Posts Tagged ‘magnet theater’
Magnet Theater is excited to announce that it will be moving to a new location this coming fall.
In November, the Magnet will take over the Foxwoods Theater, most recently the home of Spider-Man: Turn Off the Dark.
Armando Diaz, co-owner of Magnet, spoke on the need for a new space, saying “The Magnet community has been growing at an exponential rate, so we’re looking to plan not just for the immediate future, but also for what’s beyond the horizon, like in a couple hundred years. If you filled up our current space to capacity, it’d only take up the first row at the Foxwoods. So, the house might feel small in the beginning, but as the word gets out that there’s plenty of room, I’m confident that we’ll sell out all 1,932 seats, especially to non-English speaking tourists.”
Alex Marino, another of the Magnet’s owners added:
“One of the great things about moving into the Foxwoods Theater is we’ll have our office space, training center, and main stage and my apartment all in one central location. So often our new students would get lost when directed from the theater to the Training Center for student shows, and then to my apartment for banjo jam sessions. Now it’ll all take place in one space – a space with a lot of good energy because of all the great things that happened during the run of Spider Man.”
Of course, with a new, much larger space will be some inevitable changes. All shows will have a 35 intern team of stage hands. Performers will have access to four state of the art green rooms before their shows. And everyone must be an Actors Equity performer in order to appear on the stage.
The only planned renovation to this legendary theater is to immediately remove all bathrooms except one near the stage.
Another change will be the tickets prices, which will go up slightly from $5-$10 to $125 for balcony seating to $225 for orchestra seats (though Megawatt and Thursday Night Out admission will remain at $7 for the entire night).
Alan Fessenden, Magnet performer and instructor, noted his excitement about the move. “I love the monoscene, but when you ask for ‘a location that’ll fit on this stage’ you’re limited by the size of the stage. With the new theater, we can do a whole submarine instead of just the bridge of a submarine. It really opens up the possibilities for all shows, but especially for monoscenes about submarines.”
When Ed Herbstman, the third Magnet owner, was asked about the move, he said, “I own a theater?”
One concern was voiced by Louis Kornfeld, Artistic Director of Megawatt. “This new stage is massive compared to the old stage, so sweep edits are going to be problematic. Not only will the timing be off, but the editor may very well be winded after the edit, especially improvisors who are out of shape, which includes all of them.”
Magnet is immensely ready for the move and excited to announce that the first show in the new space will be Rick Andrew’s Level One Class Show! Stay tuned for more details!
We’re excited to announce our new additions to Musical Megawatt, New Team Hall and New Team Oates! Both teams will be debuting Tuesday, April 1st at Musical Megawatt, where there will be Magnet drink specials and an after party at Walter’s (389 8th Ave).
We’re excited to announce our 2014 Spring Circuit Teams! These teams will debut Friday, March 28th, with shows continuing for 10 weeks until May 30. All shows free, at the Training Center, and at 10:30.
John de Guzman
Coach: Amanda Xeller
CLICK MORE FOR THE REST OF THE TEAM INFO…
Thank you to everyone who came out and auditioned over the weekend. We are very proud to introduce our newest Megawatt Teams for the Spring of 2014.
New Team GROUCHO
New Team HARPO
New Team CHICO
New Team ZEPPO
There will also be additions to Brick:
New teams premier this Wednesday, March 5th at 7pm.
We’re very excited to announce the Spring 2014 round of The Circuit, which will begin Friday, March 28th, 2014!
Applications for Circuit teams will open Monday, March 3. The deadline to apply is Monday, March 10, at noon.
Applicants will be chosen by lottery. If chosen, you will be placed on a team of 8 improvisers and assigned a coach. You will rehearse with your coach and team once a week, with rotating performances on Friday nights at 10:30PM at the Magnet Studio Theater.
If you have completed Level 3 of Magnet’s Training Program and are not part of a Magnet house improv team, you are eligible to apply.
The Circuit is a great way to gain experience in being in an improv ensemble. We highly encourage those who are eligilble to apply.
If you have any questions or comments, please email us at circuit [at] magnettheater [dot] com.
Mail’s here! Kevin Cobbs (The Music Industry, Listen, Kid!), who is performing full time on one of the Second City Cruise Ships, just sent a letter to us here at the Magnet to give us a glimpse of his travels. Check it out! And check out that picture of Kevin in San Juan! Wowie-wow-wow-wow!
Greetings and salutations from the Norwegian Gem. As I write this I’m about halfway through my four month contract with the Second City, and so far its been an absolutely wonderful experience.
Here on the Gem we typically perform one sketch show, two improv shows and one murder mystery luncheon show per nine day cruise. All of which we rehearsed extensively during our week of training in Chicago. I’d never been to the Second City before and it definitely felt like hallowed ground for a sketch and improv performer like myself. It was humbling to get up on their different stages to rehearse. And as a cool bonus experience, our director let us perform in an improv set with the regular cast on their ETC stage.
My cast here on the Gem comes from LA, Toronto and Chicago and they’re all hysterical improvisers and good people. We hang out together quite a bit and we’ve also become good friends with some of the crew and some of the other entertainers on board.
When we’re not performing, we have a lot of free time to work on our own projects. So I’ve been writing quite a few pee pee jokes and even some poo poo jokes.
In addition to writing, I’ve used my down time to finally fulfill my main duty as a liberal white person by watching the Wire (it really is great so far). I’ve also used my free time to work out every day in the ship’s gym. I’m totally ripped now and I plan on fighting all of you at the Magnet when I return. One by one. Starting with the weakest (Branson Reese) and then working my way up to the strongest.
Its a blast performing our sketch show to a crowd of 1,100 people each week. Our improv shows are in a smaller space but equally fun and they’re all short form. I was originally trained in short form so it feels a bit like returning to my improv roots, which is nice.
Passengers are very complimentary when they see us around the ship. And we get to visit some beautiful ports: San Juan, Puerto Rico, St. Maarten, St. Thomas, and Samana, Dominican Republic. Living on the boat is like living in a floating bubble where all of us performers are pseudo celebrities. Then when each cruise ends, everything resets and we’re nobodies again for the first couple of days before our first show.
Though I’m enjoying my time at sea, I look forward to coming home to New York and seeing all y’all Magnet people. Stay warm and I’ll see you in the spring!
Magnet Theater is now accepting applications for the 2014 spring season of Megawatt. Please fill out THIS FORM no later than FEBRUARY 18th to apply for an audition slot. Anyone who has completed Magnet Level 6 is eligible to apply, though please note that a completed form does not guarantee an audition slot. Due to the high volume of eligible improvisers and a limited number of slots, priority will be given to students and performers who have finished the class or performed on a Megawatt team within the last year. Confirmations will be sent out by THURSDAY, FEBRUARY 20th.
CLICK HERE to apply.
Armando’s Coaching Class needs volunteer improvisers (PREREQ completion of Magnet Level 1 improv) tomorrow, Saturday, January 25th from 4-6pm. Come in and be coached in practice sessions by the student coaches. Not only do you get FREE practice time, you get to hear the thoughts of the student coaches AND Armando himself.
If interested, email schooldirector[at]magnettheater[dot]com to confirm a spot. Spaces are limited, so first come, first serve.
Due to the snowstorm, The Magnet Training Center will be CLOSED Tuesday, January 21st. If you have any questions or concerns, please contact the School Director at schooldirector[at]magnettheater[dot]com. Stay warm and get home safe!
On Wednesday, December 18th, I (Amanda Ariel Peggy Xeller!) got to interview Magnet’s own Russ Armstrong about growth in improv, understanding the makings of a good team, and how to be a good teacher, director, and improviser. Below is the transcribed interview.
Where are you from originally?
I’m from Michigan. I’m from Ann Arbor, Michigan.
How did you get involved in improv?
I started improvising in high school. I was watching Whose Line Is It Anyway? with my friends and started an improv group to play short form games. The Pioneer Comedy Troupe from Pioneer High School. It was my junior year of high school. We thought we were the coolest people in the world and we didn’t know we were actually the lamest people in the world.
You went to Northwestern yes? Did you do improv in college? What was the improv there called.
I did. Yep. It was the Mee-ow Show. It was billed as 1/3 improv, 1/3 sketch, 1/3 rock ‘n’ roll. Lots of short form stuff. It was great, super fun. It was a blast.
And you studied in Chicago as well? At iO and Second City? How does the training there compare to the training you learned in NYC?
It’s all the same stuff just different approaches to it. I think Chicago tends to nurture you finding your voice a little bit more. They give you a little more time, marinates in a way that Chicago does with everything, with theater and music and food. Because the spotlight isn’t on it as much, there’s less pressure to produce immediately. New York tends to have a little more pressure because it is New York. And it’s more expensive. I think they are both awesome attributes. It’s good to have that pressure. I love that about New York.