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Magnet Theater Blog: News and Ideas about Comedy, Improv Shows & Classes in NYC

Posts Tagged ‘magnet theater’

Wednesday January 18, 2017, 7:00am - by Magnet Theater

 

Warm-blooded baby of sex, WILL JACOBS, drops by to talk about his foray into playwrighting, being malleable on stage, and how to provide balance on a team.  A comedy quadruple-threat, Will can be seen performing on Magnet shows like Musical Megawatt, Megawatt, and The Friday Night Sh*ow; in schools all over the city with the Story Pirates; on the internet with Cake I.D.; and oh yeah, he’s also a playwright. There’s a lot packed into this one, so let’s just dive in!

Will begins the episode talking with Louis about Telegraph, a play he wrote while attending the Washington University in St. Louis. He discusses the undertaking of staging something so daunting as a first-time playwright. Louis and Will talk about college and Will describes what it’s been like to find permission to indulge in his interests. Find out where Will’s ideas come from and if their origin is different when improvising versus writing! He and Louis discuss the hurdle of playing with people who really impress you and the challenge of being malleable not only while acting but in life.

Will relays some great advice for how to behave when you’re being judgemental of a scene! They discuss “wherewithal” as it relates to improv and wonder if it is the opposite of being in your head? Louis points out one of Will’s greatest abilities and diving into the technique, Will offers tips on how to point out an unusual thing in a way that matters and can sustain scenes. They both agree on an improv rule: Don’t be Ironic Comment Guy! Finally, these two gentlemen talk about providing balance to a team and why Spock was so great on Star Trek. Finally, we hear about how Will went from, “I could never do that” when watching improv to performing it almost every night of the week!

Wednesday January 11, 2017, 7:00am - by Magnet Theater

dede-2-podcast Subscribe with iTunes

Ariana Grande’s resident Floridian, DEDE TABAK, joins host Louis Kornfeld to talk about being from Miami, her college improv experience, and how to surprise yourself on stage. That’s just a sample of what this episode has to offer, though. You’ll also get to hear about celebrities, how to handle disgusting scenes on stage, how Dede got her start in the arts, and why strange scene partners are awesome. More too, but you get the idea! Huzzah!

This episode begins with a rare and lengthy cold open and continues in earnest on the subject of celebrity encounters. “How tall is Jemaine Clement?” you may wonder. Well, Dede Tabak has the answer! Louis asks Dede about her comedy roots and what she was into as a child. Dede grew up in Miami, Florida watching In Living Color, presumably because she didn’t live in the part of Miami where people were partying or going to the beach, or maybe it was because she was a child! Louis and Dede exchange methods on running away from home, something they would both occasionally attempt in their youth and Dede shares the story of her parents meeting at NYU and moving from New York to Miami and, how now, Dede works at NYU where it all began. They talk about the burden of asking friends and family to come see your improv shows and how to perform “gross” things on stage, or when to just avoid them.

Backing up, Louis asks Dede what brought her to improv in the first place, and we discover that she began life as a theatrical kid and attended a University of Miami theater camp growing up. She then talks about her college improv days at Fairfield University, where she had a very positive experience under the guidance of Heather Parady, complete with lessons like cut the bullshit, be truthful, and to occasionally burn some sage. Dede and Louis explore what it means to “be truthful” in a scene and how to step out with nothing in mind. Find out how Dede most loves to play and hear her talk about how she (successfully) surprises herself on a regular basis. They also discuss regret in improv, what Dede likes to get from her scene partners, watching improv after-the-fact, and cherishing the strange classmates and scene partners you’ll have along the way. Dede says “vagina” in this episode more than anyone ever has on the show! Plus, A Serious Scene Opposite A Jar Of Pickles!

Monday January 9, 2017, 8:00am - by Magnet Theater

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The Lady Sketch Lab is back! All WOMEN* are encouraged to attend.

*women, trans, cis and gender non-conforming/queer.

Here’s how it’ll work:

We’ll be meeting on Saturdays 12-3pm at the Magnet Training Center (22 West 32nd Street, 10th floor) for six weeks starting January 28th. We will be breaking up into 3 different groups. You’ll bring in a mix of new and rewritten sketches each week (1 or 2). We’ll give each other feedback for rewrites. A selection of the generated sketches will be put into 3 different sketch shows each 30 minutes each. Each show will go up twice. The shows will be on March 13th, 20th, & 27th at 9 pm.

For the first meeting all we ask is that you bring in:

1. An example of a sketch that you saw on TV or stage and why you love it.
2. An example of something that happened in your day/week/month/life that you thought was really funny. Anything.
3. That supportive spirit.

THAT’S IT! You don’t even have to write anything just yet. Give it a try.

YOUR QUESTIONS ANSWERED:

But I’ve never written a sketch or taken a sketch class.

That’s totally fine. We still want you.

But I really can’t write. Can I just perform?
You can get involved as a performer only. Come to the meeting anyway. You might find yourself accidentally writing something amazing.

But I can’t perform/memorize lines.
You can just write then.

I write better with a partner. I can’t do this on my own.
You and your writing partner can present co-written material at meetings. Alternatively, if you realize you really like working with someone at the meetings, you can go off and write together.

I can’t make all the meetings.
If you want to be in the final show or have your sketch considered, you must attend at least 4 of the 6 sessions.

How much does it cost?
It’s FREE.

Do I have to pre-register?
Nope. Just show up!

But I’m still uncertain.
Follow your fear. Remember how hard improv used to seem before you actually tried it?

More questions?
Email: ladysketchlab@gmail.com

See you there,
Amanda Xeller & Megan Gray

Thursday January 5, 2017, 4:03pm - by Magnet Theater

Magnet TC Logo v3

We’re looking for eager improvisers (prerequisite: completion of Level 1) to participate in warm-ups and exercises run by the students in Armando’s coaching class. All the details are below—but keep in mind that space is limited. Hope to see you there!

When to be available:

— Saturdays —
Jan 21st 4-6pm
Jan 28th 4-6pm
Feb 4th 4-6pm
Feb 11th 4-6pm
Feb 18th 4-6pm

 

How to sign up: Fill out this form! https://goo.gl/forms/4dTy81tGLj0dKAA03

 

If you have any questions, feel free to contact us at (212) 244-2400.

Wednesday January 4, 2017, 7:00am - by Magnet Theater

kim-brown-podcast Subscribe with iTunes

Youthful cast member, KIM BROWN, joins us to talk about training at multiple theaters, Gilmore Girls, the post-election Megawatt experience, and much much more. Hear about her Megawatt team YOUTHS as well as what it’s like to put on a show with The Cast.  She dishes about everything from hot celebrity gossip t0 her indie team Free Kittens, so you can rest assured that this episode explores the full breadth of humanity. Listen up!

Welcome to 2017! The Magnet Theater Podcast is back for another year of interviews and, this week, we have Kim Brown on the mic. Kim and Louis begin this episode discussing her writing gig at JustJared.com, a website dedicated to celebrity editorials and hot hot goss. As he often does, Louis asks our guest how she got herself into acting and comedy. Kim’s origin story eventually lands her at UCB and with her beloved indie team, Free Kittens. We hear all about that, plus, she and Louis share some hot takes on which days of the week are best for taking classes!

After several years at UCB, and following a short break from improv, Kim began classes again at Magnet and had an amazing experience going through a second program. She details what it’s like to come back to take improv classes at another theater and why it was such a joy. Kim joined The Cast just after completing Team Performance Workshop and speaks here about how everyone on the team brings their own expertise to the show each week. Speaking of expertise, Louis and Kim get to talking about Gilmore Girls! As a Gilmore Girls expert on The Cast, Kim has much to say and Louis, who is only about three seasons in, also weighs in. This dive into the lore of Stars Hollow raises the topic of recreating something you really love and prompts a discussion on The Cast’s weekly process of paying tribute to a particular genre or theme.

If you’ve ever wondered, “Will Kim Brown ever take a musical improv class?” we have the answer! We find out what scares Kim about musical improv and her former love, musical theater. Kim talks to Louis about performing at Megawatt the night after the 2016 election and they wax poetic about comedy’s ability to help us during dark times. Louis asks about Kim’s Megawatt team YOUTHS and they have a rousing discussion about reframing the Harold to make it more fun and how gaining a bit of confidence can make you so much better improv. The episode concludes with a round of Getting To Know Each Other and a once-in-a-lifetime epilogue from Louis Kornfeld. Check it out!

Tuesday January 3, 2017, 11:57am - by Magnet Theater

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MAGNET THEATER’S VERY OWN 10-MINUTE PLAY FESTIVAL

If “write more” was your New Year’s Resolution — you’re in luck! We are looking for five original comedic plays to produce for our 10-Minute Play Festival, and submissions are now OPEN! Instructions and submission guidelines below.

Are you a sketch writer looking to try something new? A playwright looking for more exposure? A random internet user who stumbled across this page? Anyone and everyone is encouraged to submit. Please send us your best 10-minute play (seriously, no more than 10 minutes) and stay tuned for auditions at the end of February, as well as Magnet Theater’s Very Own 10-Minute Play Festival on March 19th and 26th!

 

HOW TO SUBMIT

  • Please include the following information in the body of the email (and keep answers short!): Name; What comedy theater you are associated with (if any); Whether you have an sketch or playwriting experience (it’s fine if the answer is no!); Why you wanted to be a part of Magnet Theater’s Very Own 10-Minute Play Festival.

  • Attach your play to the email as a PDF. This is important. We won’t read any other format.

 

Submission Guidelines/FAQs

  • Only one submission per person. Send us your best work!

  • The plays really do need to be under 10 minutes. That means no more than 11 pages, not including the cover page. We will not read past the 11th page.

  • We are looking for NEW plays! Please don’t send anything that has already been produced.

  • All submissions must be in by February 19th, 10:00 pm EST. Submissions will not be accepted or considered after this time.

  • Notifications of selection will go out a few days after submissions close.

  • All authors agree to permit the Magnet Theater to produce their submitted play if the theater should wish to do so. Authors retain copyright and full ownership of their plays.

  • Diversity applicants strongly encouraged to submit!

 

Don’t know what 10-Minute Play Festival is? Check out our last blog post for more info.

Wednesday December 21, 2016, 7:00am - by Magnet Theater

eleanor-lewis-podcast Subscribe with iTunes

Friendship Club founder and genius-level baby, ELEANOR LEWIS, joins host Louis Kornfeld to discuss the best improv exercises, how modern comedies fall short, and why mixers are so wonderful. There’s oodles of improv talk in this one and, by golly, that’s probably why you’re here. Plus, they do some two-person monologue hotspot and Eleanor performs A Very Serious Scene Opposite A Bottle Of [Redacted] Water.

This episode begins with a rarely heard cold open as Eleanor and Louis discuss hot spot, one of the very first warm-ups most improvisors encounter. They debate whether or not it’s a good exercise for a class, or even for a team, to use. They talk about ego in improv, both its destructive and creative tendencies, and Louis offers the theory that the ego of the character and the comedy of the scene are intertwined. He then asks which improv exercises Eleanor really loves. They get into talking movies, where modern comedies fail us, and the greatest comedic strengths of film versus improv. Plus, they ask the question on everyone’s mind: Is Branson Reese the ideal improvisor?

They also partake in a rousing rendition of Getting To Know Each Other in which many great topics pop up. Louis shares his ULTIMATE BELIEF and Eleanor discloses her FAVORITE IMPROV THING! I mean, these are huge. The episode wraps up as Eleanor and Louis discuss shock-value comedy and hosting the Thursday Magnet Mixers, which you should all attend! Finally, Eleanor performs A Very Serious Scene Opposite A Bottle Of Nestle Pure Water even though Nestle is a horrible company and we don’t endorse them. Superman sucks too!

eleanor-lewis-pickles

Monday December 19, 2016, 1:52pm - by Magnet Theater

SketchTeamSubmissions_1920-1080_Generic_blog

The Magnet Theater is excited to announce that we are now accepting applications for the 2017 Spring/Summer Season of MAGNET SKETCH TEAMS, which will run from March 6th – July 24th, 2017! UPDATE: Applications are due by Monday, January 30th, at 5pm!

Please read the following application instructions and sketch team participant expectations very carefully. Got questions? Come to the 2017 Spring/Summer Sketch Team info session Tuesday, January 10th, at 6pm at the TC.

GENERAL SKETCH SHOW EXPECTATIONS

  • Each team will create one 20-25 minute sketch show every three to four weeks.

  • All sketch team shows will be on Monday nights at 7:30pm! Two teams will perform in each show.

  • All sketch team shows must contain new, original material written specifically for Magnet Sketch Night that has never been previously performed.

  • Each show will contain the best material created for the team as selected by the director – there is no guarantee that every writer will get a sketch in each show or that every actor will be featured in each show. Funny wins. Them’s the breaks.

  • All sketches will be performed by the team’s ensemble cast of sketch actors. If a particular sketch requires it, the team may use outside casting (writers, other actors) at the director’s discretion.

GENERAL SKETCH TEAM EXPECTATIONS

  • Sketch team members are expected to attend all required meetings and shows and arrive fully prepared. Sketch is time intensive – make sure you can commit 100% and make sketch a priority before applying.

  • Sketch team members must be available 1:30-4:30pm the Sunday before their show for a mandatory tech rehearsal at the theater.

  • Sketch team members may not schedule conflicting appointments (work, rehearsals, shows, etc) during scheduled techs, shows, rehearsals, or meetings.

  • Sketch teams must rehearse with a Magnet approved director. Each individual sketch team member is responsible for paying their director a flat rate of $12/week; team due collection is left to the discretion of the director and team (as it would be for an improv team or practice group).

  • Sketch team members are expected to promote their shows at the theater.

For the 2017 Spring/Summer Sketch Season, you must apply as a writer, performer, or a writer/performer. Expectations, prerequisites, and application instructions for each role are below!

WRITER EXPECTATIONS

  • Writers must attend one 3 hour writing meeting per week, all performance rehearsals of their sketches, and all tech rehearsals.

  • Writers must constantly generate new material and are required to bring in a minimum of one new sketch per week, even during show week.

  • Writers are expected to be respectful and gracious collaborators in writing room. Writers should give and receive feedback to and from their teammates in an open and constructive manner.

  • Writers will be required to rewrite material and meet deadlines as requested by their director.

WRITER  PREREQUISITES

  • Completion of (or current enrollment in) Magnet Sketch Writing Level 2 or previous participation on a Magnet Sketch team (as any role).

  • Equivalent sketch writing experience somewhere else with a contactable reference (email address).

WRITER APPLICATION INSTRUCTIONS:

Send the following materials to sketchdirector@magnettheater.com with the subject line, “2017 SPRING/SUMMER MAGNET SKETCH TEAM APPLICATION// WRITER // <YOUR NAME>”.

  • A cover letter detailing relevant sketch experience inside and outside the Magnet community.
  • If your comedy experience is mostly outside of the Magnet Theater, you must provide the email address for a reference.
  • A single PDF of a sketch writing sample. Your sample should contain at least two sketches and may not exceed 10 pages.

PERFORMER EXPECTATIONS

  • Performers must be available for a regularly scheduled 2-3 hour performance rehearsal the week leading up to the show (ex: Sketch Team Fart Police has a performance rehearsal every Tuesday before a show, 7-10pm)

  • Performers must be available for techs, table reads, and any additional rehearsals as required by the director.

  • Performers must learn all show material in a timely manner.

  • Performers may collaborate with writers outside of rehearsals to help create characters and sketches, but performers should not be writing material on their own for shows.

  • Performers must perform sketches as they are written – ad libbing is good in a pinch, but be prepared and don’t put yourself in positions where you must resort to improvisation. Be polished and professional in all shows.

PERFORMER PREREQUISITES

  • Completion of or current enrollment in Level 6 team performance workshop, participation in a past or current Megawatt team, or previous participation in a Magnet Sketch Team (as any role).

  • If your comedy experience is mostly outside of the Magnet Theater, you must provide the email address for a reference.

PERFORMER APPLICATION INSTRUCTIONS:

Send the following materials to sketchdirector@magnettheater.com with the subject line,

“2017 SPRING/SUMMER MAGNET SKETCH TEAM APPLICATION// PERFORMER // <YOUR NAME>”

  • A cover letter detailing relevant performance experience inside and outside the Magnet community.

  • A headshot

  • A PDF of your acting resume

  • A SINGLE link to a 3-5 minute sample of your work as a performer. This can be a reel, a recording of a stage sketch, a video sketch, a monologue directed at a webcam, anything you feel showcases you as a comedic performer. Youtube or Vimeo preferred. The link can be public, private, or unlisted – just be sure to send passwords if necessary and you may only send one link and the link itself may be no longer than 5 minutes.

You will be informed by Monday, January 30th, if you have been selected to audition in person.

In-person auditions will be held in the evening on Friday, February 3rd and in the afternoon on Saturday, February 4th at the Magnet Training Center. Unfortunately, if you are not available for the above callback dates, you cannot be considered as a performer for the 2017 Spring/Summer Sketch Season.

For the in-person audition, you will perform two contrasting sketches that will be assigned to you and another applicant a couple days prior to the audition. You must be completely off-book and you may rehearse before hand with your scene partner, at your discretion. You will also be asked to cold read sketches in the room.

WRITER/ PERFORMER EXPECTATIONS

  • Writer/performers must meet all writer expectations AND performer expectations.

  • Writer/performers are expected to write for other performers as well as for themselves. There is no guarantee that a writer/performer will perform in all of their own work.

WRITER/PERFORMER PREREQUISITES

  • Writer/performers must meet all writer AND performer prerequisites or previous participation on a Magnet Sketch team (as any role).

WRITER/PERFORMER APPLICATION INSTRUCTIONS

Send the following materials to sketchdirector@magnettheater.com with the subject line,

“2017 SPRING/SUMMER MAGNET SKETCH TEAM APPLICATION// WRITER/PERFORMER // <YOUR NAME>”

  • All materials detailed in writer application instructions.

  • All materials detailed in performer application instructions.

  • Also, please indicate if you are willing to be considered as a writer or actor ONLY if you are not selected for a writer/performer position. Be completely honest – your preferences will not be held against you!

You will be informed by Monday, January 30th, if you have been selected to audition in person. See performer application instructions above for more info about the audition.

Failure to follow application instructions will keep you from being considered for sketch team. Double check your application!

All applications must be received by 5pm on Monday, January 30th!  

Wednesday December 14, 2016, 7:00am - by Magnet Theater

lane-kwederis-podcast Subscribe with iTunes

She’s all over the stage and screen and now LANE KWEDERIS joins us to discuss musical theater, audition wisdom, and her favorite moments from working in TV! From the Boston Conservatory to your cable box, Lane has accumulated a wealth of experience, which she shares on this episode as she and Louis discuss her career and life as an actor and comedian. Like Louis, you have perhaps never met Lane before, but you’ll love her after an hour! Catch Lane every Tuesday on Musical Megawatt with Public Pool and on Mondays with sketch team The Executives!!

This episode begins with Louis admitting that he and Lane just met for the first time! It seems as though they’ve been ships passing in the improv night for years now. In order to get fully acquainted, Louis asks how Lane ended up as a performer. She talks about studying musical theater at Boston Conservatory and working in theater soon thereafter. So, how’s she get into improv? Spoiler: It involves a casting director’s suggestion and a new passion. Lane and Louis discuss the rigid musical theater machine versus the more welcoming world of comedy. Despite her initial interest in live theater, Lane is mostly working in film and TV these days. Louis asks a number of nerdy, technical acting and audition questions and Lane answers, giving particular attention to comedic choices. This is helpful information for those interested in that kind of work!

Jumping back, Louis asks Lane if she always knew that performance was her life’s calling, and while she says that indeed, it was, she also mentions how she once wanted to be a veterinarian. As such, she and Louis discuss cute animals (see cat above), Lane’s playful nature, and the archetypes of children. Lane also talks about the fun of performing in Urinetown as a senior in college and how she really loved the comedic aspects of it.

To bring us fully up to speed with Lane’s acting career, Louis asks her to share a couple quick hits from her television appearances. She tells of what it was like to film on Comedy Central’s “Broad City” and of a parlor trick gone wrong while shooting Netflix’s “The Characters” with Tim Robinson. Finally, Louis asks Lane about the comedy that she writes and creates herself – what makes her laugh? – and they mull over some best-case Disney princess scenarios.

Plus! We bring you new editions of both Getting To Know Each Other and A Very Serious Scene Opposite A Jar Of Pickles!

lane-and-louis-pickles

Wednesday December 7, 2016, 7:00am - by Magnet Theater

sam-rogal-podcast Subscribe with iTunes

Boy made of metal and Friday Night favorite, SAM ROGAL, stops in to discuss performing arts camp, team chemistry, and his lifelong comedy partner, Pat May. Sam was hooked on comedy at a young age and made it a goal of his to get to NYC where (surprise!) he finally made it and has since performed on Megawatt, the Friday Night Sh*w, with Story Pirates, and countless other stages and shows in this great city. He shares all kinds of wonderful secrets in this episode and you’re just going to eat it up!

We begin this episode with Sam talking about his years spent attending Buck’s Rock Performing and Creative Arts Camp and how it changed his life. He talks about the training he received there and makes sure to drop a bunch of names. Sam recalls trying to impress counselor Becky Drysdale (Baskets, Key & Peele) as a CIT and how excellent she was to watch and work with. Louis and Sam talk about teenagers improvising, both from the perspective of being a teenager and what it’s like as an adult looking back. They also discuss Pat May’s certain something. It’s impossible to describe, but they try. Sam tells us about getting hooked on comedy as a teenager and how the idea of moving to NYC stuck with him into adulthood.

Talking improv, Sam relates that he often smiles or laughs in shows (and gets noted on it) because he’s having such a great time. He thinks there’s room for really enjoying yourself, even while working on commitment. Of course, we gotta talk about Metal Boy – Sam’s #1 Megawatt team. He describes what it’s like to find your team after being cut from others and he just has to mention his best boy Pat May again. He posits that an improv team is like a basketball team and preaches the virtues of simplifying scenes before making them insane. He and Louis also discuss how to keep a team consistent as it also evolves. Part of what helps make that evolution possible is talking openly and honestly with your team, which is also good advice for romantic partners. Speaking of, Louis asks Sam to talk about Elena Skopetos, his girlfriend, and well, you’ve just gotta listen. It’s adorable. Finally, Sam and Louis discuss the improv community’s evolving approach on how it deals with sensitive topics.