Posts Tagged ‘UCB’
Chicago defector, ASHLEY GLICKEN, joins host Louis Kornfeld us to discuss improv, how attempts at “diversity” often exclude disabled people, and why accessibility and representation matter so very much. Ashley has been improvising since she was sixteen years old and has a wealth of insight to share from her own life experience, so get on board as she drops some serious knowledge. Huzzah!
Louis begins this episode with one of the hardest-hitting questions of all time: Chicago or New York City? A native of the Chicago suburbs now living in NYC, Ashley must make a choice! Wisely, she walks us through the pros and cons of the two great cities before telling us why she eventually escaped from Chicago. Ashley has been improvising since she was sixteen and returned to the Windy City after college to go through Second City’s Conservatory Program. Upon graduation from the Conservatory, Ashley felt that she was limited by the lack of accessibility found amongst Chicago’s various improv stages and soon stopped improvising. Ashley was drawn to NYC by its visual art scene and, lucky for us, she eventually found herself at Magnet. Though she was nervous to begin her first class after some time away from improv, she had the good fortune to study with instructor Nick Kanellis, big sib Hannah Chase, and a class full of wonderful fellow students.
Ashley talks about the fact that attempts at “diversity” often do not include disabled people and what the root causes of that problem might be. She also dives into the pressure she feels to educate the greater public and how the world needs adapt so that it can better serve not only disabled people but, indeed, everyone. She and Louis also talk about why representation matters so very much and how every time Ashley is on stage, she feels that she’s there, in part, for the disabled community.
There’s a bunch of other great stuff in this episode as well. Louis and Ashley discuss how great it feels to be “in on the joke,” allowing people to laugh with you rather than laugh at you, as well as the pain that comes with being laughed at. They talk about the limitless realm of possibility that improv allows us to command and they discuss how we adapt and get stronger by forcing ourselves to look at all parts of life, not merely the familiar bits, but those which make us uncomfortable as well. Finally, a Very Serious Scene Opposite A Jar Of Pickles.
Perennial Magnet all-star, CHRISTIAN PALUCK, stops by to talk about his journey in comedy, being a more open person, and why he recently started drawing. From Emerson, to LA, to NYC, Christian brings a crapload of experience to the stage and insight to this episode. He and Louis dig into some great topics and, honestly, you’re gonna friggin’ love it. Huzzah!
After butchering the pronunciation of Christian’s last name, Louis wonders why we often freeze up when on the mic we are able to perform live in front of hundreds of people effortlessly. They explore this common occurrence and Christian explains why he doesn’t like anything that focuses on expectations. Louis asks Christian what he was doing before he got into improv and Christian tells of going to Emerson College for television production and then ending up in LA. He was introduced to formal improv by his college friend Anthony Atamanuik and eventually moved to NYC to take classes at Gotham City Improv and UCB. He tells of being challenged by a particular UCB class and then pausing from improv to go into stand-up. Eventually, he came back to improv after finding Armando Diaz’s “Instant Brilliance” class and he’s been at Magnet ever since.
Going from one journey to another, Louis asks Christian about being a father. How has having a kid changed how Christian manages embarrassment? He talks about quitting his day job to pursue acting full-time when he had a kid so that he could show his son that you have to follow your gut and fight for what you love. I mean, holy shit, right? This is great podcasting. Louis and Christian explore the overwhelming feeling that bubbles up when you can’t solve a major life problem and Christian talks about being a more open person and how improv can help you tap into that.
When coaching improv, Christian likes to focus on the balance between an improviser’s desire to act on instinct versus being polite, all while not being a jerk to your teammates. Our two heroes talk about how improv attracts a lot of smart people who maybe procrastinate too much and Christian wonders, “Why do billionaires worry about traffic?” They also discuss how Christian is perceived as a quiet, perhaps intimidating guy, though we all know he’s a big softy. Speaking of! Louis asks Christian about the drawings that he’s been working on! To round out the episode they ask the hard-hitting questions: What’s actually important to me? What do I really think is fucked up? And, am I brave enough to be judged for it? Good stuff, gents.
Youthful cast member, KIM BROWN, joins us to talk about training at multiple theaters, Gilmore Girls, the post-election Megawatt experience, and much much more. Hear about her Megawatt team YOUTHS as well as what it’s like to put on a show with The Cast. She dishes about everything from hot celebrity gossip t0 her indie team Free Kittens, so you can rest assured that this episode explores the full breadth of humanity. Listen up!
Welcome to 2017! The Magnet Theater Podcast is back for another year of interviews and, this week, we have Kim Brown on the mic. Kim and Louis begin this episode discussing her writing gig at JustJared.com, a website dedicated to celebrity editorials and hot hot goss. As he often does, Louis asks our guest how she got herself into acting and comedy. Kim’s origin story eventually lands her at UCB and with her beloved indie team, Free Kittens. We hear all about that, plus, she and Louis share some hot takes on which days of the week are best for taking classes!
After several years at UCB, and following a short break from improv, Kim began classes again at Magnet and had an amazing experience going through a second program. She details what it’s like to come back to take improv classes at another theater and why it was such a joy. Kim joined The Cast just after completing Team Performance Workshop and speaks here about how everyone on the team brings their own expertise to the show each week. Speaking of expertise, Louis and Kim get to talking about Gilmore Girls! As a Gilmore Girls expert on The Cast, Kim has much to say and Louis, who is only about three seasons in, also weighs in. This dive into the lore of Stars Hollow raises the topic of recreating something you really love and prompts a discussion on The Cast’s weekly process of paying tribute to a particular genre or theme.
If you’ve ever wondered, “Will Kim Brown ever take a musical improv class?” we have the answer! We find out what scares Kim about musical improv and her former love, musical theater. Kim talks to Louis about performing at Megawatt the night after the 2016 election and they wax poetic about comedy’s ability to help us during dark times. Louis asks about Kim’s Megawatt team YOUTHS and they have a rousing discussion about reframing the Harold to make it more fun and how gaining a bit of confidence can make you so much better improv. The episode concludes with a round of Getting To Know Each Other and a once-in-a-lifetime epilogue from Louis Kornfeld. Check it out!
Oh my my. To celebrate our 100th episode, host LOUIS KORNFELD takes a seat on the other side of the table to be interviewed by the incomparable Peter McNerney! What more do you need to know??? Happy 100th! Huzzah!
Fellow Magnet veteran and instructor, Peter McNerney, literally takes Louis’ place to interview our intrepid host all about his life and mind in the world of art and improv. We get to hear tidbits from Louis each week, but this episode is all about him! We thought that after 100 episodes, it might be nice for Louis to kick back, take the night off from hosting, and simply answer some questions. The result is wonderful and we’re so happy to share it with you. Here’s to 100 more!!!
A star on both Magnet and UCB stages, BETH SLACK, stops by to talk with Louis about her love of opera, how 9/11 changed her career plans, and why musical improv rules. Beth tells us all about her long relationship with stage performance and, how after taking a break from it for nearly 10 years, she came back to the stage by finding improv. She and Louis get to know each other and she does a wonderful scene with jar of pickles! See Beth weekly at Magnet with Premiere: The Improvised Musical, The Cast, and at UCB on Harold Night with Foxhole. Plus! This coming week she performs a live radio play with The Broadcast (10/10) and as a part of the New York Musical Improv Festival with Hansbury & Slack (10/13).
As a fantastic musical improviser, it might not surprise anyone to find out that Beth was originally trained in opera! She first moved to NYC about 15 years ago, three days before the events of September 11th took place. Understandably, her plans to “make it” in the big city were put on hold and she moved back to Ohio. Beth later returned to NYC to study at the American Musical and Dramatic Academy, after which, she stopped doing anything artistic for about 10 years. She tells us all about getting into opera and vocal performance and how she went to boarding school for a year specifically to study voice. With her extensive knowledge, Beth enlightens Louis as to the differences between opera and musical theater. About four years ago, almost exactly 11 years after first moving to NYC, Beth signed up for an improv class and her world was changed again. She and Louis discuss how narrative plot functions in different styles of improv and they mull over the differences between tangible art and performance art. Digging further into improv theory, they discuss the pitfalls of over-agreement in scenes and how it’s perfectly okay to ask questions. Plus, Louis and Beth play some two-person hotspot and Beth performs A Serious Scene With A Jar Of Pickles!
Seasoned improviser and actor, MIRIAM TOLAN, talks with us about her days at Second City, theatricality in improv, and chasing the high that comes from long-form. Growing up outside of Chicago, Miriam was almost fell into becoming an improver and she continues to perform and teach today after doing stints in Chi-town, New York, and LA. Recently, she’s back in NYC and agreed to sit down with us to talk about her journey!
Miriam has been improvising for decades now, and Louis kicks off the episode by taking it all the way back to the beginning. Hear about the influence of SCTV as a gateway drug into comedy and how Miriam caught the improv bug. She tells us about starting at Second City while in college and how serendipitous it was that she happened to be from Chicago. Miriam says she loved every minute of her Second City experience and, to prove it, provides us with an inside view as to why. Louis recalls that she was a member of the “tall cast.” Hear Miriam all about a month-long tour experience in Texas and goofing around while on traveling with her TourCo cast.
With so much experience performing for audiences of all kinds, Louis wants to know Miriam’s gauge on crossing the line with an audience in terms of placating them versus antagonizing them. She answers with examples from Second City’s storied cast members and how different people have handled that balance. Speaking of Second City, Louis inquires about how it was coming into SC’s historically political sensibility, having been raised in a time of more character-based comedy? This leads down a delightful rabbit hole talking about ED and Jazz Freddy, two groundbreaking long-form shows in Chicago. Miriam and Louis discuss how the theatrical quality of these shows changed the improv landscape and paved the way for current acts like TJ & Dave and Stolen House. Acting and improv were two very different worlds before the formation of these groups, she says. Louis wonders if actors are looking for something different in a scene besides the laugh and while Miriam can’t answer for them all, she answers saying that she is always looking for connection.
Moving forward to today, our illustrious duo talk about making adjustments in their own shows after “going to church” by seeing an act like TJ & Dave. “How can you not overcompensate?” they ask. Louis claims that when you’re doing an impression of someone you admire, you’re doing the opposite of what makes them who they are. Miriam and Louis talk about tapping into a sense of not knowing why something works and chasing that invisible high. Miriam describes trying to find a similar sense of magic in scripted work and the challenge of such a task. At this phase, Louis wants to know, what keeps Miriam excited about this improv stuff? He also recalls his love of The Tiny Spectacular, Magnet’s one-time, uber-stacked, Saturday night show.
They end the episode discussing how Miriam approaches teaching and how long-form has a way of finding its way back to short-form. Finally, the question is answered: What’s the ulterior motive to a hug?
Founder of Improv Everywhere and UCB stalwart, CHARLIE TODD, joins us to talk about causing scenes, his early days at UCB, and Two Beers In, his new political roundtable podcast! In addition to his infamous prank collective and budding podcast, Charlie plays at UCB on Saturday nights with The Curfew and has hosted UCB CageMatch on Thursday nights for the past 13 years. We’re so happy that Charlie took the time to sit down with us and we know you’re gonna love this episode!
Louis begins the episode diving full force into Improv Everywhere, but not before he describes a conflict he had just witnessed on the subway. Charlie contrasts Louis’ tale by explaining how the mission behind IE is to create positive public moments that foster community. Our duo discusses the path that IE has taken over the years and Charlie tells us about the origin of the project, which started with a Ben Folds prank. They talk further about the rise of IE in parallel with the emergence of blogs, YouTube, and internet connectedness. Charlie describes the current YouTube landscape and notes how the competition between creators and corporations has grown as of late. He also talks about branded content and how artists pay for their creative processes. Louis asks how Charlie deals with cases of when brands or other organizations co-opt IE concepts and the use of viral content for the sake of marketing.
Moving away from the business side of things, Louis wants to know which prank ideas pass Charlie’s bar for inclusion, how he feels about going global, and what it’s like organizing large groups of people to do things without a set outcome. Charlie walks us through a somewhat recent run-in with the police and tells us how IE deals with authority. Louis expresses to Charlie how the work of Improv Everywhere makes New York feel a bit smaller and you’ll find out why Charlie really hates the term “flash mob!”
Switching gears, Louis talks with Charlie about his early days at UCB. Fun fact: He heard about the UCB from Hollywood’s T.J. Miller while studying theater in England! Another fun fact: Charlie took his Level 1 with Armando back in 2001. Since he’s been around for UCB’s meteoric rise, Louis asks if Charlie was he able to see the history happening as it unfolded, or if it was more of a sudden realization? Plus, how cool was it when Conan was still in New York? Right, guys?? And it just wouldn’t be a podcast with Louis Kornfeld if they didn’t explore something philosophical like the cyclical nature of performing improv on the same stage for years on end.
Charlie and Louis wrap up this episode discussing Charlie’s newest project, Two Beers In, a tipsy political comedy podcast and live show which he co-hosts with his wife Cody Lindquist. It’s a political roundtable where everyone has chugged a couple beers before the talking starts. Do yourselves a favor and check it out!
A joy to watch on UCB’s Harold Night and TourCo, STEFAN SCHUETTE, joins host Louis Kornfeld for a heavy dose of improv nerdery and to share his improv journey with us. Stefan moved to the city five years ago, has studied everywhere, and currently flies all around the country performing improv. He loves the craft so much and he’s so damn funny, we just had to have him on!
Not too long ago, Stefan hosted his own improv podcast (Improv Noise), on which Louis was a guest, so you can consider this the episode of Frasier when Ted Danson shows up! Louis starts out by asking Stefan to walk us through his route to a life of comedy. Stefan had been doing improv forever in various places and styles when, five years ago, he finally moved to NYC to chase the dream. First being cast at UCB as a member of UCB TourCo, he was then placed on Lloyd Night and quickly rose to Harold Night, where he currently plays with Some Kid. Louis asks him to compare the experience and approach of performing with TourCo versus Lloyd Night and then goes on to contrast Lloyd with Harold Night.
As promised, we get a deep dive into a number of improv techniques and approaches. On the Harold structure itself, Louis and Stefan discuss what we can call a Harold: Does it need to be a particular structure, or can it be anything long-form? He talks about TourCo performances and how they strive more to show the crowd funny scenes than the mastery of a form. Our pair makes a fuss about preparing the audience for what they’re about to see and Louis asks Stefan about his approach to interviews at the top of shows.
Although he considers himself more of an organic player, Stefan has been playing almost strictly premise-based improv for two years now, so he provides advice on building those premise muscles. Louis inquires about Stefan’s coaching and what he most often focuses on, and we are given a beautiful analogy that relates improv to a baseball card stuck in bicycle wheel spokes. They discuss having longer-term goals to focus on with your team and Stefan provides more advice on second beats, third beats, and callbacks. They also explore how group mind influences performances.
As we approach the end of the episode, Louis asks Stefan about how he comes across as a human and what it means to be “specific.” To wrap it al up, our dynamic duo talks about the Keith Johnstone style of improv, which is found all over the world. One thing’s for sure: they love opening doors.
Founding member of legendary UCB ensembles The Swarm and The Stepfathers, MICHAEL DELANEY, sits down with host Louis Kornfeld to talk truth in improv, how time has affected his approach to comedy, and his reverence for the Harold. Not only has Delaney been doing improv in NYC since before the arrival of the UCB, but he’s long been considered one of the greatest minds in both improv and sketch that this great city has to offer. Listen in to hear Louis interview his former teacher and to find out what gets under Delaney’s skin.
Louis took Delaney’s Level 3 class thirteen years ago and he still has his notes from it. more
We couldn’t get enough of CHRISSIE GRUEBEL on stage, so we had her on the podcast to talk about improv, acting, & everything else. A darling of Megawatt’s Metal Boy, Friday Night Sh*w, and Magnet Sketch Teams, Chrissie sits down with Louis and regales him with tales from Philadelphia, New York, and the theater capitol of North America, Scranton. Chrissie is one of our favs and we just know you’re gonna love this episode. May she live forever online!
To begin this episode, Louis claims he knows nothing about Chrissie and Chrissie claims she doesn’t have a Long Island accent. You’ll have to tune in to find out that both of these are lies! more