Posts Tagged ‘sketch comedy’
Sketch writer, actor, and improviser Jesse Acini sits down with host Louis Kornfeld to talk about getting his start in comedy, the growth of the Magnet community, and having more fun along the way. An active participant in the NYC improv and sketch scene since the early 2000s, Jesse talks about The Second City in NYC, discusses studying with Gary Austin, and otherwise litters this episode with tidbits about the olden days. Not to mention, he provides some solid advice for aspiring sketch writers! Jesse and Louis have known each other for eight years and this is the longest conversation they’ve ever had — you don’t want to miss it!
Enjoy Episode #25 on iTunes or below via SoundCloud.
Host Alex Marino sits down with stand-up, improviser, writer, and podcaster Brian Frange to talk about all things comedy. Brian brags about being the best actor in his high school but admits that becoming a stand-up ruined his chops. He discusses his feat of doing 70 open mics in 30 days and his appearance at this year’s Montreal’s Just For Laughs Festival. Plus, Brian talks about founding Awkward Silence Comedy at Indiana University, how to find your comedic voice, getting started in stand-up and The Unbelievable Podcast, which he hosts. Frazzled Frange might even make an appearance!
Enjoy Episode #24 on iTunes or below via SoundCloud.
Ever thought about taking the show on the road? So have these guys! Monday, September 8th at 8:30pm, three Toronto performers, James Hartnett, Tim Gilbert, and Marty Topps, are taking the Magnet stage to bring you their best work as a part of their New York and Philadelphia tour. I (Amanda Ariel Peggy Xeller!) got the awesome opportunity to not only see Marty Topps (Isaac Winter!) perform in Montreal, but got to conduct an e-mail interview with him for the Magnet’s blog.
Marty Topps is an award winning musical comedian from Toronto who burst onto the scene with his debut album, “A Loving Tribute to TapouT.” The album was ranked the #2 Comedy Music album of 2013 by BiteTV. Marty followed this up with a musical short film, “Beep Beep” which won First Place in the Laugh Sabbath Film Fest at NXNE 2014. Marty’s live performances have led to accolades like Best Newcomer at the 2014 Montreal Sketchfest and Audience Award (Best Musical Sketch) at the 2013 Toronto Sketch Comedy Festival.
Where are you from originally?…and what’s that place like?!
I’m originally from Stratford, Ontario. Stratford is a nice town. It was pretty wild growing up in the shadow of the undisputed King of Pop, Justin Beaver but I also found it really inspiring because it made me #believe I could grow up to be a song-and-dance-man just like him.
What’s your training background?
I have no formal training. I went to University for Film but I dropped out cuz that was the cool thing to do at the time. And then I taught myself to play keytar cuz that was also the cool thing to do at the time… And it still is, right? Right?!
Lane Kwederis is a sketch performer at Magnet (she and I are the two women on the sketch house team, Party.) Lane also performs with her indie improv team, Power Nap, and her PIT musical team, [Title of Team] (That’s the actual title of the team, not a placeholder for this article). She’s got skills. And she’s a wonderful person.
And I got to ask her some brilliant questions. I’m such a good interviewer. Check it out:
Baby Shoes fresh off their trip to Montreal continues to take the show on the road! Magnet Theater’s notoriously dark humored house sketch team is trekking down to Philly to perform some of their best sketches. If you happen to be in Philly, check them out at 9:00 P.M. on Friday, June 20th at PHIT’s new home in the Adrienne Theatre.
The cast’s credits include “iCarly,” “House, MD,” Newsweek, The Huffington Post, Broadway.com, The Truth Podcast, Reductress, Story Pirates, as well as an LA Weekly Award winner and an ATX Television Festival Pitch Competition winner. Check out their youtube channel for some of their live sketches!
Baby Shoes is Roger Ainslie, Chano Garcia, Bob Kern, Ally Kornfeld, Michael McLarnon, Megan Meadows, Andy Moskowitz, Nivea Serrao, and Amanda Xeller. They are directed by Alex Marino.
Ally Kornfeld, (Baby Shoes), one of the Magnet’s sketch writers, got a chance to take her idea for a TV Show, Cracking Royalty, to Austin Texas. She was one of the ten finalists in the ATX Television Festival’s Pitch Competition this past weekend. What is the Pitch Competition? It’s a chance to pitch an idea for a TV show to not only a live audience but to a panel of industry judges including Paul Scheer, Bryan Seabury, Julie Plec, Kyle Killen, Katie Krentz, and David Semel. Oh and get this: SHE WON.
“This winner will receive a meeting with one of our judges (based on the show’s genre/judges’ availability) to explore the idea of his/her series and gain notes to better develop the series. After the pitch is honed, the winner will then get a pitch meeting in front of one of our studio/network partners (again, dependent on the show’s genre and style) to try and sell his or her pilot for production.”
The Montreal Sketch Comedy Festival just announced its 2014 lineup, and the Magnet Theater is proud to be represented by three of its teams: the veteran duo, Listen, Kid!, and two of its house teams from Sketch Sunday, Baby Shoes and Party.
I recently chatted with Alessandro King of Listen, Kid! about life, sketch writing and sketch directing, and festival first-timer advice.
Hi, Al. Nice tie. How did you and Kevin Cobbs decide to become a sketch duo? How long have you been a duo?
Listen, Kid! started four years ago when Kevin and I met in Mark Grenier’s Improv Level 1 at the Magnet. We kept doing really goofy scenes together where one of us would play a prospector or explode through a door or something, and everyone encouraged us to create an indie duo once class was over. Rick Andrews was the big brother for the class and he said, “If you guys make a duo, I will coach you.” So we did, and Rick got us hooked up with two Test Drives, and by Spring of the following year we were doing Tuesday night shows pretty regularly, usually with Upstate or the Oakwood Boys. It was very much a Magnet Theater Fairy Tale.
We decided to focus on sketch in the Fall of 2011 when someone whose name rhymes with Blick Blandrews suggested we join RIPE with Armando. We put up our first Listen, Kid! sketch show (I think) in April of 2012, and we’ve been focusing on sketch (Magnet shows, festivals, web videos) ever since, although we still do improv every once in a while, usually with our pals We’re Matt Weir as Listen, Weirs!
How do you both collaborate when writing sketches for a show? Did you work on sketches together when Kevin went on the Second City cruise ship for 4 months?
Our Clinton/Bush sketch is a pretty good example of how we work as a team. I read on Wikipedia one night that Bill Clinton supposedly lent George W. Bush his DVD copy of the film “W.” and Bush watched it, commenting to Clinton that it had some “sad moments.” I immediately called Kevin and told him and said something like, “This is the dumbest thing I have ever read. We have to make this a sketch. Was Clinton actually being a pal or was he just trolling? This is the dumbest thing I have ever read.” I described to him my visual idea (the whole sketch is a series of phone conversations between the two, with each president sitting in a special light), and Kevin immediately wrote the first draft. It was eerily similar to what I had in mind, only funnier, with the amazing climax of Bush e-mailing Clinton scans of his paintings and Clinton weeping profusely at their profound beauty. I made a couple of small changes and it was ready to go.
Kevin’s internet access was limited on the cruise, we but still managed to go to Chicago Sketch Fest with Branson Reese and Chi-Town friends sitting in for Kevin, edit a new Mad Men-themed web video, share a couple of sketches, and develop a web series idea. Stay tuned for further updates.
Listen, Kid! was reviewed very favorably by the Chicago Tribune after your performance at this year’s Chicago Sketch Festival. Does Listen, Kid! have big plans in store for the future?
We’re focusing on web content, getting ready for Montreal, and developing an all-President-themed live sketch show. You can keep up with us online at listenkidcomedy.com, on YouTube at ListenKidComedy, and on Twitter @ListenKidComedy.
At the Montreal Sketchfest, you will have the unique honor of performing there as a member of a critically acclaimed sketch duo, and as the director of a Magnet sketch house team, Party., that is also performing in the same festival. Party. is the first sketch house team that you’ve directed at the Magnet. Why did you decide to become a director? How has your experience been so far?
Beth Newell asked me to sub in for Breakfast For Dinner a couple of times last year, and I said, “Yes,” instantly. I just had an inkling that directing sketch would come very easily to me and bring me a lot of creative satisfaction. It didn’t seem like, say, coaching improv, which I’ve never tried but always assumed I’d be a disaster at. (I’m still game to prove this wrong some day.) I had a lovely time as was expected, and asked Beth to keep me in mind if a directing slot opened up. When they formed new teams in September, I got asked to direct one for the season.
I absolutely love directing Party., and look forward to every minute of it during the week. They continue to impress me with their commitment and professionalism and blow me away with their rapid growth, particularly as performers.
You run Party. like Singapore. The streets are spotless, we attend meetings punctually and are off-book at every Saturday rehearsal, and we fear you. What is your philosophy as a director? How did you decide upon benevolent dictatorship as the best way to run a sketch team? (Editor’s Note: The interviewer, Catherine Wing, is a member of Party.)
If I’m a benevolent dictator, keep in mind that I’m only partially responsible for that dynamic: deep down, there is something inside every one of you that wants me to rule you like a king.
I’m a playwright, so I run my writing meetings like a playwright’s workshop, meaning my goal is to help you write the best version of your sketch. I have no interest in forcing my own ideas or telling you what I think should happen next. If I do make a specific suggestion, I try to make it very clear that that’s only one possible route for the sketch.
When show week comes along, I make a setlist and become a director. At that point, what I say, goes, and the edits I want to happen, happen. It’s a very different dynamic from the writing meetings.
You guest directed the Magnet sketch house team, Baby Shoes, for their most recent show. Is it true that they plied you with free liquor, charmed you with their good looks and talent, and took you to Rye Playland to ride the roller coaster? They are performing at the Montreal Sketchfest too, you know.
They did take me to Rye Playland, and let me just say that Bob Kern and I have only exited the Tunnel of Love in the literal sense of the word.
What advice would you give to sketch teams that are going to their very first out-of-town festival?
It’s impossible to accurately predict the audience’s reactions. There will be some sketches they will love, but there will always be something that just bombs and you had no way to stop it. When that happens, don’t get caught up trying to figure out what you’re doing wrong in the moment: theres nothing to fix, it’s just not their cup of tea. Get through the sketch and move on to the next thing. That’s the beauty of sketch as opposed to improv: you get to wipe your slate clean every couple of minutes.
What weird stuff did you learn about Kevin when Listen, Kid! traveled on the road together for the first time? And what weird stuff did Kevin learn about you?
Each trip is really Kevin’s learning experience because every time I offer to take the wheel, he has to devise new ways to say, “No thanks, I don’t want to die today.”
Listen, Kid! does improv? Just the two of you? Do you have guests sit in with you? Who might they be, and when can we witness this rare opportunity to see Listen, Kid! improvise?
This Friday, April 18th, at 11:30 PM, we will be taking the Magnet stage for the first time since Kevin’s return. We’re going to be doing our classic improv form, which is an improvised movie hosted by decrepit Hollywood producer Irv Newberg and his dim-witted assistant Charlie Tickertape. It’s a great way to see how this all started and there will be special guests, all of them popular recurring characters from the Listen, Kid! universe. There is only one way to find out who they are and that is to come on down.
Thank you to everyone who came out and auditioned over the weekend. We are very proud to introduce our newest Megawatt Teams for the Spring of 2014.
New Team GROUCHO
New Team HARPO
New Team CHICO
New Team ZEPPO
There will also be additions to Brick:
New teams premier this Wednesday, March 5th at 7pm.
The Magnet Theater is excited to announce that we are now accepting applications for the next round of MAGNET SKETCH TEAMS, which will run from February 2nd through June 1st.
Each sketch team will write and perform a show approximately every 3 weeks. Shows will take place Sunday nights at 7:30 pm. Completion of (or current enrollment in) Sketch Writing Level 2 is required to apply. Exceptions may be made for anyone currently performing on a Megawatt or Team Performance team.
HOW TO APPLY TO BE ON A MAGNET SKETCH TEAM:
Send an email with the subject line, “MAGNET SKETCH TEAM APPLICATION” and your name to email@example.com. Include your sketch and improv experience and at least 2 writing samples as PDF attachments (please limit total to 10 pages). The deadline to apply is December 20th.