Posts Tagged ‘UCB’
A star on both Magnet and UCB stages, BETH SLACK, stops by to talk with Louis about her love of opera, how 9/11 changed her career plans, and why musical improv rules. Beth tells us all about her long relationship with stage performance and, how after taking a break from it for nearly 10 years, she came back to the stage by finding improv. She and Louis get to know each other and she does a wonderful scene with jar of pickles! See Beth weekly at Magnet with Premiere: The Improvised Musical, The Cast, and at UCB on Harold Night with Foxhole. Plus! This coming week she performs a live radio play with The Broadcast (10/10) and as a part of the New York Musical Improv Festival with Hansbury & Slack (10/13).
As a fantastic musical improviser, it might not surprise anyone to find out that Beth was originally trained in opera! She first moved to NYC about 15 years ago, three days before the events of September 11th took place. Understandably, her plans to “make it” in the big city were put on hold and she moved back to Ohio. Beth later returned to NYC to study at the American Musical and Dramatic Academy, after which, she stopped doing anything artistic for about 10 years. She tells us all about getting into opera and vocal performance and how she went to boarding school for a year specifically to study voice. With her extensive knowledge, Beth enlightens Louis as to the differences between opera and musical theater. About four years ago, almost exactly 11 years after first moving to NYC, Beth signed up for an improv class and her world was changed again. She and Louis discuss how narrative plot functions in different styles of improv and they mull over the differences between tangible art and performance art. Digging further into improv theory, they discuss the pitfalls of over-agreement in scenes and how it’s perfectly okay to ask questions. Plus, Louis and Beth play some two-person hotspot and Beth performs A Serious Scene With A Jar Of Pickles!
Seasoned improviser and actor, MIRIAM TOLAN, talks with us about her days at Second City, theatricality in improv, and chasing the high that comes from long-form. Growing up outside of Chicago, Miriam was almost fell into becoming an improver and she continues to perform and teach today after doing stints in Chi-town, New York, and LA. Recently, she’s back in NYC and agreed to sit down with us to talk about her journey!
Miriam has been improvising for decades now, and Louis kicks off the episode by taking it all the way back to the beginning. Hear about the influence of SCTV as a gateway drug into comedy and how Miriam caught the improv bug. She tells us about starting at Second City while in college and how serendipitous it was that she happened to be from Chicago. Miriam says she loved every minute of her Second City experience and, to prove it, provides us with an inside view as to why. Louis recalls that she was a member of the “tall cast.” Hear Miriam all about a month-long tour experience in Texas and goofing around while on traveling with her TourCo cast.
With so much experience performing for audiences of all kinds, Louis wants to know Miriam’s gauge on crossing the line with an audience in terms of placating them versus antagonizing them. She answers with examples from Second City’s storied cast members and how different people have handled that balance. Speaking of Second City, Louis inquires about how it was coming into SC’s historically political sensibility, having been raised in a time of more character-based comedy? This leads down a delightful rabbit hole talking about ED and Jazz Freddy, two groundbreaking long-form shows in Chicago. Miriam and Louis discuss how the theatrical quality of these shows changed the improv landscape and paved the way for current acts like TJ & Dave and Stolen House. Acting and improv were two very different worlds before the formation of these groups, she says. Louis wonders if actors are looking for something different in a scene besides the laugh and while Miriam can’t answer for them all, she answers saying that she is always looking for connection.
Moving forward to today, our illustrious duo talk about making adjustments in their own shows after “going to church” by seeing an act like TJ & Dave. “How can you not overcompensate?” they ask. Louis claims that when you’re doing an impression of someone you admire, you’re doing the opposite of what makes them who they are. Miriam and Louis talk about tapping into a sense of not knowing why something works and chasing that invisible high. Miriam describes trying to find a similar sense of magic in scripted work and the challenge of such a task. At this phase, Louis wants to know, what keeps Miriam excited about this improv stuff? He also recalls his love of The Tiny Spectacular, Magnet’s one-time, uber-stacked, Saturday night show.
They end the episode discussing how Miriam approaches teaching and how long-form has a way of finding its way back to short-form. Finally, the question is answered: What’s the ulterior motive to a hug?
Founder of Improv Everywhere and UCB stalwart, CHARLIE TODD, joins us to talk about causing scenes, his early days at UCB, and Two Beers In, his new political roundtable podcast! In addition to his infamous prank collective and budding podcast, Charlie plays at UCB on Saturday nights with The Curfew and has hosted UCB CageMatch on Thursday nights for the past 13 years. We’re so happy that Charlie took the time to sit down with us and we know you’re gonna love this episode!
Louis begins the episode diving full force into Improv Everywhere, but not before he describes a conflict he had just witnessed on the subway. Charlie contrasts Louis’ tale by explaining how the mission behind IE is to create positive public moments that foster community. Our duo discusses the path that IE has taken over the years and Charlie tells us about the origin of the project, which started with a Ben Folds prank. They talk further about the rise of IE in parallel with the emergence of blogs, YouTube, and internet connectedness. Charlie describes the current YouTube landscape and notes how the competition between creators and corporations has grown as of late. He also talks about branded content and how artists pay for their creative processes. Louis asks how Charlie deals with cases of when brands or other organizations co-opt IE concepts and the use of viral content for the sake of marketing.
Moving away from the business side of things, Louis wants to know which prank ideas pass Charlie’s bar for inclusion, how he feels about going global, and what it’s like organizing large groups of people to do things without a set outcome. Charlie walks us through a somewhat recent run-in with the police and tells us how IE deals with authority. Louis expresses to Charlie how the work of Improv Everywhere makes New York feel a bit smaller and you’ll find out why Charlie really hates the term “flash mob!”
Switching gears, Louis talks with Charlie about his early days at UCB. Fun fact: He heard about the UCB from Hollywood’s T.J. Miller while studying theater in England! Another fun fact: Charlie took his Level 1 with Armando back in 2001. Since he’s been around for UCB’s meteoric rise, Louis asks if Charlie was he able to see the history happening as it unfolded, or if it was more of a sudden realization? Plus, how cool was it when Conan was still in New York? Right, guys?? And it just wouldn’t be a podcast with Louis Kornfeld if they didn’t explore something philosophical like the cyclical nature of performing improv on the same stage for years on end.
Charlie and Louis wrap up this episode discussing Charlie’s newest project, Two Beers In, a tipsy political comedy podcast and live show which he co-hosts with his wife Cody Lindquist. It’s a political roundtable where everyone has chugged a couple beers before the talking starts. Do yourselves a favor and check it out!
A joy to watch on UCB’s Harold Night and TourCo, STEFAN SCHUETTE, joins host Louis Kornfeld for a heavy dose of improv nerdery and to share his improv journey with us. Stefan moved to the city five years ago, has studied everywhere, and currently flies all around the country performing improv. He loves the craft so much and he’s so damn funny, we just had to have him on!
Not too long ago, Stefan hosted his own improv podcast (Improv Noise), on which Louis was a guest, so you can consider this the episode of Frasier when Ted Danson shows up! Louis starts out by asking Stefan to walk us through his route to a life of comedy. Stefan had been doing improv forever in various places and styles when, five years ago, he finally moved to NYC to chase the dream. First being cast at UCB as a member of UCB TourCo, he was then placed on Lloyd Night and quickly rose to Harold Night, where he currently plays with Some Kid. Louis asks him to compare the experience and approach of performing with TourCo versus Lloyd Night and then goes on to contrast Lloyd with Harold Night.
As promised, we get a deep dive into a number of improv techniques and approaches. On the Harold structure itself, Louis and Stefan discuss what we can call a Harold: Does it need to be a particular structure, or can it be anything long-form? He talks about TourCo performances and how they strive more to show the crowd funny scenes than the mastery of a form. Our pair makes a fuss about preparing the audience for what they’re about to see and Louis asks Stefan about his approach to interviews at the top of shows.
Although he considers himself more of an organic player, Stefan has been playing almost strictly premise-based improv for two years now, so he provides advice on building those premise muscles. Louis inquires about Stefan’s coaching and what he most often focuses on, and we are given a beautiful analogy that relates improv to a baseball card stuck in bicycle wheel spokes. They discuss having longer-term goals to focus on with your team and Stefan provides more advice on second beats, third beats, and callbacks. They also explore how group mind influences performances.
As we approach the end of the episode, Louis asks Stefan about how he comes across as a human and what it means to be “specific.” To wrap it al up, our dynamic duo talks about the Keith Johnstone style of improv, which is found all over the world. One thing’s for sure: they love opening doors.
Founding member of legendary UCB ensembles The Swarm and The Stepfathers, MICHAEL DELANEY, sits down with host Louis Kornfeld to talk truth in improv, how time has affected his approach to comedy, and his reverence for the Harold. Not only has Delaney been doing improv in NYC since before the arrival of the UCB, but he’s long been considered one of the greatest minds in both improv and sketch that this great city has to offer. Listen in to hear Louis interview his former teacher and to find out what gets under Delaney’s skin.
Louis took Delaney’s Level 3 class thirteen years ago and he still has his notes from it. more
We couldn’t get enough of CHRISSIE GRUEBEL on stage, so we had her on the podcast to talk about improv, acting, & everything else. A darling of Megawatt’s Metal Boy, Friday Night Sh*w, and Magnet Sketch Teams, Chrissie sits down with Louis and regales him with tales from Philadelphia, New York, and the theater capitol of North America, Scranton. Chrissie is one of our favs and we just know you’re gonna love this episode. May she live forever online!
To begin this episode, Louis claims he knows nothing about Chrissie and Chrissie claims she doesn’t have a Long Island accent. You’ll have to tune in to find out that both of these are lies! more
A mainstay of Magnet Sketch Teams and long-time NYC improviser, ROB WEBBER, joins us to discuss his life of comedy, dish on how he wanted to teach music once upon a time, and provide advice that can aid any team. In addition to being a writer/actor for Wendigo and the director of Adults, Rob has been doing comedy in NYC for 20 years now and he has a lot of insight on what makes great teams, how to find success on your own terms, and his favorite kind of improv. Dig in, children.
Since Rob has been in the comedy game for two decades, Louis begins this interview by asking him how he has he integrated comedy with the rest of the life. Whether it’s been comedy or his first passion of wanting to be a music teacher, Rob talks about how he’s spent most of his life following his interests very closely. He first came to New York to study musical theater, where he learned Viola Spolin exercises, and then picked up Second City in the late 90’s when it opened here. Rob tells us about those few years during which Second City had a New York branch and describes legendary teacher Martin de Maat.
Born out of those SC days was Rob’s long-running indie team Johnny Lunchpail, which was a team that Louis fondly recalls looking up to when he began improvising. Rob talks about that team, as well as the team he most looked up to when he started out: Burn Manhattan. Louis and Rob discuss the Johnny’s style of physical, viewpoints-influenced play and Rob tells us what he found most useful about Spolin’s exercises. He gets frustrated these days with people “burning their steps” and encourages players to take their time.
In addition to his work at Magnet, Rob has also studied at UCB and was on Harold Night for about 5 years. He talks about he evolution of My Kickass Van becoming Gigawatt and eventually, Arsenal, and notes that Giuliani made a lot of performance venues for comedy by closing down strip clubs. Louis and Rob get into game, plot, narrative, and story, which can be a confusing goulash of terms and definitions, even for the most seasoned improviser.
To wrap up the show, Louis asks Rob some big questions about writing, performing, and directing sketch comedy. Rob provides guidance and insight on what makes great sketch writers and performers. Most of it boils down to this: Look out for people and take care of the unsexy stuff. Louis asks a super obnoxious question, but gets writing advice out of it. And finally, we hear the compare and contrast benefits of the Second City approach to creating sketch versus the more UCB/Magnet approach.
Extra finally, Rob talks briefly about teaching improv in Brazil. What?! So cool!
Justin Torres is all over the Magnet Theater these days, performing with GOATS, Heartbeat, and Premiere, and now, he’s a guest on our podcast! In this episode, we learn about Justin’s experiences studying at the four major improv training centers of NYC, how he approaches different shows with different teams, and his advice for people looking to get into voiceover work. It’s a truly wonderful episode that will surely put a smile on your face. Listen in!
Right off the bat, Louis asks Justin how he has quietly become the hardest working man in improv. In just the last few years, Justin has studied improv at every theater in the city and currently performs or rehearses fives days a week. He talks about being on a new team and how it’s necessary to have a positive outlook and energy with each other. Drawing on his house team experience, he discusses the interplay between veterans and newbies in an ensemble. What are his favorite things about improvising? He loves putting a smile on his teammates’ faces and he’s really into group mind. If you’ve ever watched him improvise, you’ll recognize too that he is not afraid of doing something that “breaks” the show, which is just a part of his pursuit of playing in order to surprise himself. He also has a particular fondness for dynamic stage pictures.
What are Justin’s approaches when playing with his three different groups? He tells us about GOATS’ love of getting crazy together, hearing the heartbeat of Heartbeat, and being the guy who is always putting Premiere on the brink of failure. From there, Louis gets into how gracious Justin is prone to being. Not only is Justin incredibly thankful about his improv life, but he’s very specific about his gratefulness. As he tells us, we’ve only got so much time with these teams, so you’ve got to be grateful for it. Louis talks about being on both sides of getting cut and how people respond to it. In particular, he admires Justin’s non-attachment to results. How does a team react to being cut and what does it tell us? Improv is a great way to be constantly working with your fears and insecurities. Justing thinks it can help you realize yourself in the time you have available. It’s all about doing improv as a corollary for life. What do you want to do? You can do it in improv.
Louis gives a shoutout to Justin’s improv blog, Improv, NYC and asks Justing to provide advice for a new improviser coming to NYC. He talks about what the four different theaters have to offer a new improviser and then provides advice for people going through different schools at the same time.
Finally, Louis asks Justin about his career in voiceover work. He gives very concrete advice for people looking to get into it, including: “Who to take VO classes from?” “What should you keep in mind before jumping in?” and “What does one need to get started?” Justin’s voiceover archetype is “Honest Everyday Guy,” and while we agree wholeheartedly with the first part, we’re convinced he’s far more than just an everyday guy.
- Annoyance Theatre
- Justin D Torres
- Justin Torres
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- musical improv
- musical megawatt
- new york
- new york city
- People's Improv Theater
- the pit
- Upright Citizens Brigade
- VO artist
- voice over
Back from our one-week summer vacation, we have longtime Magnet performer JAMIE RIVERA on the show us to talk about science fiction, having fun on stage, and how improv can help us through difficult times. Along the way, host Louis Kornfeld talks to Jamie about playing characters, performing for various audiences, and The Little Rascals. We love Jamie and we’re sure that you’ll love this episode.
To start things off, Louis asks Jamie about his interest in science fiction, which is something he inherited from his father. Jamie shares a funny story about going to see Star Wars for the first time as a kid, which gets Louis talking about how children make curious assumptions. Jamie claims that Inside Out might be Pixar’s best film and admits that it had him crying. What a softy! This gets the two of them discussing the power of film to move us, even if it’s not very good. Also, Louis loves Teen Wolf.
Continuing with this train of thought, Louis suggests that television and film allow us to give structure and resonance to our lives by framing them as narratives. Jamie relates this to religion, saying that even though he’s not a religious guy, there does seem to be a guiding force that many of us seek out. People similarly interpret dreams to have meaning, when perhaps there is none. All of this is done in an effort to give more meaning to our lives, he says.
Admitting that tropes from popular media often creep into improv shows, Louis asks Jamie how he feels about stealing moves from tv and film while improvising. Jamie wants everyone to know that he has ditched his gremlin on the airplane wing move and also, that engaging in tropes feels like pretending they way you pretended as a kid. As expected, Louis sometimes thinks he’s McNulty from The Wire and the two talk about archetypes versus specific characters. Louis wants to know: Is playing characters something that increases or decreases with age? He also talks about Shakespeare. Big episode for Louis.
Onto the topic of improv fuckery, Jamie and Louis talk about how Junior Varsity is a team that really indulges in having fun with each other and we get to hear a bit about how they approach their shows. Known as a fast-playing team, Jamie chalks much of their speed up to something akin to muscle memory – a result of being together for eight years. Their longevity has also created a great deal of trust amongst the members, which Louis thinks is the hallmark of a really good team.
After a bit about how to access your subconscious, Louis talks about showering. Really! This gets them chatting about entertaining yourself as a child. Jamie was a quasi-only child, and a latchkey kid, so he didn’t have a lot of friends very early in childhood. Jamie would simply make stuff up on his own and Louis notes how often children ostensibly put on shows for no audience. The theme of childhood carries through to a description of The Little Rascals as a proxy for the improv community and Louis tries to figure out when he stopped being mortified by being on stage.
Along with JV and The Friday Night Sh*w, Jamie has also been a part of UCB Harold Night and the Second City Cruise Lines. So, Louis wants to know: “How do all the different audiences influence being on stage? “Jamie breaks down his time at UCB with Trillion, noting a high level of of pressure, and talks about how ”muggle” audiences don’t see the same connections as other improvisers do. He even shares one particular experience on the cruise ship where his heart was melted by a very special audience member.
Jamie continues the heartfelt sentiment saying that hopefully, even if we are doing fart jokes, we are exploring the human condition. What he’s really getting at is comedy’s ability to have meaning, even in its silliest moments. Jamie concludes this episode for us by speaking candidly about death and how improv has helped him through tragedy.
- Friday Night Sh*w
- Harold Night
- Inside Out
- Jamie Rivera
- junior varsity
- Little Rascals
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- new york
- new york city
- science fiction
- Second City
- Star Wars
- Teen Wolf
- The Wire
On this week’s episode, we’ve got actor, writer, and 14x UCB All-Star, Will Hines. We caught up with Will while he was in town for the 17th Annual Del Close Marathon and what ensued was a beautifully nerdy conversation about improv theory, improv practice, teaching methods, and some of Will’s early days at UCB.
The interview begins with Will and host Louis Kornfeld talking about how to navigate fighting in improv scenes. They insist that the characters must be able to have philosophical debates, not mere wizard battles. They sympathize with students learning improv though, since a bad fight and good fight feel very similar in the moment. Plus, arguments have a lot of good elements that improvisers should practice — commitment, point-of-view, feeling — but if they only serve to defend the character, they won’t be very helpful. Will goes into detail about his philosophy that scene partners must “shake hands” at the top of a scene.
If you’re wondering whether these two veteran company men discuss the philosophies of UCB and the Magnet, wonder no longer! Will and Louis get to the meaty stuff and talk about the differences between Harolds at Magnet and UCB. From there, they discuss a variety of improv “rules” and postulate that most rules are in need of a specific scope to make them useful. Will talks about the rigidity of his 10th grade english teacher and they debate the benefits and limitations of strict versus nurturing improv teachers. Though Will always loved Matt Besser’s no-bullshit approach to teaching, he says that Armando Diaz was his breakthrough teacher. He describes the two of them as the ying and yang of UCB teachers during his time coming up through classes.
We get to hear a bit of Will’s improv origin story, he and Louis discuss improv’s “huggy” vibe, plus, these two “kings of calm-edy” explore their thoughts on being funny while acting as the straight man and/or lower energy player. Louis shares with us that he’d just had his most embarrassing audition ever and Will admits that he has a lack of confidence when it comes to being funny. The two of them snap out of their temporary self-loathing to talk about Will’s days playing with Monkeydick, which was Louis’ favorite Harold Night team when he was a student there.
There’s so much great stuff in this episode for Magnet and UCB fans alike, not to mention every improv nerd out there, we’re not even sure where to start. Just trust us and give it a listen.
Packed with these extras:
The Brothers Hines have only one rule for their shows — what is it?
Louis admits his biggest weakness as a teacher and performer.
What do these guys think of the Star Wars Prequel trilogy???
- armando diaz
- del close marathon
- improv nerds
- improv nonsense
- improv philosophy
- improv theory
- Los Angeles
- Louis Kornfeld
- magnet theater
- magnet theater podcast
- magnet training center
- Matt Besser
- Michael Delaney
- new york
- new york city
- The Brothers Hines
- UCB Theatre
- Upright Citizens Brigade
- Will Hines