ensemble and coach as well as get more reps under your belt. We highly recommend it!
Application deadline: Saturday, April 22nd at noon
Team announcements: Wednesday, April 26th
Shows: Fridays at 10pm; May 5th through June 9th at the Magnet Training Center Studio
What are you waiting for? Check out the details and apply now!
Questions, thoughts, comments, or concerns can be directed to email@example.com.
Chicago defector, ASHLEY GLICKEN, joins host Louis Kornfeld us to discuss improv, how attempts at “diversity” often exclude disabled people, and why accessibility and representation matter so very much. Ashley has been improvising since she was sixteen years old and has a wealth of insight to share from her own life experience, so get on board as she drops some serious knowledge. Huzzah!
Louis begins this episode with one of the hardest-hitting questions of all time: Chicago or New York City? A native of the Chicago suburbs now living in NYC, Ashley must make a choice! Wisely, she walks us through the pros and cons of the two great cities before telling us why she eventually escaped from Chicago. Ashley has been improvising since she was sixteen and returned to the Windy City after college to go through Second City’s Conservatory Program. Upon graduation from the Conservatory, Ashley felt that she was limited by the lack of accessibility found amongst Chicago’s various improv stages and soon stopped improvising. Ashley was drawn to NYC by its visual art scene and, lucky for us, she eventually found herself at Magnet. Though she was nervous to begin her first class after some time away from improv, she had the good fortune to study with instructor Nick Kanellis, big sib Hannah Chase, and a class full of wonderful fellow students.
Ashley talks about the fact that attempts at “diversity” often do not include disabled people and what the root causes of that problem might be. She also dives into the pressure she feels to educate the greater public and how the world needs adapt so that it can better serve not only disabled people but, indeed, everyone. She and Louis also talk about why representation matters so very much and how every time Ashley is on stage, she feels that she’s there, in part, for the disabled community.
There’s a bunch of other great stuff in this episode as well. Louis and Ashley discuss how great it feels to be “in on the joke,” allowing people to laugh with you rather than laugh at you, as well as the pain that comes with being laughed at. They talk about the limitless realm of possibility that improv allows us to command and they discuss how we adapt and get stronger by forcing ourselves to look at all parts of life, not merely the familiar bits, but those which make us uncomfortable as well. Finally, a Very Serious Scene Opposite A Jar Of Pickles.
Perennial Magnet all-star, CHRISTIAN PALUCK, stops by to talk about his journey in comedy, being a more open person, and why he recently started drawing. From Emerson, to LA, to NYC, Christian brings a crapload of experience to the stage and insight to this episode. He and Louis dig into some great topics and, honestly, you’re gonna friggin’ love it. Huzzah!
After butchering the pronunciation of Christian’s last name, Louis wonders why we often freeze up when on the mic we are able to perform live in front of hundreds of people effortlessly. They explore this common occurrence and Christian explains why he doesn’t like anything that focuses on expectations. Louis asks Christian what he was doing before he got into improv and Christian tells of going to Emerson College for television production and then ending up in LA. He was introduced to formal improv by his college friend Anthony Atamanuik and eventually moved to NYC to take classes at Gotham City Improv and UCB. He tells of being challenged by a particular UCB class and then pausing from improv to go into stand-up. Eventually, he came back to improv after finding Armando Diaz’s “Instant Brilliance” class and he’s been at Magnet ever since.
Going from one journey to another, Louis asks Christian about being a father. How has having a kid changed how Christian manages embarrassment? He talks about quitting his day job to pursue acting full-time when he had a kid so that he could show his son that you have to follow your gut and fight for what you love. I mean, holy shit, right? This is great podcasting. Louis and Christian explore the overwhelming feeling that bubbles up when you can’t solve a major life problem and Christian talks about being a more open person and how improv can help you tap into that.
When coaching improv, Christian likes to focus on the balance between an improviser’s desire to act on instinct versus being polite, all while not being a jerk to your teammates. Our two heroes talk about how improv attracts a lot of smart people who maybe procrastinate too much and Christian wonders, “Why do billionaires worry about traffic?” They also discuss how Christian is perceived as a quiet, perhaps intimidating guy, though we all know he’s a big softy. Speaking of! Louis asks Christian about the drawings that he’s been working on! To round out the episode they ask the hard-hitting questions: What’s actually important to me? What do I really think is fucked up? And, am I brave enough to be judged for it? Good stuff, gents.
Comedian and rapper, KATY BERRY, talks with host Louis Kornfeld about performing with a chip on her shoulder, why Sexy Baby is so damn hot, and her hip-hop improv team, North Coast. They also discuss how their personal lives show up on stage, how Katy found herself doing comedy in NYC, and the importance of being a motherfucking role model. For anyone who hesitates to be themselves and tell the haters to go screw, this episode was made just for you, with love, from KBizzle herself. Do. Your. Thang.
When we asked Katy what she might want to discuss on the show, she said, “Saying ‘fuck the haters’ and slaying all day, every day” which proved to be a wonderful jumping-off point for the episode. We find out what exactly that means to Katy as she and Louis talk about putting the personal and private lives on stage for all to see. Katy feels as though she has something to prove as a performer and that it comes from her childhood, both parts of which we get into. A shock to no one who has seen both of them perform, Louis theorizes that he and Katy may deal with private matters in opposite ways! For Katy, it all ties into her resolve to never back down from being herself.
Katy considers herself very lucky to have been on three incredibly supportive, incredible teams who have all celebrated her approach to improv and allowed her voice to be heard, loudly. She shouts out Cool Blanche before getting into her current teams, Sexy Baby and North Coast. Louis asks Katy about Sexy Baby’s modus operandi and she boldly claims that fart jokes are the birth mother of all comedy. Katy tells us what Sexy Baby tends to focus on in practice and she provides us with a little bit of her own NYC-comedy origin story.
Of course, we can’t hear from Katy Berry and not discuss North Coast, her hip-hop improv team that is about to celebrate their eighth anniversary (this coming Friday)! Katy got onto the team after going to an open audition and tells us why it was not only a match made in Heaven, but maybe even fate. She talks about what goes through her head when doing scenes with North Coast and how the confidence gained doing hip-hop improv slips into her daily life. Katy and Louis both think that people who have never struggled have very little to offer us on stage and Louis has an epiphany on the mic! As a performer, Katy urges everyone to play fearlessly, to lead, and to be a role model when on stage. By simply being yourself, you allow others to be themselves too. Finally, Louis brings to light a very interesting point that we should all be keyed into and we end this episode with some excellent plugs. Want more on Katy? www.katyberrycomedy.com
Founding member of The Music Industry, DENNIS PACHECO, talks with host Louis Kornfeld about imposter syndrome, why TMI is so great, and how to turn judgment into love. As a performer on many different shows at the theater, both improv and sketch, but only one, long-lasting, and hilarious Megawatt team, Dennis brings a wealth of experience and knowledge to the show. He and Louis dig into some great philosophical topics and tackle practical questions as well. CHECK. IT. OUT.
Our episode begins with Dennis disclosing that his imposter syndrome has him feeling nervous to be on the show. They discuss that feeling of, “Oh, that person probably hates me” and how we most likely overthink how others see us. Louis wonders if he’s being an asshole by not hanging out after shows but both he and Dennis agree that he’s probably not a jerk. Louis thinks of Dennis as a very precise improviser and Dennis shares that others have told him that he appears to improvise as someone who is both calm and nervous at the same time. Louis can relate to feeling that way and, in fact, Dennis admits that he sought to emulate Louis’ playing style when he was starting out. Fun fact: Louis does not recommend Charlie Chaplin’s autobiography!
Dennis and Louis discuss conscious versus unconscious reactions while improvising and Dennis offers some interesting insight from the book “Understanding Comics” by Scott McCloud. They also talk about stepping in at the right moment to say the perfect thing to bring the house down and, for sketch actors, helpful tips for remembering lines. Finally, they get to talking about Dennis’ long-running Megawatt team, The Music Industry. Dennis tells us why it’s such a killer team to play on and shares his excitement for their upcoming move to Thursday Night Out. He also discusses how they’ve moved from a team dynamic where they had what some might call “frontmen” to a setup now where everyone’s parts on the team feel balanced. He also talks about doing the Spokane and why the form works so well for them. To wrap up the episode, Dennis shares a great way to approach moves you don’t love. Hint: It involves letting go of judgment and transforming it into love. What a beautiful lesson to end on!
Self-made chillionaire, MOLLY KIERNAN, stops by to talk with host Louis Kornfeld about working in television, her experiences with group therapy, and befriending all kinds of different people. From bonding with her sister over comedy podcasts to producing an uplifting and hilarious show inspired by her own recovery from an eating disorder, we hear all about Molly’s career in comedy to date and so many other things in between. Listen to this episode and love yourself for it!
We begin the show by talking with Molly about her day job as a production assistant on Hulu’s “Difficult People”, how she found herself there after working on MTV’s “Broad City”, and what the gig is like day-to-day. Molly comments on the surprisingly friendly nature of a TV writers room and how comparing oneself to others can be both a positive and negative motivator. She also goes into her background working with non-profits and how she ended up in television.
Walking us through her leap into comedy, Molly describes bonding with her sister over podcasts and feeling drawn to comedy as more than just a fan. Louis wonders how many people sign up for their first improv class during some period of depression and they both reckon it’s probably a considerable portion. Molly shares with us the experience of her first improv classes and why she invited so many teens to her 25th birthday party. Though not a teen herself, Molly loves the opportunity to relate to a variety of people both on stage and off, and she and Louis discuss being elastic enough with our own lives to connect with others while improvising.
Molly’s ability to relate to many different people has been strengthened by her experience with group therapy, which she discusses at length. Of course, Louis has to ask if there is a connection between improv and group therapy and indeed, there may be. Both guest and host discuss the faulty logic in being drawn to external signifiers in others when it’s typically the internal aspects of our character that bond us most strongly. Molly and Louis also get to talking about “Molly’s Guilt Free Comedy & Ice Cream Social,” a show born out of her experience recovering from an eating disorder. They explore where the fear of being “bad” with food comes from and how to listen to your own body rather than the outside world’s judgments of it. Plus, they consider the imbalance between how much other people think about us versus how much *we think* they think about us. There’s a gap between what one puts out into the world and what other people truly perceive and both Molly and Louis dig into that as well. Lest you worry too much about the judgment of others, everyone is a great dancer, says Louis. And finally, the return of A Serious Scene Opposite A Jar Of Pickles!
- broad city
- Difficult People
- eating disorders
- Group Therapy
- Louis Kornfeld
- magnet sketch teams
- magnet theater
- magnet training center
- Molly Kiernan
- Molly’s Guilt Free Comedy & Ice Cream Social
- new york
- new york city
- sketch comedy
- The Heel
Magnet Theater is now accepting applications for the 2017 spring season of Megawatt. Please fill out THIS FORM no later than WEDNESDAY, MARCH 8th to apply for an audition slot. Auditions will take place on Friday, March 10th, Saturday, March 11th, and Thursday, March 16th, with callbacks being Friday, March 17th.
Anyone who has completed Magnet Level 6 is eligible to apply, though please note that a completed form does not guarantee an audition slot. Due to the high volume of eligible improvisers and a limited number of slots, priority will be given to students and performers who have finished the class or performed on a Megawatt team within the last year.
Audition confirmations will be sent out by THURSDAY, MARCH 9th.
CLICK HERE to apply.