Posts Tagged ‘magnet theater’
Thank you to everyone who came out for Megawatt auditions. We’re excited to announce our latest teams:
New Team RED
New Team WHITE
New Team BLUE
There will also be additions to Horses, The Wrath and Featherweight
Andrew Yurman Glaser
Lauren Ashley Smith
These brand new teams debut Wednesday, May 1st at 7pm. Get there early.
The latest round of The Circuit has arrived and we are pleased to announce that we are currently taking submissions until Friday, May 3rd. If you have completed level 3 of Magnet’s Training Program, you are eligible to apply!
Your name will be entered into a lottery and if selected, you will be placed on a team of 8 with one of our assigned coaches. You will rehearse with your team once a week, with rotating performances on Friday nights at 10pm at Magnet’s Training Center Theater.
To apply, just fill out this application!
Team announcements will be made Wednesday, May 8th with shows beginning Friday, May 17th.
The Circuit is a great way to gain experience performing and practicing with an improv team. We highly encourage you to apply!
Thank you and we are looking forward to an exciting new season of the Circuit!
Second City Theatricals is seeking actors for ensembles on Norwegian Cruise Line ships. A ship-specific audition will be held at The Magnet Theater Training Center in New York City on Thursday, May 16th, 2013. Auditions will be completely improvised. Performers should be a graduate of a conservatory-level program (such as Peoples Improv Theater, Upright Citizens Brigade or Magnet Theater).
Interested performers should email a headshot and resume to email@example.com ON Tuesday, April 30th or Wednesday, May 1st. Please include “Second City Theatricals – NYC – May 16” in the subject line of your email. On May 15th, there will be a Q&A with Second City Director of Talent, Beth Kligerman, at The Magnet Training Center from 4:30-5:45. Callbacks will be held on Friday, May 17th.
Second City performers are contracted for 4 months at a time.
The Second City was founded in Chicago in 1959 as a hub for sketch and improvisational comedy, and has held a contract with Norwegian Cruise Line since 2005.
That’s it…we’ve had it. Never again shall “improv” be “misspelled” by any spellcheck! Never again will improv be auto-corrected to improve! Never again will a paper clip tell us that what we do is “wrong”! We must stand to make a difference! We must come together, not as any individual comedy theaters or groups, but as brothers and sisters. This injustice will no longer be accepted by improvisers everywhere. The hours we’ve spent performing in noisy bars to audiences of 3 people makes this fight worth fighting! We must justify our life choices! We must YES AND…FIGHT FOR WHAT WE BELIEVE IN!
When is improv going to be accepted as a word into the English language? Band together with us and let’s MAKE IMPROV A REAL WORD.
Share this post. Believe in this movement. One day…one day we’ll be able to write improv without a red squiggly line popping up underneath it. One day, we’ll finally…
Magnet Theater will be holding auditions for the spring season of Megawatt. Auditions will be held Saturday, April 27th, with callbacks on Sunday, April 28th. To be eligible for the audition, performers need to have completed Magnet Level 6 Team Performance no earlier than January 2011, or to have performed on a Megawatt team within the last year. Please note that due to the limited number of slots auditions are not guaranteed.
To apply, please follow the link and fill out the availability form no later than April 19th.
Congratulations to The New Musical Megawatt Teams! Thank you to everyone who applied, the new Musical Megawatt Teams will debut on Tuesday, March 12th at 7pm!
New Team Parliament- Director: Michael Lutton
Rachel Alexa Norman
New Team Funkadelic- Director: Ross Taylor
Circuit Team- Director: Laura Dlug
Mixer Team- Director: Robin Rothman Taylor and T.J. Mannix
For more information, check out www.magnettheater.com. Congratulations again and see you Tuesday, March 12th at 7pm for the debut!
“The Kubler” is the newest installment of The Director Series, a 4-week series of performances wherein a Director selects a cast and presents a different form. This month Russ Armstrong is directing “The Kubler.” We interviewed Russ via email to learn more about the show.
1. What is The Kubler?
The Kubler is a best-of-both-worlds improv show. It allows great actors to chew up some big, intimate scenes and intersperses those with large group scenes from a strong ensemble. It’s inspired by the Kubler-Ross model (umlaut, please!) which folks are more familiar with as “the five stages of grief.” The Kubler-Ross is a hypothesis that humans process difficult news by progressing through these five stages in order; denial, anger, bargaining, depression and finally acceptance. Starting with a suggestion of some bad news someone has received, we take the audience through the five stages and throw in large group games in between. It rocks. But mostly it rocks because of Rick Andrews, Laura Grey, Sean Taylor, Lauren Olson, Dru Johnston, Desiree Nash, Jordan Klepper, Jana Schmieding, Alex Marino and Chet Siegel.
2. Why are you directing it?
I’m directing the Kubler because it gives me an opportunity to force great improvisers to work with me and offers a format that can really showcase top-notch players working together. Also, I was told I would receive intern credits.
4. What is the future of improv?
Everyone knows this but I’ll rehash it anyway. Improv will be solved in 2019 at the yet-to-be-formed Dungeon Fungeon in Staten Island after an inspired triple-Harold performed by the East Coast’s best ensemble, John Mack’s Warrior Punchbowl (Starring Brad Tomey!) It won’t be the best show, and it won’t be the last show, but their director, and the audience will insist, “That’s what improv is supposed to be.”
It’ll be that or slowly we’ll all move back to Chicago and crawl back up the vagina of The Compass Players, spin around there for a couple years in some swirling black hole of callbacks and then get spewed out across the continent once more not unlike this ever-contracting-and-expanding nutsack of a universe. Intern credit, please!
The Kubler opens this Thursday, March 7th at 10pm! MORE INFO!
A timeless rite of passage into modern adulthood involving flagrant consumption, waffling definitions of sexual propriety, a general disregard for all grown-up responsibility, and occasional learning, college is that magical time when you can have your mind blown by Marx and Engels from the comfort of your lofted-bed. Company 29’s newest sketch show takes a look at all things college, from the dubious founding of Harvard University to that guy who always brings his guitar with him to parties even though nobody asked him to.
Sponsored By: Six Point Brewery
Company 29 is the Magnet Theater’s sketch company in residence, dedicated to producing new and original sketch comedy featuring some of the Magnet’s best sketch writers and performers.
Featuring: Mike Barry, Kevin Cobbs, Tim Eberle, Nick Kanellis, Ruby Marez, Justin Peters, Branson Reese, Jamaal Sedayao, Danielle Tolley, and Rob Williams.
Written By: Tim Eberle, Kevin Cobbs, Jamaal Sedayao, Sarah Pappalardo, and Nick Kanellis.
Directed By: Nick Benaquista
Assistant Director: Amanda Xeller
“Round Trip” is the newest installment of The Director Series, a 4-week series of performances wherein a Director selects a cast and presents a different form. This month Armando Diaz is directing “Round Trip.” We conducted an interview with Armando via email to talk about the show.
What is Round Trip?
The Round Trip is an original form that tells the story of a cast of characters through a series of mono-scenes. The show begins with the suggestion of a location for which the first mono-scene will take place. In that location we meet the characters in the story and discover what the story is about. After the first mono-scene ends the cast improvises a second mono-scene in a different location featuring all the same characters. And finally we see the characters back in the first location for a final mono-scene and this is where all the storylines resolve. In short, the Round Trip is like an improvised one-act play.
Why did you choose to direct it?
Megan told me I had to direct something for the Director Series show. I had no choice in the matter.
What makes a great scene?
The truth! As much as it is good to know the mechanics of improv at the end of the day what makes us laugh is when improvisers find truth in their work. You can be technically perfect in a scene but if it doesn’t find the truth it just won’t be that funny.
I hope it becomes more courageous and less, “edgy”.
The last performance of Round Trip takes place on Thursday, February 28th at 10pm. For more information, CLICK HERE!