Posts Tagged ‘Louis Kornfeld’
The multi-talented sketch writer/performer, improviser, and head of Musical Megawatt, Michael Lutton, sits down with host Louis Kornfeld to discuss what makes for good musical improv and how it can benefit “regular” improv. He talks about the advantages of pushing boundaries when no one is looking and provides advice for improvisers looking to learn musical improv outside of NYC. This one is all about selling it in the moment.
Enjoy Episode #23 on iTunes or below via SoundCloud.
Louis Kornfeld talks with the amazing Caitlin Steitzer about teenagers, the links between improv and social work, and the uses of theater for community development.
Enjoy Episode #20 on iTunes or below via SoundCloud.
Louis Kornfeld chats it up with improv wunderkind Sebastian Conelli. They talk about growing up on Staten Island, using humor as a way to get through childhood, learning to love and show what you love on stage, and being a bad student.
Enjoy Episode #19 on iTunes or below via SoundCloud.
TJ Jagodowski and Dave Pasquesi have a completely deserved reputation as a supernaturally skilled duo. They also deserve their reputations as gentlemen, thoughtful artists, kind improvisers and generous souls. And you could not have two bigger fans than Louis Kornfeld and Alex Marino, the co-hosts of this episode. TJ and Dave expound on their work, both improv and sketch, plans for their new theater in Chicago, and their thoughts behind directing, acting, teaching and being one half of something special. They also don’t talk about the book they are writing which will be out next year. Enjoy.
Enjoy Episode #16 on iTunes or below via SoundCloud.
Elana Fishbein was in the first ever show at Magnet. And she was really good. 10 years later she’s an improviser, actor, writer, and teacher. She has Master’s Degree in Educational Theater from NYU, leads our Youth Program, and co-created two professional development workshop series for teachers: “Beyond Winging It: Improv in the Classroom” and “Play.” She can be seen with Story Pirates on stage and heard with The Truth Podcast your headphones. All in all, you’ve got a super funny improviser with interesting things to say about it. Listen to this great episode where Louis Kornfeld goes deep into the idea of forcing yourself to be vulnerable, improv accountability, shared ownership, and Canada. Enjoy!
John O’Donnell, longtime friend of Magnet Theater and kind onstage powerhouse talks about how he first fell in love with performing, improv, and stumbling upon the early evolution of musical improv.
John has appeared in pilots for Comedy Central, the HBO Aspen Comedy Festival, on Late Night With Conan O’Brien, as well as numerous commercials.
He has also written and performed a trilogy of one-man shows, O’Donnellogues, Son of O’Donnellogues, and Beneath The Planet of The O’Donnellogues. At the Magnet Theater he has made appearances in Thursday Night Out, The Armando Diaz Experience, The Tiny Spectacular, and currently improvises weekly in Magnet’s ‘The Made Up Musical‘.
John has a Masters Degree in Education and has been teaching in New York City for over a decade.
Enjoy Episode #13 on iTunes or below via SoundCloud.
I’m very happy to share this recording from the archive of Craig Cackowski interviewed live onstage at Magnet Theater by the well-prepared Louis Kornfeld. Craig and I were in class together with Del Close, on our first IO teams together, and when I was promoted from understudy, Second City placed me in his touring company. We did a lot of scenes from the Razowsky/Colbert/Carell and McKay/Adsit eras. He was great to tour with because he’s both reliable onstage in scenes and touring the country for long stretches in a van. Usually people are one or the other, but he was both. Onstage he’s casual but precise, and he’s got great timing both as an audience-pleasing comedian (in the good way) and as an improv partner. He rescues things, and if it can’t be rescued, he’ll go down with the ship. And it seems like he’s really enjoying himself either way. And since I’m on a roll here, I should mention he’s become one of the best, most sought after improv instructors in Los Angeles. Possibly because he’s committed to the things we learned in those classes with Del. But also because he’s sensitive to the advancements that have been made as long-form has evolved from an obscure experiment in the basement of an anonymous Chicago apartment building 24 years ago to the dominant comedy language spoken across America and beyond. And that’s thanks in no small part to Craig. So listen to this episode and see if you can hear what I hear – a genuinely good guy who cares about what he does, does it well, and has no need for false bluster. Enjoy. — Ed Herbstman PS: Craig is okay. But his little sister is like, 12 times funnier than him and at least twice as funny as me. Hi, Craig. Subscribe to the Magnet Theater Podcast via iTunes here. Enjoy Episode #11 on iTunes or below via SoundCloud.
Rachel Hamilton. Where do we start? Teacher, Actor, Writer… former Second City MainStage, frequent performer and instructor at Magnet, and all around wonderful human being. She’s also the driving force behind the creation of Camp Magnet. She lives in Northern California and we never see her enough, but we grabbed her last time she was in New York so Magnet Podcast host Louis Kornfeld could sneak in a great conversation between her workshops.
Listen to the insights and observations of this master teacher about what keeps her drawn to improvisation, seeing characters as energy, and seeking out new ways to challenge yourself.
Enjoy Episode 9 on iTunes or below via SoundCloud.
Louis Kornfeld interviews Magnet Musical Director Frank Spitznagel! They talk about everything from Annie to Zorba including musical theater, musical improv, and what makes a good scene- all while Rick Andrews laughs loudly in the background!
Or listen below on SoundCloud…
Magnet Theater Artistic Director Megan Gray, in conversation with her boyfriend of 16 years, Louis Kornfeld. They talk about extremely personal intimate details regarding their deepest fears. Or maybe it’s more about teaching, performing and learning improv, building communities, and creating connections. The only way to find out is to give it a listen.