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Posts Tagged ‘sketch’

Friday August 4, 2017, 7:00am - by Magnet Theater

SketchTeamSubmissions_1920-1080_Generic_blog

The Magnet Theater is excited to announce that starting July 14th, we will be accepting applications for the 2017 Fall/Winter Season of MAGNET SKETCH TEAMS, which will run from September 11th, 2017 – February 2018! IMPORTANT UPDATE: Applications and reels for actors are due by Wednesday, August 9th, at 12 pm. Writer applications and packets are due by Friday, August 11th, at 5 pm!

Please read the following application instructions and sketch team participant expectations very carefully.

GENERAL SKETCH SHOW EXPECTATIONS

  • Each team will create one 20-25 minute sketch show every three to four weeks.

  • All sketch team shows will be on Monday nights at 7:30 pm! Two teams will perform in each show.

  • All sketch team shows must contain new, original material written specifically for Magnet Sketch Night that has never been previously performed.

  • Each show will contain the best material created for the team as selected by the director – there is no guarantee that every writer will get a sketch in each show or that every actor will be featured in each show. Funny wins. Them’s the breaks.

  • All sketches will be performed by the team’s ensemble cast of sketch actors. If a particular sketch requires it, the team may use outside casting (writers, other actors) at the director’s discretion.

GENERAL SKETCH TEAM EXPECTATIONS

  • Sketch team members are expected to attend all required meetings and shows and arrive fully prepared. Sketch is time intensive – make sure you can commit 100% and make sketch a priority before applying.

  • Sketch team members must be available 1:30-4:30 pm the Sunday before their show for a mandatory tech rehearsal at the theater.

  • Sketch team members may not schedule conflicting appointments (work, rehearsals, shows, etc) during scheduled techs, shows, rehearsals, or meetings.

  • Sketch teams must rehearse with a Magnet-approved director. Each sketch team is responsible for paying their director a flat rate of $110/week; team due collection is left to the discretion of the director and team (as it would be for an improv team or practice group).

  • Sketch team members are expected to promote their shows at the theater.

For the 2017 Fall/Winter Sketch Season, you must apply as a writer, performer, or a writer/performer. Expectations, prerequisites, and application instructions for each role are below!

WRITER EXPECTATIONS

  • Writers must attend one 3 hour writing meeting per week, all performance rehearsals of their sketches, and all tech rehearsals.

  • Writers must constantly generate new material and are required to bring in a minimum of one new sketch per week, even during show week.

  • Writers are expected to be respectful and gracious collaborators in writing room. Writers should give and receive feedback to and from their teammates in an open and constructive manner.

  • Writers will be required to rewrite material and meet deadlines as requested by their director.

WRITER  PREREQUISITES

  • Completion of (or current enrollment in) Magnet Sketch Writing Level 2 or previous participation on a Magnet Sketch team (as any role).

  • Equivalent sketch writing experience somewhere else with a contactable reference (email address).

WRITER APPLICATION INSTRUCTIONS:

Send the following materials to sketchdirector@magnettheater.com with the subject line, “2017 FALL/WINTER MAGNET SKETCH TEAM APPLICATION// WRITER // <YOUR NAME>”.

  • A cover letter detailing relevant sketch experience inside and outside the Magnet community.
  • If your comedy experience is mostly outside of the Magnet Theater, you must provide the email address of a reference.
  • A single PDF of a sketch writing sample. Your sample should contain at least two sketches and may not exceed 10 pages.

PERFORMER EXPECTATIONS

  • Performers must be available for a regularly scheduled 2-3 hour performance rehearsal the week leading up to the show (ex: Sketch Team Dumb Baby has a performance rehearsal every Tuesday before a show, 7-10 pm)

  • Performers must be available for techs, table reads, and any additional rehearsals as required by the director.

  • Performers must learn all show material in a timely manner.

  • Performers may collaborate with writers outside of rehearsals to help create characters and sketches, but performers should not be writing material on their own for shows.

  • Performers must perform sketches as they are written – ad libbing is good in a pinch, but be prepared and don’t put yourself in positions where you must resort to improvisation. Be polished and professional in all shows.

PERFORMER PREREQUISITES

  • Completion of or current enrollment in Level 6 team performance workshop, participation in a past or current Megawatt team, or previous participation in a Magnet Sketch Team (as any role).

  • If your comedy experience is mostly outside of the Magnet Theater, you must provide the email address of a reference.

PERFORMER APPLICATION INSTRUCTIONS:

Send the following materials to sketchdirector@magnettheater.com with the subject line,

“2017 FALL/WINTER MAGNET SKETCH TEAM APPLICATION// PERFORMER // <YOUR NAME>”

  • A cover letter detailing relevant performance experience inside and outside the Magnet community.

  • A headshot

  • A PDF of your acting resume

  • A SINGLE link to a 3-5 minute sample of your work as a performer. This can be a reel, a recording of a stage sketch, a video sketch, a monologue directed at a webcam, anything you feel showcases you as a comedic performer. Youtube or Vimeo preferred. The link can be public or unlisted – please no private links. You may only send one link and the link itself may be no longer than 5 minutes.

You will be informed at least five days prior if you have been selected to audition in person.

In-person auditions will be held on August 11th, 12th, and 13th at the Magnet Training Center. Unfortunately, if you are not available for the above callback dates, you cannot be considered as a performer for the 2017 Fall/Winter Sketch Season.

For the in-person audition, you will perform two contrasting sketches that will be assigned to you and another applicant a couple days prior to the audition. You must be completely off-book and you may rehearse beforehand with your scene partner, at your discretion. You will also be asked to cold read sketches in the room.

WRITER/ PERFORMER EXPECTATIONS

  • Writer/performers must meet all writer expectations AND performer expectations.

  • Writer/performers are expected to write for other performers as well as for themselves. There is no guarantee that a writer/performer will perform in all of their own work.

WRITER/PERFORMER PREREQUISITES

  • Writer/performers must meet all writer AND performer prerequisites or previous participation on a Magnet Sketch team (as any role).

WRITER/PERFORMER APPLICATION INSTRUCTIONS

Send the following materials to sketchdirector@magnettheater.com with the subject line,

“2017 FALL/WINTER MAGNET SKETCH TEAM APPLICATION// WRITER/PERFORMER // <YOUR NAME>”

  • All materials detailed in writer application instructions.

  • All materials detailed in performer application instructions.

  • Also, please indicate if you are willing to be considered as a writer or actor ONLY if you are not selected for a writer/performer position. Be completely honest – your preferences will not be held against you!

You will be informed at least five days prior if you have been selected to audition in person. See performer application instructions above for more info about the audition.

Failure to follow application instructions will keep you from being considered for a sketch team. Double check your application!

IMPORTANT UPDATE:

Applications and reels for actors are due by Wednesday, August 9th, at 12 pm. Writer applications and Packets must be received by 5 pm on Friday, August 11th!  

Wednesday June 28, 2017, 6:34am - by Magnet Theater

Human laugh factory, MICHAEL DELISLE, joins host Louis Kornfeld to discuss being funny on purpose, bombing on stage, and making a meal out of nothing. He and Louis debate whether or not Phil Hartman had a sense of humor, explore why Michael is so funny in a wig, and they also perform no fewer than three improv scenes together! It’s a real good time and you don’t want to miss it. Huzzah!

Beginning with the introduction of our guest, this episode gets off to what is undeniably the most awkward start in the history of the podcast. Michael asks Louis if he is truly great and the tension builds from there. These two good souls make the most out of the situation and manage to laugh their way through it.

Getting into the real conversation, Louis notes that Michael does a heck of a lot of sketch comedy, but he says he still loves improv. They debate over what percentage of sketch and improv is actually good and try to approximate what the batting averages are for each in the comedy scene. Louis breaks down Michael’s “Will Ferrell effect” for us and our heroes do some improv together. All of this in the first 12 minutes of the episode!

They dig into the idea of being intentionally funny while improvising and debate whether or not improvisers should rely on their life experience to be funny. Louis asks if Micahel is a nervous performer and Mike tells a story about bombing on stage doing stand-up at the tender age of 16. They talk about what you can learn from bombing, both in improv and sketch, and then they do another improv scene. This time, they’re both wearing shorts!

Circling back around, Michael and Louis once again discuss intentional comedic choices in improv and why it’s tricky to teach that skill. While some may consider intentionally comedic choices as going for cheap jokes, Michael thinks about it as playing the most fun thing right away. Our two heroes try to figure out why Michael is so dang funny in a wig and we find out that his favorite kind of sketch comedy is when he’s able to make a meal out nothing. Plus, they ask, “Did Phil Hartman have a sense of humor?”

Finally, Louis ends this episode by asking Michael to perform A Very Serious Scene Opposite A Jar Of Pickles.

Wednesday June 14, 2017, 7:00am - by Magnet Theater

Ringers Newsletter

Applications are now open for Ringers’ July Show. Ringers is a sketch show for aspiring, eager, and ambitious writers, actors, and directors of the Magnet community – and we want you to be a part of it!

The show will be Monday, July 31st at 7:30 P.M.

Below please see the details to apply:

WRITERS:

Ringers is seeking sketches for the stage to showcase in its July show. To have your sketch considered, prior or current participation in Magnet’s Sketch Writing program, Diversity Sketch Lab, Lady Sketch Lab, or Magnet Video Lab is required. You will be required to attend the Table Read on Friday, July 14th from 6:30 P.M. – 8:30 P.M. as well as the show. Attendance of rehearsals is encouraged but is not mandatory. We encourage directors and writers to meet up after the table read to go over notes and any revisions prior to the first rehearsal.

*Please note that rehearsals will be held before/after class hours during the week and weekend.*

To apply, please fill out the following form: https://goo.gl/forms/ZZKaqZU5GijzAK0m1 as well as email ringers@magnettheater.com a finished, polished sketch formatted correctly and no longer than 5 pages in length. This sketch should also contain little to no tech.

ACTORS:

Ringers is seeking actors to star in its sketches. To be considered as an actor, you must have completed at least Level 4 of Magnet’s Improv Curriculum or Level 2 of the Musical Program. You will be required to attend the Table Read on Friday, July 14th from 6:30 P.M. – 8:30 P.M., the rehearsals for the sketch(es) you are cast in, and the show.

*Please note that rehearsals will be held before/after class hours during the week and weekend.*

Actors will typically be given at least 2 roles and thus must be available for more than one rehearsal slot.

To apply to be an actor for an upcoming show, please fill out the following form: https://goo.gl/forms/Pcr3M4e91GpdbnFg2

DIRECTORS:

Ringers is seeking directors for its July show. To be considered as a director, you must have Big Sib’ed a Sketch Level 2 class or have been on a Magnet Sketch Team. You will be required to attend the Table Read on Friday, July 14th from 6:30 P.M. – 8:30 P.M., the rehearsals for the sketch(es) you are directing, and the show. We encourage directors and writers to meet up after the table read to go over notes and any revisions prior to the first rehearsal.

*Please note that rehearsals will be held before/after class hours during the week and weekend.*

To apply to be a director for a sketch in an upcoming show, please fill out the following form: https://goo.gl/forms/lbNszu2IAaf1cv0U2

**The deadline to be considered for Ringers’ July show is Wednesday, June 28th. Announcements will go out Wednesday, July 5th**

For all questions please e-mail Armando Diaz and Amanda Xeller at ringers@magnettheater.com. We look forward to working with you!

Wednesday April 19, 2017, 7:00am - by Magnet Theater

 

Queen of dinosaurs, BECCA SCHALL, joins host Louis Kornfeld to discuss her 10-minute play “Goofus & Gallant,” how she has grown alongside the Magnet’s sketch program, and duh, makeover shows! We find out from where Becca draws inspiration and what her sketch writing process looks like. Her team, Dinosaur Jones, moves to Friday nights starting April 21st but you can find out all about her right now!

Our episode begins with Louis asking Becca about her contribution to Magnet Theater’s 10-Minute Play Festival, “Goofus & Gallant.” They get into the differences between writing sketch and writing something a bit longer and Becca shares her fascination with the “Highlights” characters the play is based upon. Listen also to find out who Becca Schall was before she came to Magnet Sketch Teams and what the struggling life of an actor can be like!

Since finding sketch comedy at Magnet, Becca has grown a great deal and we find out how exactly she has changed since she’s been in the program. She and Louis talk about honing your voice and learning what your sensibilities are, Louis asks about the kinds of things she finds herself writing these days, and they both discuss the legendarily bad movie “The Room.” Becca tells of being inspired by everyday daydreams, growing a sketch from a small nugget, and how she works from an analytical process. Our two heroes both agree that makeover shows are sad and weird and Louis shares with us an excellent episode of Hoarders. Outside of comedy, Becca can often be found nannying and, as such, Louis asks her to dish on what kids are into these days. Finally, Becca shares with us where her comedy compass is pointing and where she hopes to go.

Don’t forget to check out Becca’s team, Dinosaur Jones, performing each Friday at 7pm from now until the end of June with a new show each month!!

Wednesday March 15, 2017, 7:00am - by Magnet Theater

 

Founding member of The Music Industry, DENNIS PACHECO, talks with host Louis Kornfeld about imposter syndrome, why TMI is so great, and how to turn judgment into love. As a performer on many different shows at the theater, both improv and sketch, but only one, long-lasting, and hilarious Megawatt team, Dennis brings a wealth of experience and knowledge to the show. He and Louis dig into some great philosophical topics and tackle practical questions as well. CHECK. IT. OUT.

Our episode begins with Dennis disclosing that his imposter syndrome has him feeling nervous to be on the show. They discuss that feeling of, “Oh, that person probably hates me” and how we most likely overthink how others see us. Louis wonders if he’s being an asshole by not hanging out after shows but both he and Dennis agree that he’s probably not a jerk. Louis thinks of Dennis as a very precise improviser and Dennis shares that others have told him that he appears to improvise as someone who is both calm and nervous at the same time. Louis can relate to feeling that way and, in fact, Dennis admits that he sought to emulate Louis’ playing style when he was starting out. Fun fact: Louis does not recommend Charlie Chaplin’s autobiography!

Dennis and Louis discuss conscious versus unconscious reactions while improvising and Dennis offers some interesting insight from the book “Understanding Comics” by Scott McCloud. They also talk about stepping in at the right moment to say the perfect thing to bring the house down and, for sketch actors, helpful tips for remembering lines. Finally, they get to talking about Dennis’ long-running Megawatt team, The Music Industry. Dennis tells us why it’s such a killer team to play on and shares his excitement for their upcoming move to Thursday Night Out. He also discusses how they’ve moved from a team dynamic where they had what some might call “frontmen” to a setup now where everyone’s parts on the team feel balanced. He also talks about doing the Spokane and why the form works so well for them. To wrap up the episode, Dennis shares a great way to approach moves you don’t love. Hint: It involves letting go of judgment and transforming it into love. What a beautiful lesson to end on!

Wednesday March 8, 2017, 7:00am - by Magnet Theater

 

Self-made chillionaire, MOLLY KIERNAN, stops by to talk with host Louis Kornfeld about working in television, her experiences with group therapy, and befriending all kinds of different people. From bonding with her sister over comedy podcasts to producing an uplifting and hilarious show inspired by her own recovery from an eating disorder, we hear all about Molly’s career in comedy to date and so many other things in between. Listen to this episode and love yourself for it!

We begin the show by talking with Molly about her day job as a production assistant on Hulu’s “Difficult People”, how she found herself there after working on MTV’s “Broad City”, and what the gig is like day-to-day. Molly comments on the surprisingly friendly nature of a TV writers room and how comparing oneself to others can be both a positive and negative motivator. She also goes into her background working with non-profits and how she ended up in television.

Walking us through her leap into comedy, Molly describes bonding with her sister over podcasts and feeling drawn to comedy as more than just a fan. Louis wonders how many people sign up for their first improv class during some period of depression and they both reckon it’s probably a considerable portion. Molly shares with us the experience of her first improv classes and why she invited so many teens to her 25th birthday party. Though not a teen herself, Molly loves the opportunity to relate to a variety of people both on stage and off, and she and Louis discuss being elastic enough with our own lives to connect with others while improvising.

Molly’s ability to relate to many different people has been strengthened by her experience with group therapy, which she discusses at length. Of course, Louis has to ask if there is a connection between improv and group therapy and indeed, there may be. Both guest and host discuss the faulty logic in being drawn to external signifiers in others when it’s typically the internal aspects of our character that bond us most strongly. Molly and Louis also get to talking about “Molly’s Guilt Free Comedy & Ice Cream Social,” a show born out of her experience recovering from an eating disorder. They explore where the fear of being “bad” with food comes from and how to listen to your own body rather than the outside world’s judgments of it. Plus, they consider the imbalance between how much other people think about us versus how much *we think* they think about us. There’s a gap between what one puts out into the world and what other people truly perceive and both Molly and Louis dig into that as well. Lest you worry too much about the judgment of others, everyone is a great dancer, says Louis. And finally, the return of A Serious Scene Opposite A Jar Of Pickles!

Wednesday March 1, 2017, 2:22am - by Magnet Theater

 

Executives bad boy and newly-minted Director of Magnet Sketch Teams, ARI MILLER, joins us to talk all about the sketch program and to share mad wisdom (tight). This episode is chock full of great advice for sketch newbies and veterans alike, as well as Ari’s insight on what makes a team great. Get to know your new Director of Magnet Sketch Teams right here, right now!

Ari and Louis begin the episode talking about Ari’s sketch team, The Executives, their big move to the weekend, and writing theme shows. Beyond Ari’s own team, they start talking about the program as a whole and Ari lays out his ideas for building the program to even greater heights. They discuss how going through the program as an individual is a poor plan and Ari advises on how to be a good teammate while making it worth your while personally. Louis then asks Ari to break down the expectations of different writers and performers and to give them guidance for these varied experience levels.

Hear Ari’s advice on submitting packets, which center around clarity and boldness. Learn how to deftly hit pattern and game over and over again. Louis answers the question, “Why was Phil Hartman so incredible?” Ari also provides advice on balancing when to follow your own ideas versus taking in other people’s opinions. Want some team advice? Respect each idea and respect each other in the space. Be polite, folks! For people who have been working on sketch comedy for years now, Ari offers up suggestions and standards that will help you achieve the next level. To wrap up their sketch comedy discussion, Louis asks Arti what imprint he hopes to make on the program and Ari answers. He’s a polite guest.

Finally, they wrap up the episode by shouting out the March edition of Character Bash which will feature many of Magnet’s great teachers and raise money for East Side House Settlement.

Monday December 19, 2016, 1:52pm - by Magnet Theater

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The Magnet Theater is excited to announce that we are now accepting applications for the 2017 Spring/Summer Season of MAGNET SKETCH TEAMS, which will run from March 6th – July 24th, 2017! UPDATE: Applications are due by Monday, January 30th, at 5pm!

Please read the following application instructions and sketch team participant expectations very carefully. Got questions? Come to the 2017 Spring/Summer Sketch Team info session Tuesday, January 10th, at 6pm at the TC.

GENERAL SKETCH SHOW EXPECTATIONS

  • Each team will create one 20-25 minute sketch show every three to four weeks.

  • All sketch team shows will be on Monday nights at 7:30pm! Two teams will perform in each show.

  • All sketch team shows must contain new, original material written specifically for Magnet Sketch Night that has never been previously performed.

  • Each show will contain the best material created for the team as selected by the director – there is no guarantee that every writer will get a sketch in each show or that every actor will be featured in each show. Funny wins. Them’s the breaks.

  • All sketches will be performed by the team’s ensemble cast of sketch actors. If a particular sketch requires it, the team may use outside casting (writers, other actors) at the director’s discretion.

GENERAL SKETCH TEAM EXPECTATIONS

  • Sketch team members are expected to attend all required meetings and shows and arrive fully prepared. Sketch is time intensive – make sure you can commit 100% and make sketch a priority before applying.

  • Sketch team members must be available 1:30-4:30pm the Sunday before their show for a mandatory tech rehearsal at the theater.

  • Sketch team members may not schedule conflicting appointments (work, rehearsals, shows, etc) during scheduled techs, shows, rehearsals, or meetings.

  • Sketch teams must rehearse with a Magnet approved director. Each individual sketch team member is responsible for paying their director a flat rate of $12/week; team due collection is left to the discretion of the director and team (as it would be for an improv team or practice group).

  • Sketch team members are expected to promote their shows at the theater.

For the 2017 Spring/Summer Sketch Season, you must apply as a writer, performer, or a writer/performer. Expectations, prerequisites, and application instructions for each role are below!

WRITER EXPECTATIONS

  • Writers must attend one 3 hour writing meeting per week, all performance rehearsals of their sketches, and all tech rehearsals.

  • Writers must constantly generate new material and are required to bring in a minimum of one new sketch per week, even during show week.

  • Writers are expected to be respectful and gracious collaborators in writing room. Writers should give and receive feedback to and from their teammates in an open and constructive manner.

  • Writers will be required to rewrite material and meet deadlines as requested by their director.

WRITER  PREREQUISITES

  • Completion of (or current enrollment in) Magnet Sketch Writing Level 2 or previous participation on a Magnet Sketch team (as any role).

  • Equivalent sketch writing experience somewhere else with a contactable reference (email address).

WRITER APPLICATION INSTRUCTIONS:

Send the following materials to sketchdirector@magnettheater.com with the subject line, “2017 SPRING/SUMMER MAGNET SKETCH TEAM APPLICATION// WRITER // <YOUR NAME>”.

  • A cover letter detailing relevant sketch experience inside and outside the Magnet community.
  • If your comedy experience is mostly outside of the Magnet Theater, you must provide the email address for a reference.
  • A single PDF of a sketch writing sample. Your sample should contain at least two sketches and may not exceed 10 pages.

PERFORMER EXPECTATIONS

  • Performers must be available for a regularly scheduled 2-3 hour performance rehearsal the week leading up to the show (ex: Sketch Team Fart Police has a performance rehearsal every Tuesday before a show, 7-10pm)

  • Performers must be available for techs, table reads, and any additional rehearsals as required by the director.

  • Performers must learn all show material in a timely manner.

  • Performers may collaborate with writers outside of rehearsals to help create characters and sketches, but performers should not be writing material on their own for shows.

  • Performers must perform sketches as they are written – ad libbing is good in a pinch, but be prepared and don’t put yourself in positions where you must resort to improvisation. Be polished and professional in all shows.

PERFORMER PREREQUISITES

  • Completion of or current enrollment in Level 6 team performance workshop, participation in a past or current Megawatt team, or previous participation in a Magnet Sketch Team (as any role).

  • If your comedy experience is mostly outside of the Magnet Theater, you must provide the email address for a reference.

PERFORMER APPLICATION INSTRUCTIONS:

Send the following materials to sketchdirector@magnettheater.com with the subject line,

“2017 SPRING/SUMMER MAGNET SKETCH TEAM APPLICATION// PERFORMER // <YOUR NAME>”

  • A cover letter detailing relevant performance experience inside and outside the Magnet community.

  • A headshot

  • A PDF of your acting resume

  • A SINGLE link to a 3-5 minute sample of your work as a performer. This can be a reel, a recording of a stage sketch, a video sketch, a monologue directed at a webcam, anything you feel showcases you as a comedic performer. Youtube or Vimeo preferred. The link can be public, private, or unlisted – just be sure to send passwords if necessary and you may only send one link and the link itself may be no longer than 5 minutes.

You will be informed by Monday, January 30th, if you have been selected to audition in person.

In-person auditions will be held in the evening on Friday, February 3rd and in the afternoon on Saturday, February 4th at the Magnet Training Center. Unfortunately, if you are not available for the above callback dates, you cannot be considered as a performer for the 2017 Spring/Summer Sketch Season.

For the in-person audition, you will perform two contrasting sketches that will be assigned to you and another applicant a couple days prior to the audition. You must be completely off-book and you may rehearse before hand with your scene partner, at your discretion. You will also be asked to cold read sketches in the room.

WRITER/ PERFORMER EXPECTATIONS

  • Writer/performers must meet all writer expectations AND performer expectations.

  • Writer/performers are expected to write for other performers as well as for themselves. There is no guarantee that a writer/performer will perform in all of their own work.

WRITER/PERFORMER PREREQUISITES

  • Writer/performers must meet all writer AND performer prerequisites or previous participation on a Magnet Sketch team (as any role).

WRITER/PERFORMER APPLICATION INSTRUCTIONS

Send the following materials to sketchdirector@magnettheater.com with the subject line,

“2017 SPRING/SUMMER MAGNET SKETCH TEAM APPLICATION// WRITER/PERFORMER // <YOUR NAME>”

  • All materials detailed in writer application instructions.

  • All materials detailed in performer application instructions.

  • Also, please indicate if you are willing to be considered as a writer or actor ONLY if you are not selected for a writer/performer position. Be completely honest – your preferences will not be held against you!

You will be informed by Monday, January 30th, if you have been selected to audition in person. See performer application instructions above for more info about the audition.

Failure to follow application instructions will keep you from being considered for sketch team. Double check your application!

All applications must be received by 5pm on Monday, January 30th!  

Wednesday November 30, 2016, 7:00am - by Magnet Theater

matt-alspaugh-podcast Subscribe with iTunes

Writer, actor, and director, MATT ALSPAUGH, swings by to talk with host Louis Kornfeld about teaching, how he got into the performing arts, and some tasty bits of NYC history. How did this kid who grew up playing baseball in Connecticut fall in love with theater and eventually find himself chasing comedy in New York City? We’ll find out! Matt also provides advice for sketch writers, actors, and show-runners. Plus! We ask Matt to perform a never-before-heard segment called “A Very Kind Scene With A Jar of Pickles.” Huzzah!

We open the episode discussing Matt’s time working at the Drama Book Shop, a local institution for actors, playwrights, and fans of theater alike. His years there allowed Matt to meet many wonderful people, read many great plays, and to be surrounded by theater. It also allowed him to do some couch-crashing, which talks about fondly. While back home after college, Matt was a substitute teacher, and he and Louis find themselves discussing how theater fits into the overall education experience. On the topic of staged pieces, our gents talk about the interplay between the audience and the performer and how performers must allow the audience to fill in some details for themselves. In order to allow yourself to act, you must not worry about convincing the audience of the reality. From all of this, Louis asks Matt about how he got into improv and sketch. Having worn so many different hats within Magnet’s sketch community, Matt provides advice for sketch actors, writers, and show-runners. What’s his favorite role? Find out!

For this episode, we to skip over “Getting To Know Each Other” and instead, Matt tells us about some interesting tidbits of New York City history – after all, he’s a licensed NYC tour guide! Oh baby! And finally, A Very Kind Scene Opposite A Jar Of Pickles, because we all need some kindness after the election.

matt-alspaugh-pickles

Wednesday September 21, 2016, 7:00am - by Magnet Theater

christopher-hastings-podcast Subscribe with iTunes

Welcome back to the Magnet Theater Podcast! Louis took the summer off to backpack across Europe, rub elbows in the Hamptons, and finish planting his rooftop garden (his tan is looking GREAT). Now he’s back in the saddle with the prolific and charming Christopher Hastings, a writer/performer on the Magnet sketch team Student Council and the creator/writer/artist of many comic books such as Deadpool, Adventure Time, and The Adventures of Dr. McNinja. They discuss Chris’s origin story as a comic book writer and illustrator, how he found himself simultaneously in the world of comedy, and interestingly, why he eventually stopped improvising. PLUS! We debut two new segments: a two-person hotspot explosion and an improvised scene with a jar of pickles. Huzzah!!

Our heroes begin this episode talking about how Chris became the much-beloved comic book writer and illustrator he is today. He tells of attending the School of Visual Arts and his transition from being primarily an artist to being mostly a writer. Since creating his own, online, indie title (The Adventures of Dr. McNinja), Chris has worked his way to writing for Marvel, where he now authors titles such as the Unbelievable Gwenpool and Vote Loki. He discusses the differences between working for yourself versus at a major publisher and how to collaborate with artists as a writer. He also walks us through process of writing an issue of a comic and what’s demanded of a writer by both the form of comics books and their publishers. With so many projects orbiting his brain-box, Louis can’t help but ask what Chris’s busy schedule looks like and why the heck, on top of it all, does he also do comedy. Chris answers all of Louis’s inquiries and talks about how he got into (specifically) improv and why he later stepped away from it.

PLUS – Louis debuts his new hotspot segment “Getting to Know Each Other!” which features hockey, UCB, wizard beards, and corrective lenses.

DOUBLE PLUS – Louis debuts our new improvised segment! It involves a jar of pickles and you’re just going to love it.

IT’S GREAT TO BE BACK!!!

louis-chris-pickles