Posts Tagged ‘magnet theater’
We’re very excited to announce the Spring 2014 round of The Circuit, which will begin Friday, March 28th, 2014!
Applications for Circuit teams will open Monday, March 3. The deadline to apply is Monday, March 10, at noon.
Applicants will be chosen by lottery. If chosen, you will be placed on a team of 8 improvisers and assigned a coach. You will rehearse with your coach and team once a week, with rotating performances on Friday nights at 10:30PM at the Magnet Studio Theater.
If you have completed Level 3 of Magnet’s Training Program and are not part of a Magnet house improv team, you are eligible to apply.
The Circuit is a great way to gain experience in being in an improv ensemble. We highly encourage those who are eligilble to apply.
If you have any questions or comments, please email us at circuit [at] magnettheater [dot] com.
Mail’s here! Kevin Cobbs (The Music Industry, Listen, Kid!), who is performing full time on one of the Second City Cruise Ships, just sent a letter to us here at the Magnet to give us a glimpse of his travels. Check it out! And check out that picture of Kevin in San Juan! Wowie-wow-wow-wow!
Greetings and salutations from the Norwegian Gem. As I write this I’m about halfway through my four month contract with the Second City, and so far its been an absolutely wonderful experience.
Here on the Gem we typically perform one sketch show, two improv shows and one murder mystery luncheon show per nine day cruise. All of which we rehearsed extensively during our week of training in Chicago. I’d never been to the Second City before and it definitely felt like hallowed ground for a sketch and improv performer like myself. It was humbling to get up on their different stages to rehearse. And as a cool bonus experience, our director let us perform in an improv set with the regular cast on their ETC stage.
My cast here on the Gem comes from LA, Toronto and Chicago and they’re all hysterical improvisers and good people. We hang out together quite a bit and we’ve also become good friends with some of the crew and some of the other entertainers on board.
When we’re not performing, we have a lot of free time to work on our own projects. So I’ve been writing quite a few pee pee jokes and even some poo poo jokes.
In addition to writing, I’ve used my down time to finally fulfill my main duty as a liberal white person by watching the Wire (it really is great so far). I’ve also used my free time to work out every day in the ship’s gym. I’m totally ripped now and I plan on fighting all of you at the Magnet when I return. One by one. Starting with the weakest (Branson Reese) and then working my way up to the strongest.
Its a blast performing our sketch show to a crowd of 1,100 people each week. Our improv shows are in a smaller space but equally fun and they’re all short form. I was originally trained in short form so it feels a bit like returning to my improv roots, which is nice.
Passengers are very complimentary when they see us around the ship. And we get to visit some beautiful ports: San Juan, Puerto Rico, St. Maarten, St. Thomas, and Samana, Dominican Republic. Living on the boat is like living in a floating bubble where all of us performers are pseudo celebrities. Then when each cruise ends, everything resets and we’re nobodies again for the first couple of days before our first show.
Though I’m enjoying my time at sea, I look forward to coming home to New York and seeing all y’all Magnet people. Stay warm and I’ll see you in the spring!
Magnet Theater is now accepting applications for the 2014 spring season of Megawatt. Please fill out THIS FORM no later than FEBRUARY 18th to apply for an audition slot. Anyone who has completed Magnet Level 6 is eligible to apply, though please note that a completed form does not guarantee an audition slot. Due to the high volume of eligible improvisers and a limited number of slots, priority will be given to students and performers who have finished the class or performed on a Megawatt team within the last year. Confirmations will be sent out by THURSDAY, FEBRUARY 20th.
CLICK HERE to apply.
Armando’s Coaching Class needs volunteer improvisers (PREREQ completion of Magnet Level 1 improv) tomorrow, Saturday, January 25th from 4-6pm. Come in and be coached in practice sessions by the student coaches. Not only do you get FREE practice time, you get to hear the thoughts of the student coaches AND Armando himself.
If interested, email schooldirector[at]magnettheater[dot]com to confirm a spot. Spaces are limited, so first come, first serve.
Due to the snowstorm, The Magnet Training Center will be CLOSED Tuesday, January 21st. If you have any questions or concerns, please contact the School Director at schooldirector[at]magnettheater[dot]com. Stay warm and get home safe!
On Wednesday, December 18th, I (Amanda Ariel Peggy Xeller!) got to interview Magnet’s own Russ Armstrong about growth in improv, understanding the makings of a good team, and how to be a good teacher, director, and improviser. Below is the transcribed interview.
Where are you from originally?
I’m from Michigan. I’m from Ann Arbor, Michigan.
How did you get involved in improv?
I started improvising in high school. I was watching Whose Line Is It Anyway? with my friends and started an improv group to play short form games. The Pioneer Comedy Troupe from Pioneer High School. It was my junior year of high school. We thought we were the coolest people in the world and we didn’t know we were actually the lamest people in the world.
You went to Northwestern yes? Did you do improv in college? What was the improv there called.
I did. Yep. It was the Mee-ow Show. It was billed as 1/3 improv, 1/3 sketch, 1/3 rock ‘n’ roll. Lots of short form stuff. It was great, super fun. It was a blast.
And you studied in Chicago as well? At iO and Second City? How does the training there compare to the training you learned in NYC?
It’s all the same stuff just different approaches to it. I think Chicago tends to nurture you finding your voice a little bit more. They give you a little more time, marinates in a way that Chicago does with everything, with theater and music and food. Because the spotlight isn’t on it as much, there’s less pressure to produce immediately. New York tends to have a little more pressure because it is New York. And it’s more expensive. I think they are both awesome attributes. It’s good to have that pressure. I love that about New York.