Posts Tagged ‘musical theater’
A star on both Magnet and UCB stages, BETH SLACK, stops by to talk with Louis about her love of opera, how 9/11 changed her career plans, and why musical improv rules. Beth tells us all about her long relationship with stage performance and, how after taking a break from it for nearly 10 years, she came back to the stage by finding improv. She and Louis get to know each other and she does a wonderful scene with jar of pickles! See Beth weekly at Magnet with Premiere: The Improvised Musical, The Cast, and at UCB on Harold Night with Foxhole. Plus! This coming week she performs a live radio play with The Broadcast (10/10) and as a part of the New York Musical Improv Festival with Hansbury & Slack (10/13).
As a fantastic musical improviser, it might not surprise anyone to find out that Beth was originally trained in opera! She first moved to NYC about 15 years ago, three days before the events of September 11th took place. Understandably, her plans to “make it” in the big city were put on hold and she moved back to Ohio. Beth later returned to NYC to study at the American Musical and Dramatic Academy, after which, she stopped doing anything artistic for about 10 years. She tells us all about getting into opera and vocal performance and how she went to boarding school for a year specifically to study voice. With her extensive knowledge, Beth enlightens Louis as to the differences between opera and musical theater. About four years ago, almost exactly 11 years after first moving to NYC, Beth signed up for an improv class and her world was changed again. She and Louis discuss how narrative plot functions in different styles of improv and they mull over the differences between tangible art and performance art. Digging further into improv theory, they discuss the pitfalls of over-agreement in scenes and how it’s perfectly okay to ask questions. Plus, Louis and Beth play some two-person hotspot and Beth performs A Serious Scene With A Jar Of Pickles!
The NEW YORK MUSICAL IMPROV FESTIVAL by T.J. Mannix
In 2009, musical improv was still a relatively new form. The Magnet had two musical teams performing on every-other Friday – and the weekly Made Up Musical.
Having been a part of so many improv festivals over the years, I thought the time was right for one that focused just on musical improv. When I pitched the idea of the first annual New York Musical Improv Festival, I had no idea what I was getting myself into.
I went to the two musical teams and asked if anyone wanted to volunteer. Two hands went up, Robin Rothman and Melanie Girton. We became a producing team (eventually including Mary Archbold, Lisa Flanagan, and Michael Lutton) and organized the first festival in November 2009.
It was two nights long and featured NYC teams, Broadway performers, and “BASH” from Chicago – Blaine Swen’s incredible one man improvised musical provoked the first spontaneous standing ovation I ever saw at the Magnet. (The photo [to the right] is from the Tara Copeland’s “NYMIF All-Star Show.” Notice the old wooden chairs.)
2010 included performers from Chicago, Minneapolis and Washington DC, and cast members and musicians from Broadway’s “Bloody, Bloody Andrew Jackson.”
We sponsored our first benefit performance for Gilda’s Club New York City – featuring our first Tony Award winner (Cady Huffman from “The Producers”) and Tony nominated guest performers. This has become an annual event raising money and awareness for Gilda’s Club NYC. We also celebrate the comedic legacy of Gilda Radner with an all-female musical team “Generation G.”
It also featured over-doing it, forgetting to eat, and not sleeping – as one of our producers was carried from the Magnet office into to a waiting ambulance.
2011 may have over-expanded. It was six nights long and had a producing teams of 16 people. Since then, we have enjoyed a four night festival with three or four people on the producing team and over the years, the festival has featured hundreds of performers from across the U.S. and Canada, and even Australia.
From the beginning, the goals of the New York Musical Improv Festival have been clear:
1. Treat the performers like gold.
2. Promote Musical Improv as a form in NYC and across the country.
3. Promote the Magnet Theater.
4. Feature every performer and their home theatre – even if it’s down the street from ours.
As the festival grew, so did the musical improv program at the Magnet – from one level to four, from two musical megawatt teams to as many as nine. Other musical improv programs in NYC, Chicago, Boston, and across the country grew every year. Chicago now has MCL – Music Comedy Live – with musical improv shows seven nights a week.
Performers return to the Magnet year after year for the NYMIF, meeting, performing, watching shows, exchanging ideas, talking theatre upkeep and mortgages, arranging to perform at each others theaters – and relaxing at the annual performers brunch.
As we head into our 7th annual festival, we can proudly say that the NYMIF and the Magnet are recognized as national leaders in musical improv.
Musical improviser, gifted actor, and flat-out handsome man, T.J. MANNIX stops by the podcast to talk about pursuing his dreams in NYC, the craft of acting, and the upcoming New York Musical Improv Festival [NYMIF]. This is our 60th episode and we’re excited to share it with one of Magnet’s beloved instructors and long-time performers. T.J and host, Louis Kornfeld, discuss T.J.’s wide range of experience as an entertainer, everything from DJing for college radio to getting the right take on Law & Order, and of course, Louis opines on NYC’s romantic appeal. Give it a listen, kiddos!
Hear about T.J.’s time spent as a middle-of-the-night college radio DJ and about how Louis didn’t start listening to music until college. Find out what Louis’ first two cassette tapes were and what songs kept T.J. connected to English while studying abroad in Germany. Plus, Louis talks about his years in “local local broadcasting” on Staten Island.
T.J. moved to NYC in 1997 from North Carolina, where he had lived for a few years. He was working for Blockbuster Video and acting on the side, but was finally convinced by visiting actors from New York to give his dream a shot. He subsequently moved to NYC and got a job at the Jekyll & Hyde Club, which he explains was a very different place when he worked there. He talks all about all the fun the staff had and what it was like having it as his first gig in New York. Louis gives his thoughts on surveys, which we know you want to hear.
It’s been about 10 or 11 years now that T.J. has been a performer without a “day job,” so Louis wants to know, “What is it like to be a working actor?” Amongst the advice T.J. bestows, he says you’ve got to “9-to-5 it” because you’re the CEO of your own company. He gets into the life of a working actor and he and Louis end up disucussing NYC neighborhood culture. Next, Louis wants to know, “What’s the strangest job you’ve had in recent memory?” You’ll get to hear all about that, but [spoiler alert] it wasn’t playing Santa Claus at Radio City Music Hall, but he talks about that fun experience as well, even giving away some Rockettes stage secrets.
Without a doubt, T.J. loves the process of acting. He talks about learning on your feet as an actor and tells of his experience working on Law & Order: SVU. He embraces and cherishes the challenge of just about any acting job and recognizes both the strengths and weaknesses in different kinds of actor training. He and Louis talk about small moments on stage and dealing with auditions. Plus, T.J. gives a great tip for playing villains.
Finally, the episode concludes with a discussion of the upcoming 7th Annual NYMIF, Oct 15-18 at Magnet Theater. Working with co-producers Robin Rothman and Michael Lutton, the festival is in its 7th year and has 215 performers coming to the stage. T.J. talks about what the festival has meant to the musical improv community and he shouts out some returning favorites that he’s looking forward to seeing!
- Jekyll & Hyde Club
- Law & Order
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- Michael Lutton
- musical improv
- musical theater
- new york
- new york city
- new york musical improv festival
- NY Film Academy
- Radio City Music Hall
- Robin Rothman
- t.j. mannix
- TJ Mannix
- working actor
Step right up and listen to Episode #59 of our show with veteran performer, beloved instructor, and resident clown, ALAN FESSENDEN. Alan joins host Louis Kornfeld to talk about clowning, theater, nervousness, and of course, a deep dive into improv philosophy. It’s always great to hear two seasoned performers discuss the ins-and-outs of improvising and this episode is no exception!
Louis begins the interview by asking about Alan’s background in clowning. Though he says that blackmail got him to take his first clown class, Alan soon found himself very interested in the process of finding one’s own clown and how performers can magnify certain characteristics of themselves for use in clowning. Louis asks him to describe what a clown show might look like and we get to hear Alan’s clown Bartholomew say “vagina” several times. Clowning has helped Alan open up a particular path of communication within himself that informs all performance he now does.
Getting into his background before improv and comedy work, Alan tells us of going to school for theater and trying to forget that he once did musical theater. He’s come around to appreciate the latter at this point in life, which causes Louis to opine that dismissing any type of genre or show isn’t any good for us. These vets talk about the arc of doing your first shows, filled with excitement, to the hard work of getting good, and then becoming an expert. Despite his experience, Louis like to always feel a little bit lost and confused. Similarly, Alan likes the first time he runs an exercise with a class or team, because he’s exploring it with them, rather than simply handing something off to a group.
Hear Louis and Alan talk about nervousness and fear before and during shows!
Louis gets to talking about how Alan improvises and engages with the audience, particularly within Hello Laser. Describing his own development, Alan feels like he had a great freedom of play for a while, then became complacent, and now he fears losing it. They debate relaxation versus putting forth effort in improv and Louis shares with us that he feels tight if he finds his body going for laughs. There’s a nice bit about exploring and being playful even within scenes where you know where you’re trying to get to and Alan talks about eating cake.
Plus, Alan shares great enthusiasm for Louis’ thoughts on “Yes, And” and his habit of playing shows with a secret. They talk about experiencing life and moments, and Alan worries that maybe he doesn’t teach comedy, just moments. While it’s good to know that something is funny, he wants to know, can it be real? They also talk a lot about finding truth and being challenged, which is something that theater is perhaps more readily suited to do than improv.
Finally, Louis and Alan touch on the ability to laugh at who we are and the difficulty of being good people. How can you be a part of the problem even when you’re trying to fix it?
On this episode of the podcast we are joined by Jon Bander, a seasoned performer with Premiere: The Improvised Musical (Magnet), Aquarius (Magnet), Dagger (The PIT), and Characters Welcome (UCB). Host Louis Kornfeld jumps right into a discussion on musical improv with Jon, talking about Aquarius’ signature form, The Malkovich. They revisit Jon’s first-hand account of the development of musical improv in NYC and discuss how it differs from traditional long-form improv. He also recounts for us how he went from hating musical improv and character comedy to performing them almost exclusively and loving it. We hear about the separation between the subdued, real-life Jon and the high-spirited, on stage Bander. Plus! Louis and Jon discuss mean comedy, the roles the audience plays in improv, and the show Characters Welcome.
Enjoy Episode #36 on iTunes or below via SoundCloud.
Lee Overtree, Artist Director of Story Pirates and writer/director of FOUND The Musical, sits down with our own Louis Kornfeld for a discussion on effective education, how children are amazing writers, and his experience in adapting unconventional source material for the stage. Story Pirates is a nationally respected education and media organization founded in 2003 to celebrate the words and ideas of young people and Lee has been there from the very beginning. He and Louis discuss improv in the classroom and on the stage and Lee asserts that desire drives learning. He also shares how the Story Pirates get kids to have fun with expository writing and talks about the Story Pirates Podcast. True to his Story Pirates roots, Lee grants Louis “permission to get weird” in this episode and it concludes with a lively talk about FOUND The Musical, a new show based on Found Magazine, and how sometimes the best direction to take a project is the most obvious.
Enjoy Episode #26 on iTunes or below via SoundCloud.
The multi-talented sketch writer/performer, improviser, and head of Musical Megawatt, Michael Lutton, sits down with host Louis Kornfeld to discuss what makes for good musical improv and how it can benefit “regular” improv. He talks about the advantages of pushing boundaries when no one is looking and provides advice for improvisers looking to learn musical improv outside of NYC. This one is all about selling it in the moment.
Enjoy Episode #23 on iTunes or below via SoundCloud.
Louis Kornfeld gets up on his soapbox along with Michael Girts and Mike Descoteaux to preach the virtues of bringing musical improv to the big stage. Blank! The Musical is a big budget improvised musical playing Off-Broadway at New World Stages in NYC. Louis talks with both Mikes about the hard work and planning that goes into producing such an incredible show, and how framing the performance and accepting the audience as an integral part of the show help to propel on-the-spot theater to new heights.
Enjoy Episode #22 on iTunes or below via SoundCloud.
Pope! The Musical ran at the Magnet Theater throughout the past year and was accepted as a New York International Fringe Festival pick. After a few performances the reviews have been extremely positive!
“It’s wacky. It’s a family affair. And it’s proof that the musical is not dead.” – The Wall Street Journal
With the help of a very game cast and a great sense of playfulness, Pope! wins the hearts of the audience through its commitment to the comedy and the clear enthusiasm of the participants” – NYTheatre.com
“Festival Highlight” – The New Yorker
“Holy Moly! Justin Moran (Book & Lyrics) and Christopher Pappas (Music) have written a terrific and thoroughly entertaining soft rock score for Pope!” – Talk Entertainment
Congrats to the whole Pope! cast and Justin Moran (Author book/lyrics) and Christopher Pappas (Author Music).
You can still see the show at the FRINGE today at Lucille Lortel Theatre (3:15PM) and on Saturday August 28th at 5:15pm!