dubstep remix
Skip to Content

Magnet Theater Blog: News and Ideas about Comedy, Improv Shows & Classes in NYC

Posts Tagged ‘Louis Kornfeld’

Wednesday October 26, 2016, 7:00am - by Magnet Theater

louis-kornfeld-podcast Subscribe with iTunes

Oh my my. To celebrate our 100th episode, host LOUIS KORNFELD takes a seat on the other side of the table to be interviewed by the incomparable Peter McNerney! What more do you need to know??? Happy 100th! Huzzah!

Fellow Magnet veteran and instructor, Peter McNerney, literally takes Louis’ place to interview our intrepid host all about his life and mind in the world of art and improv. We get to hear tidbits from Louis each week, but this episode is all about him! We thought that after 100 episodes, it might be nice for Louis to kick back, take the night off from hosting, and simply answer some questions. The result is wonderful and we’re so happy to share it with you. Here’s to 100 more!!!


Wednesday October 19, 2016, 2:18am - by Magnet Theater

matt-shafeek-podcast Subscribe with iTunes

A Megawatt performer since the very beginning, MATTHEW SHAFEEK, joins host Louis Kornfeld to talk about the different eras of Magnet, being a class clown, and, oh yes, gaming! These two performers go way back and have a lot of fun with this conversation. See Matt perform each week on Wednesdays with Metal Boy and on Saturdays with The Armando Diaz Experience!

Louis kicks off the episode my enlightening us to the fact that this Metal Boy has been in and out of Megawatt since the VERY beginning of Megawatt. How many teams has he been on?? Louis tries to guess! He and Matt discuss the different eras of Megawatt and even reflect on the days when you could take an eight-week Armando Diaz class for $99. Matt describes the role that improv has taken in his life and the balance it provides. He and Louis talk about what it means to be a class clown and Matt surmises that joking around in school was the beginning of his career in comedy. He even tells of the fan club he once created for himself! Both guys reflect on how nice it is to hang around comedians without having to do bits all the time and you won’t want to miss the moment when Louis says something that he thinks sounds insincere! That’s all before Louis asks about Matt’s life off-stage and he tells us that he’s a big time gamer. Matt gets into the board-game renaissance, how incredibly helpful games can be in social situations, and how gaming may be the future of storytelling. There’s no hotspot on this episode, but you better believe that we cap it all off with A Serious Scene Opposite A Jar Of Pickles! Huzzah!

Wednesday October 12, 2016, 7:00am - by Magnet Theater

annie-moor-podcast Subscribe with iTunes

Visual artist and Magnet performer, ANNIE MOOR, is on the podcast talking with Louis about improv and how her art, no matter the medium, always trends toward storytelling. They dive deep into how narrative shows come together and even discuss how jealousy can be a great motivator. Aside from performing at Magnet with Wonderland, Premiere: The Improvised Musical, and Object Work, Annie is also a Magnet instructor, an early childhood educator, a teaching artist, and a visual artist who will be selling her incredible works of art at the Union Square Holiday Market from November 17th to December 24th! So many ways to enjoy Annie Moor, so little time! (But at least this episode will live online forever.)

Annie recently started teaching Level One Musical Improv at Magnet, so Louis begins the podcast by asking her what she thinks is the mark of a successful Level One class. He also wants to know how teachers help students who have zero musical awareness – how to bring them to their voice? Annie find that sharing her own anecdotes of “not knowing” with students often puts them at ease. Louis comes up with a cool analogy about cutting tomatoes with a dull knife that relates to staying sharp and keeping things fresh when performing. As he is wont to do when musical improvisers are across from him, Louis asks about the use of narrative structure in musical improv. He and Annie get into how narrative shows differ from traditional longform and how picking an antagonist is really hard! Annie has been doing improv since 2008 but it took her four years to find musical improv, which has truly been her love. She’s been doing theater her whole life though and made the jump to studying animation when she went off to college where, Annie claims, she was the worst animation student NYU has ever had! More recently, her primary non-musical improv experience has been performing with Object Work, an improv show which uses real objects. Louis and Annie talk about playing out real life on stage and they ask, does a good kind of jealousy fuel us appropriately? Annie talks about how all of her artistic pursuits trend towards storytelling and narrative moments. She says that storytelling starts taking shape for kids around four years old and that she loves getting to see that development on a regular basis in her work teaching one through five year olds. To end the show, Annie and Louis play a rousing game of monologue hotspot! Sadly, due to a recording error, we lost this episode’s edition of A Serious Scene With A Jar Of Pickles. Only Annie, Louis, Evan, and Grant will ever know how truly delightful it was!


Wednesday October 5, 2016, 7:00am - by Magnet Theater

beth-slack-podcast Subscribe with iTunes

A star on both Magnet and UCB stages, BETH SLACK, stops by to talk with Louis about her love of opera, how 9/11 changed her career plans, and why musical improv rules. Beth tells us all about her long relationship with stage performance and, how after taking a break from it for nearly 10 years, she came back to the stage by finding improv. She and Louis get to know each other and she does a wonderful scene with jar of pickles! See Beth weekly at Magnet with Premiere: The Improvised Musical, The Cast, and at UCB on Harold Night with Foxhole. Plus! This coming week she performs a live radio play with The Broadcast (10/10) and as a part of the New York Musical Improv Festival with Hansbury & Slack (10/13).

As a fantastic musical improviser, it might not surprise anyone to find out that Beth was originally trained in opera! She first moved to NYC about 15 years ago, three days before the events of September 11th took place. Understandably, her plans to “make it” in the big city were put on hold and she moved back to Ohio. Beth later returned to NYC to study at the American Musical and Dramatic Academy, after which, she stopped doing anything artistic for about 10 years. She tells us all about getting into opera and vocal performance and how she went to boarding school for a year specifically to study voice. With her extensive knowledge, Beth enlightens Louis as to the differences between opera and musical theater. About four years ago, almost exactly 11 years after first moving to NYC, Beth signed up for an improv class and her world was changed again. She and Louis discuss how narrative plot functions in different styles of improv and they mull over the differences between tangible art and performance art. Digging further into improv theory, they discuss the pitfalls of over-agreement in scenes and how it’s perfectly okay to ask questions. Plus, Louis and Beth play some two-person hotspot and Beth performs A Serious Scene With A Jar Of Pickles!


Tuesday September 27, 2016, 3:54pm - by Magnet Theater

carly-monardo-podcast Subscribe with iTunes

Animator, illustrator, and Magnet performer, CARLY MONARDO, joins us to talk about the links between her different disciplines, who her heroes are, and what drives good characters. Plus, she plays monologue hotspot with Louis and performs a serious scene with a jar of pickles. Carly started at Magnet with the Free Intro to Improv class and now performs on Megawatt with Metal Boy, on Magnet Sketch Teams with Dinosaur Jones, with her duo TJ & Blood, and every Saturday night with The Cast! She’s also created the artwork for dozens of different shows at the theater and helped drive the Magnet’s visual identity. Could she BE anymore wonderful???

Carly begins this episode talking about how she first became interested in improv by watching shows at UCBT and then seeing Musical Megawatt at Magnet. Her first class was the Free Intro to Improv class, which turned out to be a really good idea. Louis pauses the improv talk for a bit to ask about how Carly got into animation, graphic design, and art in general. She talks about having to take an acting class in college and how the lessons learned while studying animation have bled into her performance. They also attempt to answer the question of what drives characters. Is it all ego-driven? Louis can’t let the opportunity pass to ask Carly what she did on The Venture Bros., what her proudest projects have been, and who her heroes are! Plus, they throw a lot of shade (and love) at Sulaiman Beg. Our episode concludes with a wonderful round of two-person hotspot based on the suggestion of “a rose by any other color” and Carly performs A Serious Scene With A Jar Of Pickles. You’ll have to listen in because these two native Staten Islanders have a grand old time!

Wednesday September 21, 2016, 7:00am - by Magnet Theater

christopher-hastings-podcast Subscribe with iTunes

Welcome back to the Magnet Theater Podcast! Louis took the summer off to backpack across Europe, rub elbows in the Hamptons, and finish planting his rooftop garden (his tan is looking GREAT). Now he’s back in the saddle with the prolific and charming Christopher Hastings, a writer/performer on the Magnet sketch team Student Council and the creator/writer/artist of many comic books such as Deadpool, Adventure Time, and The Adventures of Dr. McNinja. They discuss Chris’s origin story as a comic book writer and illustrator, how he found himself simultaneously in the world of comedy, and interestingly, why he eventually stopped improvising. PLUS! We debut two new segments: a two-person hotspot explosion and an improvised scene with a jar of pickles. Huzzah!!

Our heroes begin this episode talking about how Chris became the much-beloved comic book writer and illustrator he is today. He tells of attending the School of Visual Arts and his transition from being primarily an artist to being mostly a writer. Since creating his own, online, indie title (The Adventures of Dr. McNinja), Chris has worked his way to writing for Marvel, where he now authors titles such as the Unbelievable Gwenpool and Vote Loki. He discusses the differences between working for yourself versus at a major publisher and how to collaborate with artists as a writer. He also walks us through process of writing an issue of a comic and what’s demanded of a writer by both the form of comics books and their publishers. With so many projects orbiting his brain-box, Louis can’t help but ask what Chris’s busy schedule looks like and why the heck, on top of it all, does he also do comedy. Chris answers all of Louis’s inquiries and talks about how he got into (specifically) improv and why he later stepped away from it.

PLUS – Louis debuts his new hotspot segment “Getting to Know Each Other!” which features hockey, UCB, wizard beards, and corrective lenses.

DOUBLE PLUS – Louis debuts our new improvised segment! It involves a jar of pickles and you’re just going to love it.



Wednesday July 6, 2016, 7:00am - by Magnet Theater

Subscribe with iTunesSummer Bonus 1 - 92

Our intrepid host, Louis Kornfeld, is taking the summer off to explore worlds outside of the Magnet Theater Podcast, but in the meantime, we’ve got Ed Herbstman at the helm, presenting a variety of pieces he’s been eager to share for some time. So kick back and enjoy this first Summer Bonus Episode featuring performances by Peter Grosz, Hannah Chase, Christian Paluck, J.P. Manoux, Rachel Hamilton, Melanie Hoopes, and Ethan Sandler. It’s the perfect little vacation for your ears.

Wednesday June 15, 2016, 7:00am - by Magnet Theater

Scott Lawrie 2Subscribe with iTunes

Founding member of Magnet mainstays The Wrath, SCOTT LAWRIE, tells us how he got into improv, of his time working in broadcast television, and what it means to be “taken care of” on stage. Learn a bit about Scott’s upbringing, his penchant for preparedness, the hallmarks of field production, and his love of The Golden Girls. We love Scott. Scott loves you. And you’ll love Scott after listening to this (if you don’t already). Check it!

Our episode kicks off by discussing Scott’s love of “dream characters” and how he was roped into improv in the first place. A fan favorite on Magnet’s stage, Scott says she started improvising relatively late after getting a career in broadcast news off the ground. He tells of how his predilection for preparation has influenced his life and eventually, his comedy. Taking improv classes got Scott saying “yes” more often and highlighted how numerous shifts in power could be. Looking to dig a bit deeper, Louis asks Scott where his comedic sensibility comes from and identifies two of Scott’s improv trademarks. Scott illuminates some of the advantages of growing up with financial concerns and other life challenges while also discussing with Louis the ideas of awareness in the world and being in touch with oneself.

Venturing into another aspect of Scott’s background, Louis inquires about his career in broadcast journalism and working at NBC. One thing that hooked Scott on the field while he was studying it in college was the ultimate goal of helping people tell their stories. He talks a bit about working as a producer in Las Vegas and then deciding to give NYC a try, which has turned into an 11 year experiment. Getting into the nitty gritty, Louis and Scott discuss the hallmarks of field producing, accountability and ethics in media, and what Scott looks for when watching the news now. He also steps us through his path from broadcast news to broadcast comedy! Scott worked for years at The Colbert Report (from nearly the very start to its end) and more recently, at The Late Show with Stephen Colbert. How did improv help him make that life shift?

Wading further into the improv waters, Scott tries to answer what it means to be “taken care of” on stage. He talks about lucking out with his first and only team, The Wrath, holding onto their sacred rehearsal time, and how it’s the best way to end a tough Monday. Louis identifies one of improv’s greatest byproducts and where it comes from, and Scott (perhaps) coins the term, “Thelma & Louise’ing it together.” Louis makes mention of power in improv and how The Wrath’s comedy has a way of always hitting hard. For over four years now, they’ve given the Magnet comedy that is personal and yet pointed at society. How do they do it? What does Scott look for when improvising? To answer these questions, and those beyond, Scott and Louis discuss the television shows Designing Women and The Golden Girls. Scott notes the relation of these shows to young gay men and Louis draws the fine line between order as a force of evil and order as an agent of good.

To close, we’re sad to inform you that Scott will soon be moving to the West Coast, but it sure sounds like he crushed it in New York. We’ll miss you, Scott!

Wednesday June 1, 2016, 7:00am - by Magnet Theater

Ali Fisher Podcast Subscribe with iTunes

Queen of stage and backstage alike, The Cast’s ALI FISHER, stops by to talk about who we are as humans, why books are so damn cool, and the wonders of genre! Ali and Louis explore how cooperation helps humanity succeed, what Ali absolutely loves about her role as editor at a sci-fi, fantasy, and horror publisher, and why The Cast is so damn incredible. It’s a beautiful episode with beautiful people so just listen to it already!

Our heroes begin this fantastic episode by acknowledging confusion in the world and that we do not know the future. Ali talks about a Wait But Why post that she never finished and it gets them talking about humanity. Louis believes our sense of cooperation lifts us much higher than each of us would be capable of alone and Ali seems to agree. To make things even better, Louis offers up an X-Men analogy that fanboys should do their best not to examine too closely. They discuss the matters of self-awareness and asking, “Who am I?” to which we can only answer, “Evan, Producer.” The rabbit hole is so deep and glorious, we find Louis offering up a comparison between improv comedy and reincarnation.

Running in parallel to Ali’s life as an improviser on stage is her work as a fiction editor off stage. Louis inquires about Ali’s position as an editor within the young adult branch of a fantasy, sci-fi, and horror publishing house. She names some of the books from her past she’s found most formative and tells us what she looks for when reading new works. Similar to fiction, improv helps you examine unthinkable actions and experience unlikely thoughts.

Continuing their quest, Louis and Ali delve into the the topics of external expectations and destiny. Ali articulates the beauty of eating together while Louis pontificates on the nature of company. Isn’t it a little crazy how we all show up to improv shows just for the sake of being with people?

To round out this episode, Ali and Louis talk about the power of various genres, including comedy, and compare the entirety of Horror to the common feeling of stage fright. This leads them to discuss the genre-conquering show The Cast, with whom Ali plays every Saturday night, and to the establishment of Ali’s own personal genre.

Plus, Louis offers this challenge: “Identify with that, listeners!” Find out what it is!

Wednesday May 25, 2016, 7:00am - by Magnet Theater

Rob Penty Podcast Subscribe with iTunes

Improviser and storyteller extraordinaire, ROB PENTY, talks about why he hates Stella, how humor can help us deal with life, and the arc of his comedy career. He and host Louis Kornfeld also discuss their complex feelings on absurd humor, what Rob loves in comedy, and of course, The Wrath – Rob’s long-running Magnet house team. There’s a
cool karate belt analogy and plenty of Penty to warm your heart. Check it out!

Louis DIVES right into a hot, controversial topic: Rob’s undying hatred of the sketch group Stella. Louis attempts to defend the trio but the best he can muster is Rob’s acknowledgement that maybe the TV show was okay. Rob challenges the notion of, “If it makes you and your friends laugh, it can make an audience laugh,” and they both offer examples of random sketches they love and/or hate. Why do people like truly absurd humor? For fans of obscure sketch shows, they recall some of The Dana Carvey Show’s best pieces.

With so much criticism of comedy up to this point in the episode, Louis switches gears to ask what Rob DOES like about comedy. They talk about bravery in comedy and how it can work for us within the greater context of our lives. One benefit they explore is the ability to laugh at something uncomfortable and how helpful that can be. Rob provides us with some background on his comedy career, starting with standup, and the arc it has taken over the years. Plus – Find out what’s been jazzing Louis about improv lately!

To bring it all home, Rob makes a cool karate belt analogy and Louis asks about his time spent with The Wrath. Give this one a listen and check out Rob’s website, Actually, It’s Rob Penty Dot Org.com