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Posts Tagged ‘magnet sketch teams’

Friday August 21, 2015, 12:03pm - by Magnet Theater

sketch teams logo

Congratulations to the newest Magnet Sketch Teams and the newest additions to Wendigo and Stockton! Thanks to everyone who submitted and auditioned this round!

Here are your new teams:

CAPTAIN CRUNCH directed by Kevin Cobbs
Willy Appelman – Actor
Andy Moskowitz – Actor
Evan Barden – Actor
Megan Meadows – Writer/Actor
Ari Miller – Writer/Actor
Elena Skopetos – Writer/Actor
Bryan Berlin – Writer
Christina Cola – Writer
Andy Mills – Writer

COUNT CHOCULA directed by Jana Schmieding
Jimmy O’Connell – Actor
Devin O’Neill – Actor
Catherine Montesi – Actor
Michael Delisle – Writer/Actor
Mike Dwyer – Writer/Actor
Sierra Pasquale – Writer/Actor
Joe DiBella – Writer
Molly Kiernan – Writer
Dmitry Shein – Writer

FRUITY PEBBLES directed by Rob Webber
Kate Koch – Actor
Chrissie Gruebel – Actor
Dan Dobransky – Actor
Lex Morales – Writer/Actor
Ingrid Ostby – Writer/Actor
Dennis Pacheco – Writer/Actor
Jesse Acini – Writer/Actor
Sara Marie Degni – Writer
Jesse Mudrick – Writer

COCOA PUFFS directed by Joe Lepore
Rich Rosario – Actor
Carly Monardo – Actor
Matt Alspaugh – Writer/Actor
Becca Schall – Writer/Actor
Jessica Taylor – Writer/Actor
Natalie Silverman – Writer
Hannah Wright – Writer
Ben Koch – Writer

New members of Stockton and Wendigo in bold:

WENDIGO directed by Branson Reese
Matt Antonucci
Jen Chuck
Chris Hastings
Kate Emswiler
Joe Lepore
Kyle Levenick
Adam Twitchell
Rob Webber
Charlie Nicholson
Geri Cole 

STOCKTON directed by Jesse Acini
Eli Itzkowitz
Diego Martinez
Michael Lutton
Will Quinn
Andrew Vulliemier
Phoebe Tyers
Matt Wassung
Ally Kornfeld
Christina Dabney

Monday July 13, 2015, 10:49am - by Magnet Theater

STEPH GARCIA – ON MOVING TO LA, WRITING COMEDY & BEING AN ASSISTANT ON A TV SHOW!

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Comedy in New York:

Steph studied improv at the Magnet Theater through level 5, completed the sketch program, and performed on sketch teams: Alchemy, Colorado Dad and Dispacho.

She also performed on an indie improv team Gilda and on the sketch duo Firecracker, that made the web series White People Problems.

Current Comedy:

Performs weekly at the Nerdist with her improv team Pilgrim. Hosts an Entertainment Industry panel for women at the Nerdist School with fellow teammate Lindsey Barrow. Co-hosts a monthly all female mix-em-up improv show called Girl on Lady Action with Maura Ruth. She also recently wrote a web series and pilot, with Dave Warth over Skype and they are in post production of their first episode.

All while working as a writer’s PA on Selfie and now ABC’s The Catch.


 

How long have you been in LA?

It will be two years in October.

How does the improv scene there compare to NY?

There is just as much opportunity in LA, I just feel like it’s more spread out, and, for me, it’s a little more difficult to do. I remember jumping theater to theater in New York and here it’s different because you have a car and you have to drive and park. But there are a lot of indie theaters.

Do people tend to be members of a few different theaters or do they stick to one?

No there’s a lot of crossover here. It’s the same as in New York.

Are you primarily a writer, improviser or a sketcher?

Right now I am primarily a writer. I do perform weekly, but I’m not auditioning. I’m working on writing for TV. I got a manager out here and so I’m working on having some samples that are more TV. They have all my sketches and they have been using them to pitch, and I’m working right now with Nerdist to get the video production side up. And I’m actually hoping to get live sketch up at the Nerdist as well. I just love sketch so much, but in terms of having something to make a living off of, I want to write TV so you need to have good samples.

How hard is it now to pitch to sketch shows that are currently on the air? Do you have to know people on them?

Yeah, and that seems to be the case in general. You can still get hired off your samples and stuff, but it always helps to know somebody. I’ve gotten my last two jobs because of recommendations from people.

How did you know people in LA?

My cousin is a set designer and he worked with somebody who was working on Raising Hope at the time, and she invited me to set, which was freaking amazing, and I met the production coordinator on that. That production coordinator happened to get hired on the pilot of Selfie and gave me a chance. So for two weeks I was working on the pilot and I spoke to everybody and said ‘I want to write!’ and so when the time came around for the show, the showrunner’s assistant who was working on the pilot asked if I wanted to interview for the writer’s PA gig. And from that, the director of that pilot also directed The Catch pilot, so her assistant forwarded my resume on.

I’ll come back to your jobs, but first tell us about your writing process.

I like deadlines, so if it’s something like a writer’s program or festival deadline, that’s what feeds me. So it depends. I’ll sit on an idea for a year, and I won’t do anything with it until I see – ‘oh, someone will actually look at this.’ And I’ll sit and I’ll write it in two weeks. I don’t know why I do that, and it’s not good and no one should do that.

Do you ever set your own deadlines or does it have to be external?

I have on occasion, but it’s usually – ‘this festival deadline is this week, so my deadline is a week and a half before.’ It’s not a way to live. Don’t do it that way.

[Just now – Steph gets a pizza delivered. AND she doesn’t eat it until the end of the interview. Obviously displaying some extraordinary mental toughness required to gain writing chops in LA.]

How did you get a manager?

I have a friend of mine who I knew in New York who is an actress. She started her own production company and produced two shorts that went to some festivals, and so when I came out here, she said ‘give me sketches’. And I said ‘here you go.’ We shot some stuff, and then someone I met through her was a manager, and at the time I guess, not that I wasn’t looking – I love acting, but I came out here because I knew there was more opportunities for writing than in New York. And then when I did the CBS Diversity showcase I ran into her again, and they were opening a literary division at their management company. She said just come and meet with us and see if you like the team, so I met the team and they’re now repping me.

What did you have to send them?

I sent them so much stuff. I think I sent them an original pilot and a Bob’s Burgers spec. Then they were like ‘great, send us more stuff’, so I sent them a bunch of sketches and I sent another pilot and some shorts that I’ve written.

What I’ve heard the trend is now is to have an original pilot and if someone likes that, then they want that spec to see if you can write in somebody else’s voice.

How long does it take you to write an original pilot?

It depends. The last pilot I wrote took me two and a half weeks. But technically if you add all the time I’d been sitting on it and thinking of the story, at that point I had all the beats in my head before I sat down and started writing.

Do you show people your work? Do you have a writer’s group?

I have a writers group and then I have some other people that I bother. You can’t be precious with your writing. And that’s another thing that being on a sketch team at the Magnet definitely helped me out with, you just can not be precious with your writing.

When I’m really working on something I’ll sit down for 2 – 3 hours at a time and knock out what I can.

You mentioned Russ Armstrong was a memorable sketch director. Was there anything you learned from him that you think about today?

Russ has a really good work ethic and my favorite thing I learned from him was about keeping everything succinct and short and your jokes being real clear and not having any of that junk around it, because it just muddles the joke.

What do you mean by work ethic?

He was fantastic at giving notes and really tried to get us to memorize our sketches and then run them and run them, always e-mailing and being supportive but also saying ‘we have to get our stuff up’ and ‘does everybody have their things.’ He was always present at the meetings. Always ready to give feedback and ready to keep it moving and make sure we got as much as we could from every meeting. There wasn’t a lot of messing around, which can happen when you have a group of writers together.

You currently work as a writer’s PA. How is a writer’s PA different from a writer’s Assistant?

A writer’s assistant and a script co-ordinator, depending on the show, overlap some. A writer’s assistant generally takes notes in the room, and then because you’re (hopefully) writing down everything everybody is saying, at the end of the day you have to organize it, and so depending on the show a lot of the time the script coordinator and the assistant, they’ll kind of swap off that duty. And once the scripts come out, you’re also responsible for proofing the script and making sure that everyone gets the newest version of the script and that you’re not messing that up, and you’re also making sure there’s no typos. And then on my last job they were also dealing with intellectual property stuff. So if you want a song in there you have to deal with that too. As a writer’s PA – lunch is my biggest duty. I mean, it’s like food. It’s really a lot of food. Lunch, the kitchen, coffee. You also handle the paper and office supplies. Once scripts get going then you’re responsible for distributing the scripts. On Selfie though, because it was such a social media based show, I got to help write some things like fake yelp reviews. I also got a tweet on the show with my twitter handle, that I wrote – so that was really cool – those little things where I got to pepper in creativity.

Does everyone assume that as a writer’s PA or Assistant, you want to be a writer?

The assumption is there, and depending on the staff, both my staffs have been amazing, they’ll ask you what do you write? what’s your genre? Who do you like, what shows do you like?

Do you find writing pilots hard?

Oh yeah. Well you know what’s difficult is that balance between introducing all your characters, but also having a compelling story, because you don’t just want an episode of ‘here’s all the people you will be seeing for the rest of the season.’ There needs to be a contained story within it.

Do you get to see how much influence the showrunner has in a writer’s room and on breaking story? And does that relate to how our sketch directors are at the Magnet?

Yeah – it’s an interesting process because everything does go through them, but both showrunners that I’ve seen are very open – I mean it’s so much of a collaboration of the room, and basically what happens is you break a story, and then it’s one person’s episode so they really get to write it and then they bring it back and then you all edit it together. But then there’s this other person not in the room, that’s the studio, and that’s where the showrunner comes in. They have to go and say – ‘here’s the story we have.’ And then they get notes like ‘Oh we don’t like this, we do like this, can this be like this,’ and then the showrunner has to bring that back to the room.

Please eat pizza if you are hungry.

That’s one fun perk about being a writer, there is so much food, so you eat all day long.

How many hours do you pull a day?

The hours really depend on the show. Both shows that I’ve worked for have been pretty great with their hours. But there are others that the writers will work on until, like, midnight.

What would be your dream tv show to write on at the moment.

I have two. Last Man On Earth, and Veep.

You’re a dart champion?

Oh yeah! I was. We used to play darts in NY. I was in a league, it was every Monday night and I did that for about seven years. And I really miss it. I love this business and I love writing, but to have something that’s completely outside with a bunch of people that don’t give a shit, it’s really nice.

Last Question. What things did you wish you’d known before you moved to LA?

Unless you come out here already with rep or already with some big credits under your name, no one will really appreciate what you did in New York. And it’s a really hard thing to accept. Especially when you first get out here. Someone I know was on Broadway who came out – and it just didn’t translate. It’s something that you have to accept. And there are a lot of people here from New York, so you’re not totally starting at zero, but it’s definitely like taking two steps backwards. So that was the biggest thing for me. And you kind of accept it and you don’t have a chip on your shoulder and just keeping on working, people will recognize it, and eventually people who work with you will be like – ‘oh you’ve done all these things?’

And the other thing is parking sucks. Always give yourself 15-20 minutes just for parking wherever you’re going.

Thanks Steph! We wish you luck! You may now eat the pizza.

Interview conducted by Ally Kornfeld for Magnet Theater.

Tuesday June 16, 2015, 1:44pm - by Magnet Theater

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The Magnet Theater is excited to announce that we are now accepting applications for the 2015 Fall Season of SKETCH TEAMS, which will run from September 18th through December 13th!

Please read the following application instructions and sketch team participant expectations very carefully – we’ve made some very big changes to the program. Got questions? Come to the Fall 2015 Sketch Team info sessions Wednesday, June 17th, &  June 24th at 6pm in room A at the Magnet Training Center!

GENERAL SKETCH SHOW EXPECTATIONS

  • Each team will create one 20-25 minute sketch show every three weeks.
  • All shows will take place Sunday nights at 7:30pm.
  • All sketch team shows must contain new, original material written specifically for Magnet Sketch Night that has never been previously performed.
  • Each show will contain the best material created for the team as selected by the director – there is no guarantee that every writer will get a sketch in each show or that every actor will be featured in each show. Funny wins. Them’s the breaks.
  • All sketches will be performed by the team’s ensemble cast of sketch actors. If a particular sketch requires it, the team may use outside casting (writers, other actors) at the director’s discretion.

GENERAL SKETCH TEAM EXPECTATIONS

  • Sketch team members are expected to attend all required meetings and arrive fully prepared. Sketch is time intensive – make sure you can commit 100% and make sketch a priority before applying.
  • Sketch team members must be available 1:30-4:30pm on the day of their show for a mandatory tech rehearsal at the theater.
  • Sketch team members may not schedule conflicting appointments (work, rehearsals, shows, etc) during scheduled techs, shows, rehearsals, or meetings.
  • Sketch teams must rehearse with a Magnet approved director. Each individual sketch team member is responsible for paying their director a flat rate of $12/week; team due collection is left to the discretion of the director and team (as it would be for an improv team or practice group).
  • Sketch team members are expected to promote their shows at the theater.

 

For the Fall 2015 Sketch Season, you must apply as a writer, performer, or a writer/performer. Expectations, prerequisites, and application instructions for each role are below! 

**All applications must be received by 5pm on Wednesday, JULY 15th! 

WRITER EXPECTATIONS

  • Writers must attend one 3 hour writing meeting per week, all performance rehearsals of their sketches, and all tech rehearsals.
  • Writers must constantly generate new material and are required to bring in a minimum of one new sketch per week, even during show week.
  • Writers are expected to be respectful and gracious collaborators in writing room. Writers should give and receive feedback to and from their teammates in an open and constructive manner.
  • Writers will be required to rewrite material and meet deadlines as requested by their director.

WRITER  PREREQUISITES 

  • Completion of (or current enrollment in) Magnet Sketch Writing Level 2 or previous participation on a Magnet Sketch team.

WRITER APPLICATION INSTRUCTIONS:
Send the following materials to sketchdirector@magnettheater.com with the subject line,
FALL 2015 MAGNET SKETCH TEAM APPLICATION// WRITER // <YOUR NAME>”.

  1. A cover letter detailing relevant sketch experience inside and outside the Magnet community.
  2. A single PDF of a sketch writing sample. Your sample should contain at least two sketches and may not exceed 10 pages.

 


PERFORMER EXPECTATIONS

  • Performers must be available for a regularly scheduled 2-3 hour performance rehearsal the week leading up to the show (ex: Sketch Team Fart Police has a performance rehearsal every Tuesday before a show, 7-10pm).
  • Performers must be available for techs, table reads, and any additional rehearsals as required by the director.
  • Performers must learn all show material in a timely manner.
  • Performers may collaborate with writers outside of rehearsals to help create characters and sketches, but performers should not be writing material on their own for shows.
  • Performers must perform sketches as they are written – ad libbing is good in a pinch, but be prepared and don’t put yourself in positions where you must resort to improvisation. Be polished and professional in all shows.

PERFORMER PREREQUISITES

  • Completion of or current enrollment in Level 6 team performance workshop, participation in a past or current Megawatt team, or previous participation in a Magnet Sketch Team.

PERFORMER APPLICATION INSTRUCTIONS
Send the following materials to sketchdirector@magnettheater.com with the subject line,
FALL 2015 MAGNET SKETCH TEAM APPLICATION// PERFORMER // <YOUR NAME>

  1. A cover letter detailing relevant performance experience inside and outside the Magnet community.
  2. A headshot
  3. A PDF of your acting resume
  4. A link to a 3-5 minute sample of your work as a performer. This can be a reel, a recording of a stage sketch, a video sketch, a monologue directed at a webcam, anything you feel showcases you as a comedic performer. Youtube or Vimeo preferred. The link can be public, private, or unlisted – just be sure to send passwords if necessary and the link itself may be no longer than 5 minutes.

You will be informed on Wednesday, July 22nd, if you have been selected to audition in person. In-person auditions will be held on Saturday, August 1st and Sunday, August 2nd at the Magnet Training Center. Unfortunately, if you are not available for these times you cannot be considered as a performer for the 2015 Sketch Season.

For the in-person audition, you will perform two contrasting sketches that will be assigned to you and another applicant several days prior to the audition. You must be completely off-book and you may rehearse before hand with your scene partner, at your discretion. You will also be asked to cold read sketches in the room.

 


WRITER/ PERFORMER EXPECTATIONS

  • Writer/performers must meet all writer expectations AND performer expectations.
  • Writer/performers are expected to write for other performers as well as for themselves. There is no guarantee that a writer/performer will perform in all of their own work.

WRITER/PERFORMER PREREQUISITES

  • Writer/performers must meet all writer AND performer prerequisites or previous participation on a Magnet Sketch team.

WRITER/PERFORMER APPLICATION INSTRUCTIONS
Send the following materials to sketchdirector@magnettheater.com with the subject line,
FALL 2015 MAGNET SKETCH TEAM APPLICATION// WRITER/PERFORMER // <YOUR NAME>

  1. All materials detailed in writer application instructions.
  2. All materials detailed in performer application instructions.
  3. Also, please indicate if you are willing to be considered as a writer or actor ONLY if you are not selected for a writer/performer position.

You will be informed on Wednesday, July 22nd, if you have been selected to audition in person. See performer application instructions above for more info about the audition.

 


Failure to follow application instructions will keep you from being considered for sketch team. Double check your application!

**All applications must be received by 5pm on Wednesday, JULY 15th! 

New teams will be announced mid August! 

Monday December 22, 2014, 9:11pm - by Megan Gray

sketch teams logo

Congratulations to the newest Magnet Sketch Teams and the newest additions to Action Park and Baby Shoes:

NEW TEAM NICHOLS directed by Rob Webber
Kim Ferguson
Becca Schall
Lane Kwederis
Brandon Lisy
Matt Alspaugh
Kelly Kreye
Alex Kane
Patrick Haggerty
Lex Morales

NEW TEAM MAY directed by Jana Schmieding
Pratima Mani
Rosie Whalen
Elena Skopetos
Jesse Mudrick
Ross Taylor
Jimmy O’Connell
Andrew Mills
Ari Miller
Trumane Alston

 

Tuesday November 11, 2014, 4:25pm - by Megan Gray

sketch teams logo Calculator and pencil image

The Magnet Theater is excited to announce that we are now accepting applications for the next round of SKETCH TEAMS, which will run from January 18th through April 26th!

The following information will tell you everything you need to know in order to submit, what will be expected of you, and all the deadlines for everything. Good Luck!

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Wednesday August 20, 2014, 10:55am - by Megan Gray

sketch teams logo

Congratulations to the newest Magnet Sketch Teams and the newest additions to Party. and Baby Shoes:

NEW TEAM KEENAN directed by Kevin Cobbs
Matt Antonucci
Jen Chuck
Kate Emswiler
Chris Hastings
Joe Lepore
Kyle Levenick
Charles Nicholson
Adam Twitchell
Rob Webber
NEW TEAM KEL directed by Jesse Acini
Michael Lutton
Phoebe Tyers
Will Quinn
Andrew Vuilleumier
Eli Itzkowitz
Diego Martinez
Catherine Montesi
Sam Palmer
Matt Wassung
Tuesday July 1, 2014, 1:55pm - by Magnet Theater

sketch teams logo Calculator and pencil image

The Magnet Theater is excited to announce that we are now accepting applications for the next round of SKETCH TEAMS, which will run from September 7th through December 14th!

The following information will tell you everything you need to know in order to submit, what will be expected of you, and all the deadlines for everything.  Good Luck!

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Sunday January 5, 2014, 11:07pm - by WillyAppelman

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Congratulations to the newest Magnet Sketch Team and the newest additions to Cash and Baby Shoes:

NEW TEAM HIGHLANDER
Kim Ferguson
Michael Delisle
Dmitry Shein
Melissa Caminneci
Dennis Pacheco
Dan Dobransky
Geri Cole
Hannah Wright
Sierra Pasquale

Newest Member of CA$H:
Matt Antonucci

Newest Member of BABY SHOES:
Roger Ainslie

Starting on February 9th, Magnet Sketch Shows will run at 7:30 PM on Sundays. See you there!

Also, be sure to check out the Best of Shows for Party., American Wormholes, and Baby Shoes at 7:30 on January 12th as well as CA$H’s “Black Tie” and “The Misses Present the Hits” on January 17th, 24th, and 31st at 7 PM.

Wednesday September 18, 2013, 11:03am - by WillyAppelman

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Congratulations to the new Magnet Sketch Teams! Thank you to all those who applied, we’re excited to introduce these incredible teams! The first show is Sunday, September 29th at 9:00! Starting in October, Sketch Shows will run at 7:30 PM on Sundays. See you there!

VETERAN TEAM FRED
1. Joe Lepore
2. Adam Twitchell
3. Rob Webber
4. Kate Emswiler
5. Matt Wassung
6. Ruby Marez
7. Alex Marino
8. Joe Miles

VETERAN TEAM SHAGGY
1. Jimmy O’Connell
2. Billy Bob Thompson
3. Todd Shaeffer
4. Sebastian Conelli
5. Becca Schall
6. Ingrid Ostby
7. Andy Mills
8. Jamaal Sedayao

TEAM VELMA
1. Nivea Serrao
2. Megan Meadows
3. Andy Moskowitz
4. Jon Moisan
5. Ally Kornfeld
6. David Rynn
7. Bob Kern
8. Gretchen Poole
9. Matt Antonucci

TEAM DAPHNE
1. Kevin Lalka
2. Gwen Mesco
3. Matt Alston
4. John Kitsis
5. David Sewell
6. Sean Taylor
7. Shalini Tripathi
8. Emily Johnson
9. Marcus Brunt

TEAM SCOOBY-DOO
1. Marc Baller
2. Lane Kwederis
3. Mike Dwyer
4. Ari Miller
5. Matt Alspaugh
6. Jonathan Keller
7. Michael McLarnon
8. Matthew Pohlman Coonrod
9. Catherine Wing

Thursday August 22, 2013, 12:27pm - by WillyAppelman

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The Magnet Theater is excited to announce that we are now accepting applications for the next round of MAGNET SKETCH TEAMS, which will run from September 29th through December.

Each sketch team will write and perform a show approximately every 3 weeks. Shows will take place Sunday nights at 7:30 pm. Completion of (or current enrollment in) Sketch Writing Level 2 is required to apply. Exceptions may be made for anyone currently performing on a Megawatt or Team Performance team.

HOW TO APPLY TO BE ON A MAGNET SKETCH TEAM:
Send an email with the subject line, “MAGNET SKETCH TEAM APPLICATION” and your name to sketchdirector@magnettheater.com. Include your improv/sketch experience and at least 2 writing samples as attachments (please limit total to 10 pages). The deadline to apply is SEPTEMBER 13TH.

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