Posts Tagged ‘magnet theater’
Ever thought about taking the show on the road? So have these guys! Monday, September 8th at 8:30pm, three Toronto performers, James Hartnett, Tim Gilbert, and Marty Topps, are taking the Magnet stage to bring you their best work as a part of their New York and Philadelphia tour. I (Amanda Ariel Peggy Xeller!) got the awesome opportunity to not only see Marty Topps (Isaac Winter!) perform in Montreal, but got to conduct an e-mail interview with him for the Magnet’s blog.
Marty Topps is an award winning musical comedian from Toronto who burst onto the scene with his debut album, “A Loving Tribute to TapouT.” The album was ranked the #2 Comedy Music album of 2013 by BiteTV. Marty followed this up with a musical short film, “Beep Beep” which won First Place in the Laugh Sabbath Film Fest at NXNE 2014. Marty’s live performances have led to accolades like Best Newcomer at the 2014 Montreal Sketchfest and Audience Award (Best Musical Sketch) at the 2013 Toronto Sketch Comedy Festival.
Where are you from originally?…and what’s that place like?!
I’m originally from Stratford, Ontario. Stratford is a nice town. It was pretty wild growing up in the shadow of the undisputed King of Pop, Justin Beaver but I also found it really inspiring because it made me #believe I could grow up to be a song-and-dance-man just like him.
What’s your training background?
I have no formal training. I went to University for Film but I dropped out cuz that was the cool thing to do at the time. And then I taught myself to play keytar cuz that was also the cool thing to do at the time… And it still is, right? Right?!
Baby Shoes fresh off their trip to Montreal continues to take the show on the road! Magnet Theater’s notoriously dark humored house sketch team is trekking down to Philly to perform some of their best sketches. If you happen to be in Philly, check them out at 9:00 P.M. on Friday, June 20th at PHIT’s new home in the Adrienne Theatre.
The cast’s credits include “iCarly,” “House, MD,” Newsweek, The Huffington Post, Broadway.com, The Truth Podcast, Reductress, Story Pirates, as well as an LA Weekly Award winner and an ATX Television Festival Pitch Competition winner. Check out their youtube channel for some of their live sketches!
Baby Shoes is Roger Ainslie, Chano Garcia, Bob Kern, Ally Kornfeld, Michael McLarnon, Megan Meadows, Andy Moskowitz, Nivea Serrao, and Amanda Xeller. They are directed by Alex Marino.
Have you listened to the Magnet Theater Podcast yet? Why NOT? Get in on it before you fall behind. In the latest episode, Louis Kornfeld sits down with Magnet Performer and Instructor Peter McNerney! They chat about the fear of making choices, failing in order to succeed and the joy of making lies. Wanna justify lying all the time?
Subscribe and Listen in iTunes or listen below with Soundcloud…
Magnet Video Lab premieres its new hand-made comedy shorts featuring some of your favorite performers from the improv, stand-up, sketch and TV world. Join them afterward for a post-premiere party at Walter’s Bar! FREE on Sunday, June 1 at 6:00. Click HERE to Reserve Tickets.
Starting in May, The Magnet Theater is going to raise the price of Thursday Night Out to $10. That price will still allow audience members to stay all night. If someone is coming strictly for Inspirado, the price will remain $7. We’re incredibly proud of the work being done on this night and feel confident in showcasing it as some of the best work we have to offer. Magnet students and performers will still be able to get into the show for free.
The Magnet Theater will be holding a Q&A session with Second City Casting Director Beth Kligerman, Wednesday April 23rd from 5:30pm-6:30pm at The Magnet Theater Training Center (259 w. 30th street). This will be an hour long information session about auditioning for the Second City Cruise Ships. If you have any questions, please contact Magnet Artistic Director Megan Gray (megan (at)magnettheater(dot)com).
Magnet Theater is excited to announce The Magnet Podcast! In Episode 1: Host Louis Kornfeld interviews Magnet Theater founders Ed Herbstman, Alex Marino and Armando Diaz about their past, present and future. They chat about their Chicago beginnings, the creation of The Armando Diaz Experience and the process of starting The Magnet Theater. Ed tries to explain why he became a cop while Armando makes fun of him. Don’t miss it.
Huge thanks to our wonderfully talented podcast engineer, Grant Goldberg.
Second City Theatricals is seeking actors for ensembles on Norwegian Cruise Line ships.
The South By Southwest Film Festival (SXSW) is an annual film festival that not only premiers feature films, like Bridesmaids back in 2011, but presents new work by indie directors. Each film entered is up to be considered for the Grand Jury Prize, which is a special award given in two categories: Best Narrative and Best Documentary. Think of it as the equivalent to Best Picture for the Oscars. This year, the Magnet’s own Charles Rogers (The Music Industry, Prank Phone Calls with Charles Rogers) won the coveted award for Best Narrative Feature for his film Fort Tilden. (Past winners in this category include Lena Dunham for her film Tiny Furniture back in 2010). I (Amanda Ariel Peggy Xeller!) got the awesome opportunity to sit down with the esteemed director, and fellow performer, to talk about the movie and also about him!
Where are you from originally?
Well I grew up in a lot of places, but I grew up mostly on the border of Texas and Mexico at the very bottom. It’s called Brownsville, which is a weird, dysfunctional place. And also in Acapulco, Mexico. But I say I’m from Austin, Texas because I went to college there and my family moved there recently.
Where did you go to college?
I went to college at St. Edwards University in Austin. It’s a liberal arts school that’s fun to be young at.
Magnet Theater is excited to announce that it will be moving to a new location this coming fall.
In November, the Magnet will take over the Foxwoods Theater, most recently the home of Spider-Man: Turn Off the Dark.
Armando Diaz, co-owner of Magnet, spoke on the need for a new space, saying “The Magnet community has been growing at an exponential rate, so we’re looking to plan not just for the immediate future, but also for what’s beyond the horizon, like in a couple hundred years. If you filled up our current space to capacity, it’d only take up the first row at the Foxwoods. So, the house might feel small in the beginning, but as the word gets out that there’s plenty of room, I’m confident that we’ll sell out all 1,932 seats, especially to non-English speaking tourists.”
Alex Marino, another of the Magnet’s owners added:
“One of the great things about moving into the Foxwoods Theater is we’ll have our office space, training center, and main stage and my apartment all in one central location. So often our new students would get lost when directed from the theater to the Training Center for student shows, and then to my apartment for banjo jam sessions. Now it’ll all take place in one space – a space with a lot of good energy because of all the great things that happened during the run of Spider Man.”
Of course, with a new, much larger space will be some inevitable changes. All shows will have a 35 intern team of stage hands. Performers will have access to four state of the art green rooms before their shows. And everyone must be an Actors Equity performer in order to appear on the stage.
The only planned renovation to this legendary theater is to immediately remove all bathrooms except one near the stage.
Another change will be the tickets prices, which will go up slightly from $5-$10 to $125 for balcony seating to $225 for orchestra seats (though Megawatt and Thursday Night Out admission will remain at $7 for the entire night).
Alan Fessenden, Magnet performer and instructor, noted his excitement about the move. “I love the monoscene, but when you ask for ‘a location that’ll fit on this stage’ you’re limited by the size of the stage. With the new theater, we can do a whole submarine instead of just the bridge of a submarine. It really opens up the possibilities for all shows, but especially for monoscenes about submarines.”
When Ed Herbstman, the third Magnet owner, was asked about the move, he said, “I own a theater?”
One concern was voiced by Louis Kornfeld, Artistic Director of Megawatt. “This new stage is massive compared to the old stage, so sweep edits are going to be problematic. Not only will the timing be off, but the editor may very well be winded after the edit, especially improvisors who are out of shape, which includes all of them.”
Magnet is immensely ready for the move and excited to announce that the first show in the new space will be Rick Andrew’s Level One Class Show! Stay tuned for more details!