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Posts Tagged ‘magnet training center’

Friday August 11, 2017, 6:58pm - by Magnet Theater

For the entire month of September, all room rentals at the Magnet Training Center are only $10 an hour! That’s right – between the hours of 11AM and 11PM, seven days a week, every single one of our lovely rehearsal spaces is available for the low price of $10/hr. Rehearse at Magnet Training Center and save your hard-earned cash for that bus ticket home! Or a flight to Miami. Player’s choice. 😉

Wednesday August 2, 2017, 7:00am - by evan barden

 

Actor and comedian, KEISHA ZOLLAR, joins host Louis Kornfeld to discuss the role of comedians in society, why she hates revenge stories, and the issue with overly dramatic art. Not only that, but they get to talking about how we give too much energy to our lizard brains and urge everyone out there to show your weird! This is our final episode of the season, but we’ll see you again in September. From all of us to all of you, thanks so much for listening and huzzah!

Our fabulous guest and intrepid host begin this episode laying out the three or four types of bad, real-world comedy and note that the bully flavor of “funny” still persists, despite how god-awful it is. Keisha posits that perhaps we, as comedians, need to rally a bit more against bullies and the behavior they propagate. She also says that Louis has “an intense face” and Louis seems to agree. They talk about being “on” all the time and how common folks expect comedians to behave day-to-day. They get into the role of comedians in society and the responsibilities that comedians and other creators take on by assuming the mantel. Such a conversation would be incomplete without mentioning identity politics and how the comedian’s ultimate job is to disrupt norms.

Pivoting like a member of Trump’s cabinet, Louis attempts to take a positive lesson away from the current hot mess that is the world around us. Keisha wisely points out that, growing up, no one ever told us why democracy could be bad, reminding us that every tool is also a weapon. She relates that she often feels we give too much energy to our lizard brain and not enough to our frontal lobe, which allows us to reason.

Speaking of lizard brains, Keisha tells us why revenge stories don’t entertain her and why one of her favorites movies is Requiem For A Dream. She and Louis show appreciation for feeling your feelings in-the-moment, including the negative feelings like anger and sadness. Speaking further on this, Keisha shares a bit about her lifelong experience of recurring illness and living with an invisible disability, something she brings up to highlight the fact that it’s not all negative – there are positives of that life experience and the perspective it gives her is invaluable. This sparks their both Louis and Keisha’s qualms with art that is overly dramatic, art that lacks the light we know to be present. As our episode comes to an end, we are reminded that the beauty of improv is that we are encouraged to show our weird, to show our uniqueness. Everyone has something. Accept your weird.

And finally, our host and guest share this special message with us, as we say goodbye to Season 3 of the Magnet Theater Podcast:

Go stare at a tree!

Don’t forget to check out Keisha’s own podcasts: Applying It Liberally and The Soul Glo Project.

Tuesday August 1, 2017, 12:01am - by Magnet Theater

 

Sign up in August and get $50 off your Level One!

It’s the classic 12th Anniversary gift – $50 bucks off.

This sale is for all Level One classes throughout the month of August. That includes Improv, Musical Improv, and Sketch Writing. Sign up for all three and save $150. Or sign up for 10 of them and save $500. Unreasonable? Hell yes. But signing up for one is not only not unreasonable – it’s smart! Save money while falling in love with the most inspiring creative pursuit you can imagine. And while gaining skills that just might change your life.

When we began our theater in 2005, we never knew we’d grow into an organization with 250 performers, 22 teachers, and 80 million students annually. We tried not to, but it happened anyway. We started with Armando Diaz teaching one improv workshop and now we offer comprehensive training in improv, musical improv, sketch writing, storytelling and more. We think that studying with Magnet instructors is simply one of the best ways to improve your comedy, your art, your relationships, and your life.

That’s why we’re offering $50 off any Level One class (improv, musical improv, sketch comedy) when you register between now and August 31st, 2017. Our normally priced $399 classes are now $349 for the month of August. We ran the same sale in May, June, and July and so many people took advantage of it, that we wanted to keep the good times rolling. We know that our entire community benefits from more people improvising and we want to make it as easy as possible to get started.

To view classes currently enrolling, click on the appropriate link below:

Improv Level One

Musical Improv Level One

Sketch Writing Level One

Our Level One Improv and Musical Improv classes are eight sessions with an additional graduation show at the end (no grad show for the sketch class, but it’s still amazing).  And as always, free Intro to Improv classes are also available on a regular basis. Click here for details.

Happy Anniversary!

Wednesday July 26, 2017, 5:57pm - by Megan Gray

Say hello to all of our new Summer 2017 Circuit teams! Come see one of their shows, Fridays at 10 pm, July 21st through September 29th! YES!

Team Bill
Coach: Abby Russell
Patrick Faerber
Sean Kehoe
Marian Rosin
Ann Nunziata
Alex Estrella
Lorina Ladrillono
Chris Yu

Team Hank
Coach: Michael Kroll
Sonia Nam
Jeremy Gundel
Brooke Puleo
Noel Hunter
Andy Lachman
Craig Lehner
Kevin Mosquera

Team Dale
Coach: Rob Penty
Angelica Florio
Michael Grosso
Ross Baron
David M. Freshwater
David Liang
Loretta Pontillo
Jana Heaton
Alyssa Kaplan

Team Boomhauer (musical)
Coach: Jacob Horn
Mark Canlas
Joe Lemonik
Randy McKay
Kristina Stasi
Stacey Weingarten
Rachel Zeolla

Wednesday July 26, 2017, 7:00am - by Magnet Theater

 

Magnet performer, stand-up comedian, and author Jarret Berenstein joins host Louis Kornfeld in the most recent edition of the Magnet Theater Podcast. The conversation hits a lot on politics and how Jarret feels he sounds like a “tin hat conspiracy theorist” when discussing them. Check out this podcast to learn about Jarret’s upcoming book about Kellyanne Conway, his early days as a stand up comic, and how he still plans on living in a mansion with Gwyneth Paltrow.

Jarret and Louis start out the podcast with a discussion on acting in sketches and the pros and cons of memorizing lines. Louis admits that memorizing lines in a whisper never works for when he actually needs to perform them out loud. Jarrett describes the mastery of learning all of your lines as “its own kind of fun.”

After the brief pre-podcast conversation, we learn that Jarret has a book coming out, “The Kellyanne Conway Technique: Perfecting the Ancient Art of Delivering Half-Truths, Fake News, and Obfuscation―With a Smile.” He was hired by the publishing company to make fun of Kellyanne Conway because knew someone at the publishing company who figured he’d have time to do write the book. (Also, because he’s funny. Duh.) He discusses his frustration with watching her lies and getting even more frustrated with the fact that her candidate won.

They start to talk about revenge against comedians – how unfunny people like Mike Huckabee and Kellyanne Conway are now trying to be comedic themselves. Jarret explains that he was unable to watch Kellyanne Conway’s stand-up comedy tape because he knew it would anger him too much. They discuss how the people who are considered funniest tend to be more liberal and how when conservatives make jokes they gain support not because people think they are funny but because people agree with them.

Louis thinks that Jarrett is very well-tempered when it comes to politics. We learn that Jarret spent all of November on Reddit and spent much of that time fighting with other users who he figures were Russians acting like Americans who support Trump, and how he realized it was such a waste of time. Though he was extremely angry, he realized “that rage is not going to change anyone’s mind.”

Jarret talks about his stand-up comedy and how he wants to start putting political humor into his act but he knows that when he starts talking about politics he sounds like a “tin hat” conspiracy theorist. He describes his faces in improv vs his faces in stand up. While he improvises, Jarret notices that he will break often and have a hard time not smiling because he’s having fun. While in stand-up, he explains, his face is more “I’m looking at you in a serious way even though what I said was ridiculous.”

Louis asks Jarret if he feels confident as a performer with ten years of stand-up comedy experience. Jarret thinks that he is and tells Louis about how comedians can grow as performers. Jarret reflects on starting out as a stand-up comedian at “bringer” shows and how embarrassing they are as a comic.

Despite his current focus on stand-up, Jarret’s first love was improv. He talks about SNL, Comedy Central, listening to comedy albums – about not even knowing what the jokes were about but liking the rhythm of stand-up. He remembers playing MASH with his friends where he ended up living in a mansion with Gwyneth Paltrow as a paid improviser. That would be the life.

To close out the podcast, Louis discusses Kliph Nesteroff’s book “The Comedians” and how it does a great job going through the history of comedy. Jarret and Louis agree that relevance is an interesting aspect of comedy – Jarret thinks that “it’s weird that generations can grow up not seeing the best version of somebody.”

Pick up Jarret’s book, “The Kellyanne Conway Technique” when it’s released in August and come to his book launch show at Magnet on Monday, 8/7, at 7:30 pm!

Wednesday July 19, 2017, 7:00am - by Magnet Theater

 

Writer, performer, and avid footballer, LORENA RUSSI, joins host Louis Kornfeld to talk about making the world a better, more evolved place through comedy and how old they both feel. Lorena and Louis discuss how people often put others in easy-to-recognize boxes, why slower comedy appeals to them more, and Lorena’s experience writing for The Kat Call on YouTube. Tune in to hear them shake hands at the end!

Our episode kicks off with Louis mispronouncing Lorena’s name, but it’s okay because it leads to a great conversation on identity and the importance of her name. Sorry, Louis – there’s no going back! Lorena describes her frustrations improvising as an “alpha female […] masculine center” person which gets them talking about how people very quickly and commonly put others into the most readily recognizable boxes available. Lorena touches on the common occurrence of having to be everyone’s source of information and how it can be exhausting to constantly explain things to people.

Lorena and Louis discuss improv as sport versus improv as theater and which parts of each tend to produce humor. Find out why Lorena prefers watching slower shows and why it’s harder for her to enjoy improv shows these days. Our heroes get to talking about entertainment overload and how digital platforms simultaneously wear us out and provide a higher level of accessibility to performers of color than ever before. Lorena calls out Master of None for not being very good and Louis calls the internet the cigarette of our generation. Wow. Hot takes all around! Contrasting the rapidity of the internet, Lorena and Louis chat about needing time to process things, a conversation that involves acknowledging sadness, using power words, and not allowing “darkness of the soul” to creep in too much.

Talking about Lorena’s experience writing for The Kat Call, we hear about what a great environment it was to work in and how it was a part of an overall arc within Lorena’s comedy career of asking the question, “What are we trying to say?” After mentioning how old she feels for the third or fourth time, Lorena wonders how she might accomplish being less angry at the world. Stay tuned for further critiques and assessments on social media! She and Louis also tackle the concept of playing flawed characters on stage and how there is a responsibility to make sure the audience knows they’re flawed. This leads to discussing the responsibilities of making the world a better, more evolved place in general, but particularly for communities that are threatened. We almost go down a Trump rabbit hole, but pull up just in time! Louis says something mysterious and cool: that we have to “grieve the result of our nightmares.”

Finally, our host and wonderful guest attempt to end this episode on a positive note, but you’ll have to listen to see how they do. And of course, Evan takes a picture of Lorena and Louis for social media purposes!

Wednesday July 12, 2017, 6:50am - by Magnet Theater

 

Opera singer turned full-time musical improviser, KIKI MIKKELSEN, joins us to talk about all of her shows, Edinburgh Fringe, and the challenges of writing. You can see Kiki doing musical improv nearly every day of the week with her teams and shows Vern, Public Pool, Happy Karaoke Fun Time, Premiere: The Improvised Musical, Blank! The Musical, and Baby Wants Candy. Kiki is a bonafide musical improv all-star and we’re so happy that she’s on the show!

Kiki and Louis settle in for the first real conversation they’ve ever had and they don’t know it at first, but they’ll cover a lot of ground. “Tell me about yourself,” Louis begins. We hear about how Kiki came to be a full-time musical improviser and a bit about her upcoming trip Edinburgh for its Fringe Festival, which will be her first time participating. With so much improv in her life, Kiki and Louis both wonder if she can possibly keep friends outside of improv. Don’t worry, it’s a question we all must face when confronted with the obsession that is improv!

We backtrack a bit to discover where Kiki hails from (PA) and where she went to school (OKC). One of very few improvisers with an opera degree, Kiki gives Louis a crash course in opera voice types and tells us a bit about how long they take to develop. She talks about getting into improv and comedy while still working on her opera dream and she throws down this hot take: improv people are more fun than opera people! Her story starts with discovering short form and comedy in general with her best bud Lindsay Calleran. It wasn’t long before Kiki was jumping into classes at UCB, The PIT, and Magnet. Within her expansive improv education, she speaks fondly of her very special Level One Musical Improv class at Magnet with instructor Michael Martin, leading Kiki and Louis to discuss the various overlapping micro-communities within the greater improv community.

Louis asks Kiki to talk about the litany of different shows she’s a part of and they begin with Baby Wants Candy, which is about as big as it gets in musical improv! She’ll be heading to Edinburgh Fringe with BWC and talks about what she’s expecting. She also talks about her house teams Vern and Public Pool, as well as the shows Premiere: The Improvised Musical, Happy Karaoke Fun Time, and Blank! The Musical. Find out what excites her about each show and how are they all different.

Exploring beyond her current penchant for musical improv, Kiki and Louis discuss the roots of her humor and desire to perform comedy. Kiki recalls that she didn’t grow up watching a ton of comedy but then found Christopher Guest movies. Plus, Louis shares his secret dream with us. After revealing to Louis that she finds writing to be difficult to break into, he gives Kiki some inspiration for writing and they talk about how to stay motivated. Finally, Kiki expresses her belief that building something together is always funnier than working alone.

Wednesday July 5, 2017, 7:00am - by Magnet Theater

 

Chillionaire and youthful human, ADAM PASULKA, joins host Louis Kornfeld to talk about cruise ship comedy, why hosting the Mixer is such a joy, and his recent brain surgery. We also hear about Adam’s circuitous path to becoming an entertainer, how he met his hometown girlfriend hundreds of miles away, and theories on coaching improv. Ready? Set. Listen!

We begin this episode talking about improv jams and Adam’s recent takeover of the Wednesday Mixer hosting duties. Louis gives us a little history of the Magnet Mixer and they discuss what makes jams horrible and what can make them great. One thing they both value for sure is learning-by-doing with other people of various experience levels. Before we go any further, we back up to find out where Adam comes from and how he got into improv and comedy. A native of the Chicago area, Adam studied art and psychology at NYU Gallatin before running a youth-culture magazine for fives years. Like so many, he found himself taking an improv class and simply got the bug for it. After working his way through classes at UCB and Magnet, Adam made his way onto a Second City cruise ship cast, performing improv and sketch comedy for the masses at sea!

With Louis having also done a stint on a Second City cruise, both he and Adam are able to dive into talking about the type of comedy and the type of people you see on the cruise ships and what life is like for the workers on those ships. They also talk about magicians and the different types of stand-up comedians on cruise ships, offering strong praise for the great Jeff Harms. Additionally, Adam shares the story of how he met his girlfriend on the ship and how they were connected even before they’d ever met.

Back to the present day, Adam and Louis talk about coaching improv, a topic near and dear to Adam’s heart. They reflect on working with a team as a coach and about the other side, from the improviser’s point of view. Louis likens the process of finding the right coach to dating and they lament over the difficulty of breaking up with both coaches and teams.

Finally, Adam talks about his recent brain surgery and his overall health (which, if you’re already concerned, is a-okay). He walks us through the experience of having a seizure, discovering that he had a fairly large mass in his brain, and getting it removed a few months later. It’s quite the tale and we can hardly believe he’s back on stage, delighting audiences with his wit and performance, so soon after doctors messed with his brain. Hats of to Adam and cheers to his good health!!

Wednesday June 28, 2017, 7:00am - by Magnet Theater

hot air baloons (small 2)

Announcing the 2017 Magnet Diversity Scholarship Program

The Magnet is pleased to announce that applications are now open for the 2017 Magnet Diversity Scholarships. The Magnet Diversity Scholarship Program was established in 2016 to provide access to improv classes to those excited and motivated students for whom money is a barrier, and to add new and diverse voices to the Magnet’s vibrant and open community.

Those selected will receive full program scholarships for Magnet’s Improv program, covering Levels One through Level Four. Contingent upon acceptance, Level 5 and Team Performance Workshop will also be included. Due to the limited number of full scholarships and the expected number of applicants, applications will be competitive. Applicants who were not awarded a scholarship last year are welcome to re-apply.

The Magnet Diversity Scholarship Program is aimed at increasing our diversity of race, ethnicity, gender identity, sexual orientation, disability, and age. Students of all experience levels are encouraged to apply. The scholarships are open to those who have never studied at Magnet, as well as to those who have partially completed the program. Up to $30,000 worth of scholarships will be awarded at the conclusion of the selection process.

Applications are due July 31, by midnight, and can be filled out here. The application includes general information and short essay questions. Selected students will be notified by Monday, August 14.

There will be an Open House at the Magnet Theater on Saturday, July 8 from 12 – 3 pm. Prospective applicants are encouraged to attend to meet with current Magnet performers and Diversity Scholars. There will also be an informal Diversity Jam for interested people to improvise on stage.

Please email diversityscholars@magnettheater.com or Rick@magnettheater.com for any questions.

Click here to apply for the Scholarship.

Wednesday June 28, 2017, 6:34am - by Magnet Theater

Human laugh factory, MICHAEL DELISLE, joins host Louis Kornfeld to discuss being funny on purpose, bombing on stage, and making a meal out of nothing. He and Louis debate whether or not Phil Hartman had a sense of humor, explore why Michael is so funny in a wig, and they also perform no fewer than three improv scenes together! It’s a real good time and you don’t want to miss it. Huzzah!

Beginning with the introduction of our guest, this episode gets off to what is undeniably the most awkward start in the history of the podcast. Michael asks Louis if he is truly great and the tension builds from there. These two good souls make the most out of the situation and manage to laugh their way through it.

Getting into the real conversation, Louis notes that Michael does a heck of a lot of sketch comedy, but he says he still loves improv. They debate over what percentage of sketch and improv is actually good and try to approximate what the batting averages are for each in the comedy scene. Louis breaks down Michael’s “Will Ferrell effect” for us and our heroes do some improv together. All of this in the first 12 minutes of the episode!

They dig into the idea of being intentionally funny while improvising and debate whether or not improvisers should rely on their life experience to be funny. Louis asks if Micahel is a nervous performer and Mike tells a story about bombing on stage doing stand-up at the tender age of 16. They talk about what you can learn from bombing, both in improv and sketch, and then they do another improv scene. This time, they’re both wearing shorts!

Circling back around, Michael and Louis once again discuss intentional comedic choices in improv and why it’s tricky to teach that skill. While some may consider intentionally comedic choices as going for cheap jokes, Michael thinks about it as playing the most fun thing right away. Our two heroes try to figure out why Michael is so dang funny in a wig and we find out that his favorite kind of sketch comedy is when he’s able to make a meal out nothing. Plus, they ask, “Did Phil Hartman have a sense of humor?”

Finally, Louis ends this episode by asking Michael to perform A Very Serious Scene Opposite A Jar Of Pickles.

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