Posts Tagged ‘magnet’
Student Council member and a big wig in The Music Industry, ADAM TWITCHELL, sits down with host Louis Kornfeld to discuss production value, physical comedy, and his indie team EagleFox. Adam compares his two most recent sketch teams, comments on the evolution of the sketch program at Magnet, and even shares some ideas for sketches taken straight from his notes. Finally, he talks about being jobless. This episode with lift you up!
We pick up in the middle of a conversation between Adam and Louis regarding the sketch “Lost at Sea,” which Adam wrote and performed with sketch team, Wendigo.(You can watch it below.) He and Louis discuss writing sketches that have a bit of production value and he walks us through the creation of “Lost At Sea.” Jumping off of on the themes of physicality and stage pictures, Louis asks Adam about his silent movie show and and he talks about how he’s a big fan of not only that category of films, but playing with genres in general.
Speaking on tropes and old films, Louis and Adam ponder how to go about writing something original in an era where everything has been done. Adam is now a member of sketch team Student Council and he relates how it is working with them versus his previous team, Wendigo. He also tells Louis how much he enjoys sketches that require a decent amount of research, even if he’s writing about the business of something like the Wonka corporation.
Adam reads some real ideas for sketches from his phone and tells us what he gets from “the room” during the creative process. He and Louis talk about traveling to sketch festivals and how shows should flow. Having been a part of it since the very beginning, Adam answers questions about how the sketch program at Magnet has progressed since its inception. Louis shares some of Armando’s best advice for sketch and asks Adam what wisdom he would impart upon someone who is greener in the scene.
Getting controversial, Louis asks Adam whether he prefers improv or sketch, OR if he loves them both equally, like children. Without giving anything away, we’ll just tell you that Adam recently joined Megawatt veterans The Music Industry and still finds time to play with his indie team EagleFox from time to time. He notes that camaraderie is the #1 best taste to making an indie team great and keeping spirits high. At Louis’ behest, he details the legend of EagleFox’s “Hair Mona Lisa,” which is a part of INSPIRADO folklore.
We conclude this episode with Adam discussing his “quarter-life rediscovery,” his current jobless state, and by finding out our guest’s top five desert island comedy picks.
Spartan improviser, Executive actor, and director of Object Work, CHARLIE NICHOLSON, sits down to discuss his upcoming Directors Series, harnessing risk on stage, and RuPaul’s Drag Race. Throughout the episode, Charlie and host Louis Kornfeld find a great deal of common ground as they discuss things like ambiguity on stage, forgetting one’s self in a show, and how to approach leading an ensemble. It’s a beautiful episode with beautiful people and how about that pic, right??
To begin, Charlie opens up about his nerves regarding each show and how he channels them into preparation. He tells us why he loves The Medusa and how he seeks to inject something different into each show the performs. Louis latches onto the topic of small moments and they discover their mutual reverence for well-placed ambiguity. Then, Louis offers that works of art may serve as outcrops of ourselves which help us frame ambiguous moments. How philosophical.
Moving from the abstract to the human, Louis asks Charlie about his style as an improviser and they talk about Charlie’s love for risk-taking on stage. They also touch on Charlie’s favorite thing to experience in a scene partner. Louis makes a puzzle analogy, folks! Charlie talks about forgetting himself amidst a show and the conjuring of magic on stage. What does is mean to play “out of control?” Charlie and Louis offer up two competing definitions and discuss each. Plus, learn how Charlie’s natural curiosity fuels his performance and find out his recommended reading for Louis.
With its upcoming run looming, Charlie passionately shares with us his thoughts on April’s Directors Series, Object Work, which came to him in a dream. He espouses his love for extending ourselves beyond our bodies and bringing life to the lifeless. Additionally, Charlie shares how he approaches directing a group of experienced performers he so adamantly admires and he and Louis go on to discuss different learning and teaching styles. To wrap up the episode, Charlie shares some of his favorite books and media, and of course, he and Louis discuss RuPaul’s Drag Race.
Please, don’t forget to go see Object Work this April. Thursdays at 10pm.
*Charlie wants us to note that, at time of recording, he goofed on the authors name of Silently and Very Fast. He said “Catherynne Valero” but what he meant was “Catherynne Valente.”
Get ready, because heartthrob DEVIN O’NEILL joins us to talk about her lifelong pursuit of comedy, performing for children, and how following your feet is the best! From The Cast to Sketch Teams to Megawatt and INSPIRADO, hear about Devin’s many comedic ventures and how she most prefers to approach scenework. Plus, a cameo from Ed Herbstman and Louis being an old man!
Louis begins this episode pointing out how nervous Devin seems to be. What’s she got to be nervous about? It’s just a podcast! All kidding aside, she quickly masters her fear in time for Louis to ask her about her favorite quote: “Don’t cry because it’s over, smile because it happened.” On her way to discussing imaginary friends, Devin manages to insult Louis’ age and it’s good fun for all. Laughing off his obviously hurt feelings, Louis wants to talk about Florida, which is where Devin is from originally. She tells us of this odd and, at times, amazing state and then claims that she’s wanted to be a performer and comedian since she was three year old! Wow. And the best part? It’s true!
Devin has been performing for as long as she can remember and, in adulthood, spent time acting in a children’s theater company which toured throughout Florida. All this before she moved to NYC to do improv and create funny characters. She got into improv thanks to her friend and Magnet House Manager, Bimini Lee Wright, after watching a UCB class show and then seeing *Kiss Punch Poem*. Sorry, 101 class, but Devin ended up taking classes at Magnet. Circling back to children’s theater, Devin and Louis discuss why playing for children is both incredibly difficult and totally amazing. They answer the question we ask in retrospect: How does an improv audience compare to a room full of unabashedly honest children? Plus, Louis provides a theory as to why improv is populated by such a bunch of smarties.
Back to the present, yes? Devin came to New York to to pursue comedy, something which stemmed from her work in Commedia dell’Arte. She tells of about all the different shows she does, plus(!), she’s got a full-time job. Needless-to-say, she has a lot to balance day-to-day and being on stage allows her a central focus compared to the scatterbrain nature of daily life. She and Louis ponder advice for enjoying second beats and talk about innovative thinking versus adaptive thinking, or initiating versus responding, if you prefer. She advocates adding a feeling of inclusiveness to how you begin a scene, no matter what kind of initiation you provide, and as promised in the lead, they talk about their feet knowing better than their minds!
To wrap things up, Louis and Devin wax poetic on The Cast, which for the record, Louis thinks is better than 98 Degrees. Devin tells us how crazy fun the show is and gives a lot of well-deserved credit to their director, Hannah Chase. Plus, Ed Herbstman makes a cameo and Devin talks about being friends with the one and only Justin Torres!!
- Bimini Lee Wright
- children's theater
- commedia dell'arte
- Devin O'Neill
- Hannah Chase
- Louis Kornfeld
- magnet sketch teams
- magnet theater
- magnet theater podcast
- magnet training center
- new york
- new york city
- sketch comedy
- Student Council
- Sulaiman Beg
- The Cast
The Cast member and hilarious human, GERI COLE, joins the show to talk about travel, her utopian hometown, and how to bring more voices to the comedy table. Geri spends her weekdays working on Sesame Street and her weekends creating one-of-a-kind improv shows with The Cast, so we’re thrilled that she’s taken some time to talk to us about true wealth, her time in Barcelona, and what she loves about her sweet, sweet hubby! Listen in, kiddos.
We gave it away in the intro, but the first thing Geri and Louis discuss on this episode is travel _ specifically about how Geri loves to do it despite the fact that it gives her terrible anxiety. Louis can’t pick up and go nearly as easily as Geri can, so asks about the psychology behind having a travel bug. One thing that helps Geri overcome her anxiety and see new places is her love of observing people. She talks about being very generous with her attention and the act of people watching. She then tells of her moving to Barcelona for a year and how her “naive by nature” personality led her to NYC.
Enough about all the cool places Geri has lived, let’s talk about where she’s from! Geri grew up in Columbia, Maryland, which is a planned community designed to be a utopian town prioritizing racial and economic integration. No joke! Hear her talk about this fascinating and truly inspiring place. This leads into an exploration of the idea of true wealth and what makes a person truly rich. Geri makes up some statistics and, spoiler alert, money isn’t the (only) answer! Louis also asks, can you be “good” at having money? Fascinating!!!
These days, Geri works at Sesame Street (along with a number of other Magnet students and performer) and it’s been her street away from home for seven years now! That fun fact aside, Louis transitions to what he deems the heavy and controversial part of our podcast. He wants to know how we can bring more voices to the comedy table. He also asks, how are we contributing to good in the world and not just adding more crap? Geri attempts to answer these absolutely massive questions from Louis and provides us with some insight into how we might do it. They wonder, is there any real science behind what they’re saying? If you’re a scientist, let us know!
Then, out of nowhere, Louis pivots to talk about The Cast! Geri claims the show is so good because they’re having a friggin’ blast up there. Color us convinced! Louis tells Geri what his students say about the show and she admits that what she loves most is how they fearlessly cram for shows.
Lastly, and certainly not leastly, Louis makes Geri list three things she loves about her husband, Andy Mills. Tune in!
Ariana Grande’s BFFL, ANDY MOSKOWITZ, is on the podcast talking substance abuse, vulnerability, and of course, Mother’s Day. Andy talks about getting his improv start in Philly doing ComedySportz and shares with us his Behind The Music moment. Plus, he and Louis try to write a joke together! Tune in for a whale of a good time.
- Andy Moskowitz
- Ariana Grande
- Behind The Music
- comedy writing
- dark humor
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- new york
- new york city
- Philly Improv Theater
- short form improv
- sketch comedy
- The Late Show
Magnet founding father and sometime Mantzoukas brother, ED HERBSTMAN, talks with us about his Chicago days, moving to LA, and what makes improv satisfying. Ed was on his first team at iO Chicago by age 17 and by the time he and his friends moved to LA, they were attracting industry attention. If this sounds like a fantasy world t0 you modern improvisers, Ed and Louis will make it reality. Also, tune in to hear how love landed him in NYC and what it’s like to play with famous people.
This episode begins with one of the toughest choices Ed Herbstman has ever had to make…
Boom Chicago cast member and former Magnet baddie, WOODY FU, visits from Amsterdam to talk about building Second City style sketch shows, living abroad, and his comedy ambitions. It’s his first time stateside since moving to the Netherlands and we are thrilled that he decided to spend some time talking with us about his experiences with Boom Chicago as well as his recent reunion with Metal Boy. If you’re not interested in sketch comedy or improv, stick around for Woody’s winning personality, which he describes as, “Extremely neurotic and Chinese.”
Woody’s been gone for nine months and his first trip back to the Americas has been filled with tropical sunshine, winter snow, and Metal Boys. Confusing, you say? more
Improviser and therapist, AMIE ROE, talks with us about using play to understand ourselves, awe in the world around us, and her upcoming show, Group Therapy. In addition to improvising with the real Ariana Grande, Amie is a psychotherapist in private practice, which is is a wealth of experience she brings to this fascinating conversation that touches on improv, creativity, self-awareness, and humanity. This episode is one that truly any thoughtful human would enjoy, improv experience aside. Robots may like it too, but we can’t guarantee it. See Amie every Wednesday at Megawatt with Ariana Grande and catch her new show Group Therapy on Friday, February 12th at 7pm! more
Founding member of legendary UCB ensembles The Swarm and The Stepfathers, MICHAEL DELANEY, sits down with host Louis Kornfeld to talk truth in improv, how time has affected his approach to comedy, and his reverence for the Harold. Not only has Delaney been doing improv in NYC since before the arrival of the UCB, but he’s long been considered one of the greatest minds in both improv and sketch that this great city has to offer. Listen in to hear Louis interview his former teacher and to find out what gets under Delaney’s skin.
Louis took Delaney’s Level 3 class thirteen years ago and he still has his notes from it. more
Jealous Dad and 1/4th of Hello Laser, MATT EVANS, joins us to discuss straight-manning, his old soul, performing characters, and how he stinks at object work! Hot off the heels of this recent pilot, Jealous Dad, Matt is getting ready for Montreal Just For Laughs auditions and finding that the scripted work he does these days can be more nerve-racking than in the past. He tells us of his history in NYC comedy dating back to 2004 and how much he loves Bob Newhart.
To get the ball rolling, Louis asks Matt to talk about his prep for Just For Laughs auditions and how it’s been trying out new material. more