Posts Tagged ‘nyc’
Ariana Grande’s resident Floridian, DEDE TABAK, joins host Louis Kornfeld to talk about being from Miami, her college improv experience, and how to surprise yourself on stage. That’s just a sample of what this episode has to offer, though. You’ll also get to hear about celebrities, how to handle disgusting scenes on stage, how Dede got her start in the arts, and why strange scene partners are awesome. More too, but you get the idea! Huzzah!
This episode begins with a rare and lengthy cold open and continues in earnest on the subject of celebrity encounters. “How tall is Jemaine Clement?” you may wonder. Well, Dede Tabak has the answer! Louis asks Dede about her comedy roots and what she was into as a child. Dede grew up in Miami, Florida watching In Living Color, presumably because she didn’t live in the part of Miami where people were partying or going to the beach, or maybe it was because she was a child! Louis and Dede exchange methods on running away from home, something they would both occasionally attempt in their youth and Dede shares the story of her parents meeting at NYU and moving from New York to Miami and, how now, Dede works at NYU where it all began. They talk about the burden of asking friends and family to come see your improv shows and how to perform “gross” things on stage, or when to just avoid them.
Backing up, Louis asks Dede what brought her to improv in the first place, and we discover that she began life as a theatrical kid and attended a University of Miami theater camp growing up. She then talks about her college improv days at Fairfield University, where she had a very positive experience under the guidance of Heather Parady, complete with lessons like cut the bullshit, be truthful, and to occasionally burn some sage. Dede and Louis explore what it means to “be truthful” in a scene and how to step out with nothing in mind. Find out how Dede most loves to play and hear her talk about how she (successfully) surprises herself on a regular basis. They also discuss regret in improv, what Dede likes to get from her scene partners, watching improv after-the-fact, and cherishing the strange classmates and scene partners you’ll have along the way. Dede says “vagina” in this episode more than anyone ever has on the show! Plus, A Serious Scene Opposite A Jar Of Pickles!
- Ariana Grande
- David Wain
- Dede Tabak
- Fairfield University
- Heather Parady
- improv technique
- Jemaine Clement
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- Michael Ian Black
- Michael Showalter
- new york
- new york city
- Wet Hot American Summer
- What We Do In The Shadows
The Lady Sketch Lab is back! All WOMEN* are encouraged to attend.
*women, trans, cis and gender non-conforming/queer.
Here’s how it’ll work:
We’ll be meeting on Saturdays 12-3pm at the Magnet Training Center (22 West 32nd Street, 10th floor) for six weeks starting January 28th. We will be breaking up into 3 different groups. You’ll bring in a mix of new and rewritten sketches each week (1 or 2). We’ll give each other feedback for rewrites. A selection of the generated sketches will be put into 3 different sketch shows each 30 minutes each. Each show will go up twice. The shows will be on March 13th, 20th, & 27th at 9 pm.
For the first meeting all we ask is that you bring in:
1. An example of a sketch that you saw on TV or stage and why you love it.
2. An example of something that happened in your day/week/month/life that you thought was really funny. Anything.
3. That supportive spirit.
THAT’S IT! You don’t even have to write anything just yet. Give it a try.
YOUR QUESTIONS ANSWERED:
But I’ve never written a sketch or taken a sketch class.
That’s totally fine. We still want you.
But I really can’t write. Can I just perform?
You can get involved as a performer only. Come to the meeting anyway. You might find yourself accidentally writing something amazing.
But I can’t perform/memorize lines.
You can just write then.
I write better with a partner. I can’t do this on my own.
You and your writing partner can present co-written material at meetings. Alternatively, if you realize you really like working with someone at the meetings, you can go off and write together.
I can’t make all the meetings.
If you want to be in the final show or have your sketch considered, you must attend at least 4 of the 6 sessions.
How much does it cost?
Do I have to pre-register?
Nope. Just show up!
But I’m still uncertain.
Follow your fear. Remember how hard improv used to seem before you actually tried it?
See you there,
Amanda Xeller & Megan Gray
Youthful cast member, KIM BROWN, joins us to talk about training at multiple theaters, Gilmore Girls, the post-election Megawatt experience, and much much more. Hear about her Megawatt team YOUTHS as well as what it’s like to put on a show with The Cast. She dishes about everything from hot celebrity gossip t0 her indie team Free Kittens, so you can rest assured that this episode explores the full breadth of humanity. Listen up!
Welcome to 2017! The Magnet Theater Podcast is back for another year of interviews and, this week, we have Kim Brown on the mic. Kim and Louis begin this episode discussing her writing gig at JustJared.com, a website dedicated to celebrity editorials and hot hot goss. As he often does, Louis asks our guest how she got herself into acting and comedy. Kim’s origin story eventually lands her at UCB and with her beloved indie team, Free Kittens. We hear all about that, plus, she and Louis share some hot takes on which days of the week are best for taking classes!
After several years at UCB, and following a short break from improv, Kim began classes again at Magnet and had an amazing experience going through a second program. She details what it’s like to come back to take improv classes at another theater and why it was such a joy. Kim joined The Cast just after completing Team Performance Workshop and speaks here about how everyone on the team brings their own expertise to the show each week. Speaking of expertise, Louis and Kim get to talking about Gilmore Girls! As a Gilmore Girls expert on The Cast, Kim has much to say and Louis, who is only about three seasons in, also weighs in. This dive into the lore of Stars Hollow raises the topic of recreating something you really love and prompts a discussion on The Cast’s weekly process of paying tribute to a particular genre or theme.
If you’ve ever wondered, “Will Kim Brown ever take a musical improv class?” we have the answer! We find out what scares Kim about musical improv and her former love, musical theater. Kim talks to Louis about performing at Megawatt the night after the 2016 election and they wax poetic about comedy’s ability to help us during dark times. Louis asks about Kim’s Megawatt team YOUTHS and they have a rousing discussion about reframing the Harold to make it more fun and how gaining a bit of confidence can make you so much better improv. The episode concludes with a round of Getting To Know Each Other and a once-in-a-lifetime epilogue from Louis Kornfeld. Check it out!
MAGNET THEATER’S VERY OWN 10-MINUTE PLAY FESTIVAL
If “write more” was your New Year’s Resolution — you’re in luck! We are looking for five original comedic plays to produce for our 10-Minute Play Festival, and submissions are now OPEN! Instructions and submission guidelines below.
Are you a sketch writer looking to try something new? A playwright looking for more exposure? A random internet user who stumbled across this page? Anyone and everyone is encouraged to submit. Please send us your best 10-minute play (seriously, no more than 10 minutes) and stay tuned for auditions at the end of February, as well as Magnet Theater’s Very Own 10-Minute Play Festival on March 19th and 26th!
HOW TO SUBMIT
il.com with the subject line, “10-Minute Submission: <YOUR NAME>”.
Please include the following information in the body of the email (and keep answers short!): Name; What comedy theater you are associated with (if any); Whether you have an sketch or playwriting experience (it’s fine if the answer is no!); Why you wanted to be a part of Magnet Theater’s Very Own 10-Minute Play Festival.
Attach your play to the email as a PDF. This is important. We won’t read any other format.
Only one submission per person. Send us your best work!
The plays really do need to be under 10 minutes. That means no more than 11 pages, not including the cover page. We will not read past the 11th page.
We are looking for NEW plays! Please don’t send anything that has already been produced.
All submissions must be in by February 19th, 10:00 pm EST. Submissions will not be accepted or considered after this time.
Notifications of selection will go out a few days after submissions close.
All authors agree to permit the Magnet Theater to produce their submitted play if the theater should wish to do so. Authors retain copyright and full ownership of their plays.
Diversity applicants strongly encouraged to submit!
Don’t know what 10-Minute Play Festival is? Check out our last blog post for more info.
Friendship Club founder and genius-level baby, ELEANOR LEWIS, joins host Louis Kornfeld to discuss the best improv exercises, how modern comedies fall short, and why mixers are so wonderful. There’s oodles of improv talk in this one and, by golly, that’s probably why you’re here. Plus, they do some two-person monologue hotspot and Eleanor performs A Very Serious Scene Opposite A Bottle Of [Redacted] Water.
This episode begins with a rarely heard cold open as Eleanor and Louis discuss hot spot, one of the very first warm-ups most improvisors encounter. They debate whether or not it’s a good exercise for a class, or even for a team, to use. They talk about ego in improv, both its destructive and creative tendencies, and Louis offers the theory that the ego of the character and the comedy of the scene are intertwined. He then asks which improv exercises Eleanor really loves. They get into talking movies, where modern comedies fail us, and the greatest comedic strengths of film versus improv. Plus, they ask the question on everyone’s mind: Is Branson Reese the ideal improvisor?
They also partake in a rousing rendition of Getting To Know Each Other in which many great topics pop up. Louis shares his ULTIMATE BELIEF and Eleanor discloses her FAVORITE IMPROV THING! I mean, these are huge. The episode wraps up as Eleanor and Louis discuss shock-value comedy and hosting the Thursday Magnet Mixers, which you should all attend! Finally, Eleanor performs A Very Serious Scene Opposite A Bottle Of Nestle Pure Water even though Nestle is a horrible company and we don’t endorse them. Superman sucks too!
She’s all over the stage and screen and now LANE KWEDERIS joins us to discuss musical theater, audition wisdom, and her favorite moments from working in TV! From the Boston Conservatory to your cable box, Lane has accumulated a wealth of experience, which she shares on this episode as she and Louis discuss her career and life as an actor and comedian. Like Louis, you have perhaps never met Lane before, but you’ll love her after an hour! Catch Lane every Tuesday on Musical Megawatt with Public Pool and on Mondays with sketch team The Executives!!
This episode begins with Louis admitting that he and Lane just met for the first time! It seems as though they’ve been ships passing in the improv night for years now. In order to get fully acquainted, Louis asks how Lane ended up as a performer. She talks about studying musical theater at Boston Conservatory and working in theater soon thereafter. So, how’s she get into improv? Spoiler: It involves a casting director’s suggestion and a new passion. Lane and Louis discuss the rigid musical theater machine versus the more welcoming world of comedy. Despite her initial interest in live theater, Lane is mostly working in film and TV these days. Louis asks a number of nerdy, technical acting and audition questions and Lane answers, giving particular attention to comedic choices. This is helpful information for those interested in that kind of work!
Jumping back, Louis asks Lane if she always knew that performance was her life’s calling, and while she says that indeed, it was, she also mentions how she once wanted to be a veterinarian. As such, she and Louis discuss cute animals (see cat above), Lane’s playful nature, and the archetypes of children. Lane also talks about the fun of performing in Urinetown as a senior in college and how she really loved the comedic aspects of it.
To bring us fully up to speed with Lane’s acting career, Louis asks her to share a couple quick hits from her television appearances. She tells of what it was like to film on Comedy Central’s “Broad City” and of a parlor trick gone wrong while shooting Netflix’s “The Characters” with Tim Robinson. Finally, Louis asks Lane about the comedy that she writes and creates herself – what makes her laugh? – and they mull over some best-case Disney princess scenarios.
Plus! We bring you new editions of both Getting To Know Each Other and A Very Serious Scene Opposite A Jar Of Pickles!
- Boston Conservatory
- broad city
- comedy central
- Dirty Dancing
- Lane Kwederis
- Louis Kornfeld
- magnet sketch teams
- magnet theater
- magnet theater podcast
- magnet training center
- musical improv
- musical megawatt
- musical theater
- new york
- new york city
- Public Pool
- The Characters
- The Executives
- Tim Robinson
Boy made of metal and Friday Night favorite, SAM ROGAL, stops in to discuss performing arts camp, team chemistry, and his lifelong comedy partner, Pat May. Sam was hooked on comedy at a young age and made it a goal of his to get to NYC where (surprise!) he finally made it and has since performed on Megawatt, the Friday Night Sh*w, with Story Pirates, and countless other stages and shows in this great city. He shares all kinds of wonderful secrets in this episode and you’re just going to eat it up!
We begin this episode with Sam talking about his years spent attending Buck’s Rock Performing and Creative Arts Camp and how it changed his life. He talks about the training he received there and makes sure to drop a bunch of names. Sam recalls trying to impress counselor Becky Drysdale (Baskets, Key & Peele) as a CIT and how excellent she was to watch and work with. Louis and Sam talk about teenagers improvising, both from the perspective of being a teenager and what it’s like as an adult looking back. They also discuss Pat May’s certain something. It’s impossible to describe, but they try. Sam tells us about getting hooked on comedy as a teenager and how the idea of moving to NYC stuck with him into adulthood.
Talking improv, Sam relates that he often smiles or laughs in shows (and gets noted on it) because he’s having such a great time. He thinks there’s room for really enjoying yourself, even while working on commitment. Of course, we gotta talk about Metal Boy – Sam’s #1 Megawatt team. He describes what it’s like to find your team after being cut from others and he just has to mention his best boy Pat May again. He posits that an improv team is like a basketball team and preaches the virtues of simplifying scenes before making them insane. He and Louis also discuss how to keep a team consistent as it also evolves. Part of what helps make that evolution possible is talking openly and honestly with your team, which is also good advice for romantic partners. Speaking of, Louis asks Sam to talk about Elena Skopetos, his girlfriend, and well, you’ve just gotta listen. It’s adorable. Finally, Sam and Louis discuss the improv community’s evolving approach on how it deals with sensitive topics.
- Becky Drysdale
- Buck's Rock
- Buck's Rock Performing and Creative Arts Camp
- elana fishbein
- Elena Skopetos
- Friday Night Sh*w
- Friday Night Show
- Louie Pearlman
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- Metal Boy
- new york
- new york city
- Pat May
- Rebecca Drysdale
- Sam Rogal
Writer, actor, and director, MATT ALSPAUGH, swings by to talk with host Louis Kornfeld about teaching, how he got into the performing arts, and some tasty bits of NYC history. How did this kid who grew up playing baseball in Connecticut fall in love with theater and eventually find himself chasing comedy in New York City? We’ll find out! Matt also provides advice for sketch writers, actors, and show-runners. Plus! We ask Matt to perform a never-before-heard segment called “A Very Kind Scene With A Jar of Pickles.” Huzzah!
We open the episode discussing Matt’s time working at the Drama Book Shop, a local institution for actors, playwrights, and fans of theater alike. His years there allowed Matt to meet many wonderful people, read many great plays, and to be surrounded by theater. It also allowed him to do some couch-crashing, which talks about fondly. While back home after college, Matt was a substitute teacher, and he and Louis find themselves discussing how theater fits into the overall education experience. On the topic of staged pieces, our gents talk about the interplay between the audience and the performer and how performers must allow the audience to fill in some details for themselves. In order to allow yourself to act, you must not worry about convincing the audience of the reality. From all of this, Louis asks Matt about how he got into improv and sketch. Having worn so many different hats within Magnet’s sketch community, Matt provides advice for sketch actors, writers, and show-runners. What’s his favorite role? Find out!
For this episode, we to skip over “Getting To Know Each Other” and instead, Matt tells us about some interesting tidbits of New York City history – after all, he’s a licensed NYC tour guide! Oh baby! And finally, A Very Kind Scene Opposite A Jar Of Pickles, because we all need some kindness after the election.
The sexiest baby on earth, DERRENCE WASHINGTON, swings by to talk with host Louis Kornfeld about spirituality, working with our egos, and making cultural adjustments while improvising. Derrence tells us about his upbringing in Houston, TX and when it was that he truly began to remove judgement from himself. He also talks a bit about acting and how improv can improve for those underrepresented in the art form. Catch Derrence each week with his Megawatt team Sexy Baby and on the Friday Night Sh*w!
Derrence and Louis begin the program talking about spirituality and what it means to be a spiritual person. Derrence says that forgiveness, love, and loving yourself are key. Louis asks Derrence about his Instagram account and the videos he posts to it which highlight both his inspirational thoughts and his superego. We hear a bit about his religious upbringing in Houston, TX and what began his turnaround as someone who felt spiritual and meditative. Derrence speaks more about removing judgement from yourself and how we have to navigate our own egos. He suggests looking for symbols outside of the ego that we can go to for help. Taking it in another direction, Louis wants to talk about acting! How do ego and a person’s sense of self play into acting? Louis also sets about describing a couple of improv epiphanies. Toward the end of their conversation, Derrence talks about making cultural adjustments when improvising and the experience of being black and going through improv classes. Louis asks him how improv can improve for those that are underrepresented and how can we make more people feel more comfortable? All the great talk leaves no time for a two person hotspot this episode, but you know we got that Serious Scene Opposite A Jar of Pickles.
The creative team behind SISTERS THREE joins us to talk about their incredible show. Starring Magnet all-stars Elana Fishbein and Elena Skopetos, directed by the one and only Peter McNerney, and written by all three of them, Sisters Three is a fast-paced, hilarious play that is running at the Magnet this fall and early next year. It’s Louis’ favorite show he’s ever seen at the Magnet and it’s also a New York Times Critics Pick. Your next chances to see it are Friday November 11th and 18th but you get to hear all about the show right here first.
They get started with attempting to describe Sisters Three and Louis claims that it’s the perfect marriage of improv and theater. The creators dive into the process of building, writing, and staging the show through improvisation and workshopping pieces of it. They say it took at least six months of work to even have an idea of what the show would look like! It’s an incredibly interesting and wonderful process. They discuss embracing subtlety and avoiding the temptation to spell it all out for the audience. They talk about characters left on the cutting room floor and some of the jokes that didn’t make it in. Louis floods the episode with compliments and they’re all warranted. He also asks, “What’s the next step?” They talk about promoting and producing the play and where else they might be able to take it. Also, they give a nice hat tip to Locke & Key, a graphic novel series which has inspired them all. PLUS – They ALL do a Serious Scene Opposite A Jar of Pickles. (And no, it wasn’t Evan’s idea!) Huzzah!