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Magnet Theater Blog: News and Ideas about Comedy, Improv Shows & Classes in NYC

Posts Tagged ‘nyc’

Tuesday February 11, 2014, 5:51pm - by Magnet Theater

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Magnet Theater is now accepting applications for the 2014 spring season of Megawatt. Please fill out THIS FORM no later than FEBRUARY 18th to apply for an audition slot. Anyone who has completed Magnet Level 6 is eligible to apply, though please note that a completed form does not guarantee an audition slot. Due to the high volume of eligible improvisers and a limited number of slots, priority will be given to students and performers who have finished the class or performed on a Megawatt team within the last year. Confirmations will be sent out by THURSDAY, FEBRUARY 20th.

CLICK HERE to apply.

Tuesday February 4, 2014, 3:46pm - by Magnet Theater

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On Tuesday, February 11th Musical Megawatt will sing Musical MS’terpieces to raise donations for the National MS Society and Climb to the Top.

Along with an evening of stellar musical improv from Magnet’s musical house teams (College, The Jezebelles, Wonderland, Legend, and Aquarius), every donation you make will earn you a tasty treat from our homemade snack sale, and a chance to win great prizes in our raffle including bottles of wine, Magnet tickets, fancy jewelry, scented candles that smell like and were made by members of Wonderland, and much much more.

Funds raised from the snack sale and raffle will benefit the 10,000 people living with MS in the five boroughs of New York City, Orange, Rockland, Sullivan, Putnam, and Westchester Counties by funding comprehensive programs and services for people with MS as well as ongoing research for the cause and a cure. MS is a chronic, often disabling disease that attacks the central nervous system. The mission of the National MS Society is to mobilize people and resources to drive research for a cure and to address the challenges of everyone affected by MS.

Laugh, sing, and dance in the face of MS! Shows at 7PM, 8PM, and 9PM. Raffle drawings at the end of each hour! Musical mixer at 10:15PM. If you cannot attend, please consider making a donation here!

Tuesday January 21, 2014, 5:23pm - by WillyAppelman

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Due to the snowstorm, The Magnet Training Center will be CLOSED Tuesday, January 21st. If you have any questions or concerns, please contact the School Director at schooldirector[at]magnettheater[dot]com. Stay warm and get home safe!

Monday January 20, 2014, 12:12am - by Amanda Ariel Peggy Xeller

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On Wednesday, December 18th, I (Amanda Ariel Peggy Xeller!) got to interview Magnet’s own Russ Armstrong about growth in improv, understanding the makings of a good team, and how to be a good teacher, director, and improviser. Below is the transcribed interview.

 

Where are you from originally?

I’m from Michigan. I’m from Ann Arbor, Michigan.

 

How did you get involved in improv?

I started improvising in high school. I was watching Whose Line Is It Anyway? with my friends and started an improv group to play short form games. The Pioneer Comedy Troupe from Pioneer High School. It was my junior year of high school. We thought we were the coolest people in the world and we didn’t know we were actually the lamest people in the world.

 

You went to Northwestern yes? Did you do improv in college? What was the improv there called.

I did. Yep. It was the Mee-ow Show. It was billed as 1/3 improv, 1/3 sketch, 1/3 rock ‘n’ roll. Lots of short form stuff. It was great, super fun. It was a blast.

 

And you studied in Chicago as well? At iO and Second City? How does the training there compare to the training you learned in NYC?

It’s all the same stuff just different approaches to it. I think Chicago tends to nurture you finding your voice a little bit more. They give you a little more time, marinates in a way that Chicago does with everything, with theater and music and food. Because the spotlight isn’t on it as much, there’s less pressure to produce immediately. New York tends to have a little more pressure because it is New York. And it’s more expensive. I think they are both awesome attributes. It’s good to have that pressure. I love that about New York.

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Tuesday December 31, 2013, 8:48am - by catherinewing

With 2013 coming to a close, we here at the Magnet blog would like to revisit some of the high points of the year, at the Magnet Theater and beyond.

The 2nd Annual Maggie Awards

Welcome to the 2nd Annual Maggies!

Welcome to the 2nd Annual Maggies!

On April 26, 2013, the Magnet community came together for the 2nd Annual Maggies, celebrating the 8th Anniversary of the Magnet Theater. The big winner of the night? You, as you posed for innumerable photos in the photo booth corner and got to take home actual photographs for your scrapbook. Thank you, anonymous bearded man who snuck up from behind and photobombed our very serious drunken group picture. I still don’t know your name.

Trike Wins Inspirado – OH SHIT!

OH SHIT!

OH SHIT!

In their final challenge, the TimeOut Critics’ Pick duo, Trike, had to perform a monoscene in an NYC subway car. Performers and audience piled into a downtown 1 train car for the epic end of Trike’s glorious Inspirado journey.

The excitement is palpable. (Video by Woody Fu and Bill Scurry.)

Teacher Pride

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Magnet instructor and performer Russ Armstrong was selected as a 2013 New Face of Comedy for the Montreal Just for Laughs Festival.

Magnet instructor and performer Rick Andrews appeared on CBS radio station 92.3 to introduce listeners to the concepts of improv.

Rick and his class also appeared in a NY1 feature on the Magnet Theater.

Festival Fever
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Magnet house teams and indie groups proudly represented their home theater in festivals across the country and Canada, including The Baltimore Improv Festival, Boston Comedy Arts Festival, Twin City Improv Festival, Chicago Improv Festival, Big City Improv Festival, NYC Improv Fest, Vancouver International Improv festival, Detroit Improv Festival, Omaha Improv Festival, NC Comedy Arts Festival, Del Close Marathon, and beyond.

The 5th Annual New York Musical Improv Festival

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The Magnet Theater hosted the 5th Annual New York Musical Improv Festival. Receiving applications from groups around the world, NYMIF brought the international musical improv community onto the Magnet stage, over four days in October. Over 100 performers were featured, including the Magnet’s own Musical Megawatt house teams, Baby Wants Candy, The Improvised Sondheim Project, and musical house teams from theaters across the country and Canada. The weekend culminated in the closing night Gilda’s Club benefit, to raise money and awareness for an amazing organization that provides resources and support to cancer patients and their families. Headliners for the benefit included the all-female musical improv troupe, “Generation G”, internationally renowned jazz and soul singer, Sharón Clark, as well as musical performances from improvisational singer/songwriter, Mikki Hommel, composer, lyricist and singer, James D Sasser and critically acclaimed actor, Sam Underwood of Showtime’s Dexter, HBO’s Homeland and FOX’s The Following.

Mike Myers = Third Mantzoukas Brother

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The actor Mike Myers made an unannounced surprise appearance at the Magnet in the Mantzoukas Brothers show in October. Jason Mantzoukas was unable to attend, so Mike Myers graciously stepped in to perform duo improv with fellow Mantzoukas brother (and Magnet co-founder) Ed Herbstman.

Magnet TourCo Improvises Lexus Live Commercial

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Four NYC improv groups were selected to perform late-night live improvised commercial spots for Lexus during Late night with Jimmy Fallon. Magnet Theater Touring Company kicked off the four-week ad campaign.

YOU

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Whether you are an audience member, fan, student, or performer (or all of the above), you are an integral part of the Magnet Theater community.  Thank you for your support, your energy, and your enthusiasm.  8 More Years!  See you in 2014!

Friday December 6, 2013, 12:38pm - by Amanda Ariel Peggy Xeller

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The Magnet Theater not only boasts its current roster of powerful improvisers and performers, but also celebrates those who have taken on new adventures in their lives and with their comedy.

George Basil (The Pete Holmes Show, College Humor), a Magnet performer known for his epic improv with 4Track, is now out in L.A.  You probably have seen him in a Vonage commercial or maybe even a bunch of CollegeHumor Originals. We wanted to catch up with George and shine the Magnet Theater Blog spotlight on him and his work. We conducted an email interview with George Basil. Below are his responses:

What is your improv and comedy history? What got you interested and when were you first exposed to improv?

GB: I didn’t learn about improv in high school or college. The first time I’d ever seen improv was on “Whose Line Is It Anyway.” Watching those performers fly around looked so fun. Then I researched it a little and came across something called the “Big Stinking Comedy Festival” in Austin, TX. It boasted amazing improv groups, and it got me hard, so I went down. Eventually I took a class at the Hideout Theater and from then on I was totally hooked. I’ve always kind of known that my only redeeming quality is finding the keys to a person’s laughter lock, it was just hard to find the confidence to pursue it. When I got to NY I took classes all over and then found a home at the Magnet.

 

 

What initially attracted you to the Magnet?

GB: All the misfits. There were no preconceived notions about the comedy we wanted to explore. We were all making mistakes and figuring it out and loving the process of learning about people through improv.

 

What teams, shows, and projects were you a part of while at the Magnet?

GB: A ton of different teams and shows. The first I think was “Munchaüsan” then “El Partido”? I was at the Magnet every night until their doors were locked. I was also in 4-Track which was one of the most fun experiences of my life. Really proud of all the teams I was on and every performer I got to play with.

 

What were some of your favourite shows and performers while here?

GB: I loved watching “Pax Romana” a lot. They always had so much fun, it was contagious. I can’t name just a few performers I liked to watch. It was literally every last one. Aside from being my friends, they were all so fucking funny.

 

Who were or are your favourite improv instructors? Who do you attribute to your growth as an improviser and comedian? Who influences/had influenced you as an improviser?

GB: Obviously Armando had a lot to do with how I approached comedy and improv. His patience and insight into the reality of character was huge. He’s been my biggest influence to date, for sure.

I got to work with Mark Sutton in Vancouver once, he was awesome. Mick Napier was great too.

Dan Bakkedahl is still the improviser that knocks me out anytime he’s on stage. I love that dude’s work, always have.

 

What did you learn at the Magnet that helps you now?

GB: Patience. Laying in the cut. Screaming doesn’t get you food. Cool doesn’t mean shit. Any and all confidence I have as a performer I attribute to the Magnet. I feel like I grew up on that stage, having never done any other theater training.

 

Why did you leave NYC?

GB: I had some work in LA and everyone encouraged me to make the move for professional reasons. And I owed the Italians money.

 

Are you still improvising?

GB: I am but not as much as I’d like to.

 

What projects have you taken on since your departure from the Magnet?

GB: A lot of web shorts and indie films. Anything and everything. Always saying yes.

 

What are you currently involved in?

GB: I’m co-writing a web series that’s loosely based on my life as a weird stonerish dad. It’ll hopefully show the ups and downs of alternative style parenting.

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What excites you and inspires you?

GB: Watching youngins do improv. This art form is still in its infancy. 4-track toured Canada a bunch and watching kids that have been doing improv since high school and in some cases even earlier was fucking rad. Game didn’t matter, character didn’t matter, they just knew. They were so good at emoting and everything

 

What are the differences between the New York scene and the scene of Los Angeles?

GB: The biggest difference for me is that in LA you can’t walk from one theater to another the way you can in NY. Aside from that, great stuff is happening in both cities. The weirdest thing about LA is that instead of rehearsing in a studio, you go to someone’s house.

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What shows and performers should us New Yorkers totally take note of in case we take a trip out West?

GB: The main thing I would suggest is to check out every venue- there’s good shows and performers scattered across LA. The Clubhouse, Second City, UCB, I.O.West- try not to limit your perspective on style, go tons of places, and don’t be too stuck up to laugh.
 

Thanks George! When in New York, George has been known to drop by Magnet for shows. Keep an eye out for more of George’s work.